The Eclipse

1925 ◽  
Vol 18 (5) ◽  
pp. 298-299
Author(s):  
Frank J. McMackin
Keyword(s):  
The Sun ◽  
The Moon ◽  
The World

On the morning of Saturday, January 24th, 1925, there occurred a spectacle in the Heavens which few men are fortunate enough to experience even once in a lifetime. I was one of the elect on this occasion. The world awoke that morning a stage perfectly set for the wonderful sight nature had arranged. The atmosphere was absolutely clear, no trace of a cloud was visible anywhere and the sun seemed to he unusually bright—flushed with excitement over the performance it and the moon were to enact that day.

scholarly journals XLIV. Variation of the compass, as observed on board the Endeavour Bark, in a voyage round the World

1771 ◽  
Vol 61 ◽  
pp. 422-432 ◽  
Keyword(s):  
The Sun ◽  
The Moon ◽  
The World

The day of the month is noted according to the nautical account, which therefore in all observations noted P. M. is one day forwarder than the civil account. The latitude in is deduced from the last preceding meridian altitude of the Sun; and the longitude in is corrected by the last observations of the distances of the moon from the Sun and stars.

Flights of Imagination: Avicenna’s Phoenix (ʿAnqā) and Bedil’s Figuration for the Lyric Self

2020 ◽  
Vol 2 (1) ◽  
pp. 28-72
Author(s):  
Jane Mikkelson
Keyword(s):  
First Person ◽  
The Sun ◽  
The Moon ◽  
The Earth ◽  
Philosophical System ◽  
Personal Experiences ◽  
The World ◽  
The Phoenix

Abstract The phoenix (ʿanqā) appears in the philosophy of Avicenna (d.1037) as his example of a “vain intelligible,” a fictional being that exists in the soul, but not in the world. This remarkable bird is notable (along with the Earth, the moon, the sun, and God) for being a species of one. In this essay, I read the poetry Bedil of Delhi (d.1720) in conversation with the philosophical system of Avicenna, arguing that the phoenix in Bedil’s own philosophical system functions as a key figuration that allows him simultaneously to articulate rigorous impersonal systematic ideas and to document his individual first-personal experiences of those ideas. The phoenix also plays a metaliterary role, allowing Bedil to reflect on this way of doing philosophy in the first person—a method founded on the lyric enrichment of Avicennan rationalism. Paying attention to the adjacencies between poetry and philosophy in Bedil, this essay traces the phoenix’s transformations from a famous philosophical example into one of Bedil’s most striking figurations in his arguments about imagination, mind, and self.

Edward Johnson and the American Puritan Sense of History

Prospects ◽  
1989 ◽  
Vol 14 ◽  
pp. 1-29
Author(s):  
Ormond Seavey
Keyword(s):  
New England ◽  
The Sun ◽  
The Moon ◽  
The Bible ◽  
The World

When Edward Johnson needed to express his deepest hopes about history, he found in the Bible an encoded emblem for the destiny of America. In the proclamation from Christ's herald that begins The Wonder-Working Providence of Sions Saviour in New England, he concludes with an urgent appeal to all believers:Pray, pray, pray, pray continually with the valiant worthy Joshua that the Sun may stand still in Gibeon, and the Moone in the vally of Aijalon, for assuredly although some small battailes may be fought against the enemies of Christ, yet the great day of their finall overthrow shall not come till the bright Sonne of that one cleare truth of Christ, stands still in the Gentile Churches, that those who fight the Lords Battells may plainly discerne his enemies in all places, where they finde them, as also such as will continue fighting must have the World kept low in their eyes, as the Moon in the valley of Aijalon.

scholarly journals 'POET'S THEATER'

2014 ◽  
Vol 2 (3SE) ◽  
pp. 1-3
Author(s):  
Sandhya Gangarade
Keyword(s):  
The Sun ◽  
The Moon ◽  
The Earth ◽  
Red Color ◽  
The World ◽  
Forest Division

