In the gathering shadows of material things

2021 ◽  
pp. 256-272
Author(s):  
Tim Ingold
Keyword(s):  
2017 ◽  
Vol 6 (2) ◽  
pp. 90-91
Author(s):  
Camilo Perez

Objects are not just material things but containers of memories. They occupy a particular place in our life trajectories, and as we re-encounter them in the act of remembering, as we assort them in new assemblages through the act of storytelling, new layers of meaning, affect, and emotion may emerge. In this performance script, the intersection of three objects—“a gold medal,” a “gun,” and “a steak”—become an avenue to explore my past experiences and re-visit, re-think the issue of the normalization of violence in my home country, Colombia.


2012 ◽  
Vol 6 (1-3) ◽  
pp. 291-307
Author(s):  
Jason T. Larson

This article considers the intersection of Christian and imperial memory in the physical Gospel book. Besides describing the function of gospel books in the post-Constantine Roman Empire, it examines the connection between the Roman construction and production of sites of memory that established Roman imperium in the Mediterranean and the development of the Christian Gospel codex as a site of memory within Christianity. It also explores the related issues of imperial and divine power as manifest through material things, the rhetoric of seeing and iconicity, and the invented tradition of Christian orthodoxy. The article shows that the Christian Gospels and Roman sites of memory, despite a vast difference in their intended functions and original uses, both established imperium. It maintains that the creation of the Gospels' imperial iconicity was not based on their function as texts of spiritual enlightenment in late ancient Christianity, but on the fact that the production of Gospels as material cultural objects depended on Roman cultural exemplars and ideological rhetoric.


2018 ◽  
Vol 18 (2-3) ◽  
pp. 326-356 ◽  
Author(s):  
Azra Hromadžić

Building on more than ten years of ethnographic research in post-war Bosnia-Herzegovina, this article documents discourses and practices of civility as mutuality with limits. This mode of civility operates to regulate the field of socio-political inclusion in Bosnia-Herzegovina; it stretches to include self-described “urbanites” while, at the same time, it excludes “rural others” and “rural others within.” In order to illustrate the workings of civility as mutuality with limits, the focus is on interconnections and messy relationships between different aspects of civility: moral, political/civil, and socio-cultural. Furthermore, by using ethnography in the manner of theory, three assumptions present in theories of civility are challenged. First, there is an overwhelming association of civility with bourgeois urban space where civility is located in the city. However, the focus here is on how civility works in the context of Balkan and Bosnian semi-periphery, suspended between urbanity and rurality. Second, much literature on civility implies that people enter public spaces in ways that are unmarked. As is shown here, however, people’s bodies always carry traces of histories of inequality. Third, scholarship on civility mainly takes the materiality of urban space for granted. By paying careful attention to what crumbling urban space looks and feels like, it is demonstrated how civility is often entangled with, experienced through and articulated via material things, such as ruins. These converging, historically shaped logics, geographies and materialities of (in)civility illustrate how civility works as an “incomplete horizon” of political entanglement, recognition and mutuality, thus producing layers of distinction and hierarchies of value, which place a limit on the prospects of democratic politics in Bosnia-Herzegovina and beyond.


2018 ◽  
Vol 4 (2) ◽  
pp. 225-242
Author(s):  
PETER D. LARSEN

AbstractThis paper addresses the question of whether, according to Plato, there are forms of sensible qualities; it is also addressed to the wider question of whether there are forms of physical and material things more generally. In particular, it considers the tension raised by the following theses: (1) a Platonic form is the essence of some thing; (2) for Plato those essences that are forms are imperceptible and are knowable through reasoning alone; (3) knowing the essence of a particular color (e.g., red) requires presentation with the relevant perceptible quality and hence requires sense perception; and (4) if a sense perceptible quality has an essence, then that essence is a form. The solution I defend to this puzzle basically consists of accepting theses (1) through (3) but denying thesis (4). Sensible qualities, according to Plato, do have essences, but specifying their essences does not require that one postulate a separate form.


Author(s):  
John Gabriel Mendie ◽  
Stephen Nwanaokuo Udofia

Man, by nature, desires to live a good and happy life. But often times, the enduring quest for the blissful and delightful, eludes man. This constant questing and concurrent yearning make man restless, until his hopes and aspirations of the good or happy life, are crowned with an éclat. But, can man ever attain or realize this feat in the society? Is the idea of the good life, a mirage, a myth or reality? Even more seriously, what does the good life really entail? Is it predicated on material things, that is, on the mundane? Or is the good life, a kind of utopia, an ideal that seeks to bring to the glare of publicity, the “oughts” of life as the case may be? Since the idea of the good life is something well-defined, does it also imply that there is such a thing as the bad life? If, such exist, what would it consist of? Armed with these cogitations, this paper, attempts an expository-comparative study of the good life, its constitutive elements and its attainability in the thoughts of two distinguished philosophers: Confucius (in the East) and Aristotle (in the West).


2021 ◽  
Vol 17 (2 (24)) ◽  
pp. 77-84
Author(s):  
Marina Yaghubyan

The use of omissions by Emily Dickinson is one of the major characteristics of her poetry. She tried to reach maximum ellipsis and achieve the tightest structural compression. The unique feature in her use of omission is that most of the unsaid information in her poems is portrayed with the help of dashes. They indicate a missing word, phrase, emphasize a break, or they depict a sudden change in thought. Throughout the author's writing, the imagery and metaphors are drawn from her observations of nature and imagination. Emily’s use of specific words resulted in one - inability of comprehending her poetry with just one reading. The present article focuses on the examination of the omitted words in Emily Dickinson’s poetry. The analysis shows that she refined and removed inessential language and punctuation from her poetry. In many of her poems, abstract concepts and material things are used to describe one another, but the relationship between them remains elusive and uncertain.


1974 ◽  
Vol 38 (3_suppl) ◽  
pp. 1335-1338 ◽  
Author(s):  
Nicholas D. Kokonis

The present study investigated the wishes of black American children aged 7 to 12 yr. (63 boys, 74 girls), to obtain normative data and to compare these children with other cultural groups. Ss wished for material things more often than anything else, boys tended to wish for money and material things more strongly than girls, and girls were more interested in personal attributes and skills than boys. No developmental trends were noted. Findings were compared with those of studies dealing with white American and Greek and Greek-American children, emphasizing psychosocial change in human development.


NEHEMIAH GREW was the first English plant anatomist. He was one of that closely knit group of amateur scientists of the seventeenth century who were consciously applying Baconian principles to the exploration of the natural world. The questions they were asking about material things were new questions, of limited and precise range. The answers they found helped to define the scope and content of new sciences, one by one. In this way Grew mapped out the science of botany. In the writings of these men are to be found a strenuous reaching towards a rational view and an attempt to discard the speculations and superstitions of past ages. Yet their work often showed a curious ambivalence, despite their brave words. They were men of both worlds and the old lies embedded undetected beside the new in their philosophy.


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