Griselda Gambaro (Buenos Aires, Argentina, 1928–)

2022 ◽  
pp. 73-77
Author(s):  
Paola S. Hernández ◽  
Analola Santana
2020 ◽  
Vol 17 (34) ◽  
pp. 215
Author(s):  
Brunela Succi

Através da análise de documentos sobre o debut de Griselda Gambaro como dramaturga e de sua peça El Desatino publicados majoritariamente entre os anos de 1965 e 1970, proponho descrever algumas das estratégias de construção e autorização de sua trajetória artística no contexto das disputas ao redor da definição de uma vanguarda teatral argentina nos anos 1960 em Buenos Aires. Em especial, enfoco aquelas estratégias que visam viabilizar a sua trajetória e sua autoridade no campo teatral através da burla dos constrangimentos de gênero e classe, a saber: a formação autodidata, as parcerias artísticas e a amorosa, a circulação do prestígio entre a dramaturga, outros artistas e o Instituto Di Tella, e a relação com a cidade.


Author(s):  
Milton Loayza

The grotesco criollo was a genre belonging to the commercialized theater of Buenos Aires in the 1920s and 1930s. The influence of the Italian grottesco of Luigi Pirandello is evident in the way characters are conceived as living with a false image of themselves. In the grotesco criollo the false image or mask is revealed when a character fails in his or her attempt to fit in with reality. Armando Discépolo is considered the creator of the genre. Other authors of grotescos include Francisco Defillipis Novoa and Juan Carlos Ghiano. The new genre was a conscious reworking of the sainete criollo, popular in the Rio de la Plata region at the beginning of the twentieth century. The sainetes were comic and melodramatic representations featuring the urban immigrants who crowded the patios of tenement buildings. The grotesco genre transferred the dramatic action to the interior of the Italian immigrant’s household. It typically mixed the comic and the tragic in a familial conflict involving failed expectations of success in modern life. Discépolo’s plays Mateo (1923) and Stéfano (1928) are most representative of the genre, which has influenced Argentine theater through the years, from avant-garde author Roberto Arlt to more recent playwrights such as Roberto Cossa and Griselda Gambaro.


2020 ◽  
Vol 20 (2) ◽  
pp. 83-95
Author(s):  
Susana Tarantuviez

This paper approaches the novels and plays created by the contemporary Argentine writer Griselda Gambaro (born in Buenos Aires, in 1928). In particular, it reviews how some of her characters deal with the issue of freedom of choice in the face of moral, ethical and political dilemmas, as well as their attitude towards the lack of civil rights in the context in which each story takes place. The protagonists of her novels Ganarse la muerte and Dios no nos quiere contentos, and of her plays La malasangre, Real envido, Del sol naciente, and Antígona furiosa are put into close consideration. In these narrative and dramatic texts, the author argues that even in the face of the worst adversities, in the private or public sphere, the essential freedom of the human being is preserved and allows him/her to choose his/her own unique attitude in situations of helplessness, oppression or violence. It is a spiritual freedom that is sustained even in the most terrible circumstances of psychic and physical suffering. The conclusion is that these characters represent a worldview in which the human being can be deprived of everything, except the most essential of human liberties, that is the free will to choose a personal attitude to a set of circumstances and decide his/her own path.


1982 ◽  
Vol 99 ◽  
pp. 605-613
Author(s):  
P. S. Conti

Conti: One of the main conclusions of the Wolf-Rayet symposium in Buenos Aires was that Wolf-Rayet stars are evolutionary products of massive objects. Some questions:–Do hot helium-rich stars, that are not Wolf-Rayet stars, exist?–What about the stability of helium rich stars of large mass? We know a helium rich star of ∼40 MO. Has the stability something to do with the wind?–Ring nebulae and bubbles : this seems to be a much more common phenomenon than we thought of some years age.–What is the origin of the subtypes? This is important to find a possible matching of scenarios to subtypes.


1998 ◽  
Vol 26 (152) ◽  
pp. 576
Author(s):  
Oscar H. del Brutto Perrone ◽  
José Antonio Bueri ◽  
Antonio Culebras ◽  
Jordi Matías-Guiu Guía ◽  
Marco Tulio Medina Hernández ◽  
...  
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