The creator, the Creator, the creator, by whatever name, calls the ultimate power that colors the sky blue, the earth green, the sun gold and the moon silver. The colors of Pushpavali in the forest division are countless and the colors of water creatures in the ocean are amazing. Colorless water is also the miracle of the same and the white, black and red color of Ganga, Yamuna and Saraswati is also an expression of the same. Some also create 'Kavirmanishi Paribhu Swayambhu', the poet of the world of life, nature's colors with full sensibility Does. In poetry, there are mainly three basic colors - white, black, white, black and red. सृष्टा, रचेता, विधाता जिस भी नाम से पुकारें उस परम शक्ति को जो आकाश को नीला, धरती को हरा, सूरज को स्वर्ण और चाँद को रजत रंग में रंग देता है। वन प्रान्तर में पुष्पावलि के रंग अनगिनत है और सागर में जल-जीवों के रंग अद्भुत। रंगहीन जल भी उसी का चमत्कार है और गंगा, यमुना और सरस्वती का श्वेत, श्याम और लाल रंग भी उसी की अभिव्यक्ति है।कवि भी रचेता है ‘कविर्मनीषी परिभू स्वयंभू’ जीवन के जगत के, प्रकृति के रंगो को कवि पूरी संवेदन शीलता से संयोजित करता है। काव्य में मुख्य रूप से तीन रंग आधारभूत रंग है- श्वेत, श्याम, रतनान-सफेद, काला और लाल।

scholarly journals The Pericope Adulterae (John 7:53–8:11): Jesus’ Answer, an Offer of Life to Suffering Women

Perichoresis ◽  
2021 ◽  
Vol 19 (4) ◽  
pp. 3-20
Author(s):  
Annelien Rabie-Boshof
Keyword(s):  
Human Nature ◽  
Gospel Of John ◽  
The Sun ◽  
The Moon ◽  
Divine Nature ◽  
Starting Point ◽  
The World

Abstract This article explores a probable motivation for the insertion of the Pericope Adulterae (John 7:53–8:11) in the Gospel of John in consideration of the motive of ‘living/life’ used by the gospel writer. Using John 8:12 as the starting point of this investigation, the article focuses on the warning to the Israelites against idolatry with specific attention to the warning against worshiping the sun, the moon, and the stars (Deuteronomy 4:15–20). It also deals with the Feast of Tabernacles, which is the direct context in which Jesus declared that he is the light of the world. The water ceremony also plays a central role in understanding the bigger picture that unfolds, as well as the Early Church’s struggle against heretical Christological teachings of who Jesus was with regard to his human nature and his divine nature.

scholarly journals ROLE OF HEMANT RITU (EARLY WINTER) FOR MAINTEINANCE AND ENHANCEMENT OF BALA (STRENGTH)

2021 ◽  
Vol 9 (4) ◽  
pp. 829-832
Author(s):  
Shilpa Kachhawaha ◽  
Rajesh Kumar Sharma ◽  
Dinesh Chandra Sharma
Keyword(s):  
The Body ◽  
The Sun ◽  
Heating Effect ◽  
Human Beings ◽  
The Moon ◽  
Review Of Literature ◽  
The Earth ◽  
Body Strength ◽  
The World

Seasons (Ritus) are the inherent global earth clock and the rhythm of the world. As per Ayurveda year is divided into six seasons, in which three season Shishira, Vasanta and Greeshma are known as Aadanakala . Other three seasons Varsha, Sharad and Hemanta are said to be Visargakala. In Visarga kala, as the Sun is located in southwards position, its heat reduces or slows down due to the effect of time and its position with respect to the Earth, wind, cloud and rain. The power of the Moon is predominant. Rainwater decreases the heating effect of nature. All of these lead to the predominance of non- dryunctuous, amla (sour), lavana (salty), and madhura (sweet) rasa respectively and step by step rise of body strength in human beings during these three seasons. Out of all the Ritus, Hemanta Ritu is a unique Ritu in terms of having uttam bala. Falling in Dakshinayana, moon is very powerful than sun, Madhur rasa is predominant in this Ritu, so the strength (Bala) of person enhances during this period. This article focuses to disclose thorough review of literature of Hemant ritucharya and its implication towards maintenance and enhancement of Uttam Bala. In Ayurveda oja, veerya, prana, kapha etc terms are considered as synonyms of Bala. Besides prakruti(genetic), sara(physiological) and aahar(diet), kala (season) is one of the prime factors to govern the Bala of the person. Bala stands for the strength of the body in terms of physical, mental, immunological and resistance to the body, the word Bala is being used in different contexts to denote various aspects accordingly. Keywords: Visarga kala, Hemant ritu, Bala

scholarly journals ECLIPSES, MYTHOLOGY, AND ISLAM

Al-Duhaa ◽  
2021 ◽  
Vol 2 (02) ◽  
pp. 01-16
Author(s):  
Muhammad Nabeel Musharraf ◽  
Basheer Ahmad Dars
Keyword(s):  
Comparative Analysis ◽  
Comparative Religion ◽  
Common Source ◽  
The Sun ◽  
The Moon ◽  
The Past ◽  
Holistic Understanding ◽  
The World ◽  
Narrative Literature ◽  
Narrative Literature Review

