African-American language use: Ideology and so-called obscenity

2021 ◽  
pp. 249-276
Author(s):  
Arthur K. Spears
2020 ◽  
Author(s):  
Mary Kohn ◽  
Walt Wolfram ◽  
Charlie Farrington ◽  
Jennifer Renn ◽  
Janneke Van Hofwegen

Author(s):  
Brianna R. Cornelius

Although a notable body of work has emerged describing gay male speech (GMS), its overlap with African American language (AAL) remains comparatively understudied. This chapter explores the assumption of whiteness that has informed research on gay identity and precluded intersectional considerations in sociolinguistic research. Examining the importance of racial identity, particularly Blackness, to the construction of gay identity in the United States, the chapter investigates the treatment of GMS as white by default, with the voices of gay men of color considered additive. The desire vs. identity debate in language and sexuality studies contributed to an understanding of gay identity as community-based practice, thereby laying a necessary framework for the study of GMS. However, this framework led to a virtually exclusive focus on white men’s language use. Although efforts to bring a community-based understanding to gay identity have been groundbreaking, the lack of consideration of intersectionality has erased contributions to GMS from racially based language varieties, such as AAL.


2021 ◽  
Vol 60 (3) ◽  
pp. 231-241
Author(s):  
Gloria Swindler Boutte ◽  
Mary E. Earick ◽  
Tambra O. Jackson

2017 ◽  
Vol 69 (1) ◽  
pp. 67-84
Author(s):  
Yachao Li ◽  
Jennifer A. Samp ◽  
Valerie B. Coles Cone ◽  
Laura M. Mercer Kollar ◽  
Ralph J. DiClemente ◽  
...  

2021 ◽  
Vol VI (I) ◽  
pp. 65-72
Author(s):  
Rizwan Aftab ◽  
Asim Aqeel ◽  
Saba Zaidi

This study explores the linguistic selection focusing on the use of N-word choice by African-American fiction writers. This study explains the basic concepts of language and language use, language as a text and discourse, and also the function it plays within the context. With Halliday and Hassan's semantic set of choices, this study argues that Zora Neale Hurston does not seem aware of consciously using N-words in her novel, but her use of Nword linguistic choice to communicate the theme of race is in line with her true reflection of the society and culture she is born and bred in. Hurston might have used N-word deliberately both to appropriate lexical choice with that of characters' roles as many of the Harlem Renaissance writers did and to establish a kind of community building and collective cultural solidarity, the major determinants of Hurston's use of the N-word in Their Eyes Were Watching God.


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