Comparative religion is a field of study through which views of various religions about a particular topic or sets of topics can be collated, interpreted, and systematically compared for attaining useful insights and broadening the understanding of religious beliefs, behaviors, and actions [i]. The current research furthers the study of comparative religion by elaborating the conceptions or myths related to eclipses as found in various religions and cultures in the world. Written as a narrative literature review, it aims to collate these conceptions and opinions for comparative analysis. In this paper, we have studied the ‘myths’ and ‘mythology’ of the religions and cultures spread across Australia, Asia, the Americas, Europe, Africa, and the Middle East. It is found that some common themes exist in the beliefs held by various people and religions. However, if we compare these themes with each other, they are found to be considerably different indicating that they have not come from a common source; people have been creating them at various points in history. However, very different to them is the Islamic perspective on the topic. It profoundly differs from the conceptions held in other religions. It does not say that the eclipses are caused by some giant creature eating up the sun, or because of the sun being imprisoned, or because of a fight between some ‘gods’, and so on. It rather explains them as a phenomenon of nature that invites reflection and pondering. This raises a very important question to ponder upon: Why did Islam not adopt any myths to explain the concept of eclipse unlike any other religion even though it could use them for its benefit? This paper answers it by explaining the nature and objective of the Prophet of Islam and the source of his knowledge which was that very Creator who created the sun and the moon and everything else. Another important point that the current research highlights is that there is an inseparable connection between the fields of history, science, religion, politics, culture, and psychology; none of them can be separated from each other if one wishes to obtain a holistic understanding of this topic as well as many other matters of the past, present, and future.

scholarly journals ATTRIBUTIVE CHARACTERISTICS OF CELESTIAL BODIES IN THE MIDDLE POLISIAN BELIEFS

2021 ◽  
pp. 104-110
Author(s):  
Antonina Plechko
Keyword(s):  
Local Population ◽  
Field Research ◽  
The Sun ◽  
The Moon ◽  
Audio Recordings ◽  
The World ◽  
Celestial Bodies ◽  
Bad Weather ◽  
Diverse Groups

The article analyzes the attributive characteristics of celestial bodies: the sun, the moon and the stars in the Middle Polisian beliefs on the basis of dialect texts, which are valuable authentic material for the reconstruction of traditional spiritual culture. The research material was the texts of field research on inanimate objects collected in the territory of the Middle Polissia of Ukraine in 55 settlements of Zhytomyr and Rivne regions during 2010–2019 years. The purpose of our research is to describe tokens that are means of reflecting the attributive characteristics of the nomination of celestial bodies in the Middle Polisian dialects as one of the components of the linguistic picture of the world of a separate dialect space. The subject of analysis is the lexical and syntactic expression of the attributes of the sun, the moon and the stars in the beliefs of Polishchuks (local population of Polisian region. In the research the method of expeditionary collection of material, audio recordings with subsequent decoding and transcription of field material, the method of systematic description of the studied phenomenon for systematizing the collected material were used. The classification of attributes is given and the analysis of meteorological, color, sacred, temporal meanings, on external signs (on the size, on the form) is carried out. The results of the study indicate that the most filled and diverse groups of attributes that make up the Middle Polisian linguistic portrait of the characteristics of celestial bodies are meteorological and color definitions. Meteorological, temporal, external attributes enter into antonymous relations, as they contain in their semantic structure the corresponding positive / negative evaluative element (weather / bad weather). The color attributes, associated with the sun and the moon, are represented only by light and bright colors, there are no dark colors. While describing celestial bodies, we note a group of sacred meanings and adjectives with a gentle color, the suffix of diminution, which indicate a special perception of celestial bodies by Polishchuks. The collected material only partially reflects the characteristics of celestial bodies in the Middle Polisian dialects as one of the components of the linguistic picture of the world, so other means of reflecting the nomination of the sun, moon and stars require detailed study.

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