Exploring the changing face of architecture across the long 12th century

Author(s):  
Jill A. Franklin
Keyword(s):  
1981 ◽  
Vol 26 (4) ◽  
pp. 258-259
Author(s):  
Jack A. Adams
Keyword(s):  

1997 ◽  
pp. 40-43
Author(s):  
Natalia Fatyushyna

In the domestic literature, the beginnings of comparative ideas about supernatural belong to the writing of Kievan Rus. The most meaningful such representation is presented by "The Word of St. Gregory, reproduced in the interpretation of how the first pagans, that is, the pagans, worshiped the idols and laid them down, as they now do." The basis of this monument of the Kyivan culture of the 12th century, also known as the "Word of the Idols," was the sermon of the prominent patriarch Gregory the Theologian on the Epiphany, in which he reacted negatively to ancient paganism. But "The Word," as Y. Anichkov noted, is not a preaching, nor a translation of the thoughts of Gregory the Theologian, but an attempt to study Old Believers: it gives an interpretation of the work of the Byzantine theologian "in the interpretation" of the local paganism.


1989 ◽  
Vol 16 (1) ◽  
pp. 81-84
Author(s):  
J. G. Scott
Keyword(s):  

Summary This copper alloy crucifix was found during excavation at Macewen's Castle in Argyll in 1968 and closely resembles others known to date from the 12th century; it may have been made in Belgium. The arms could have been bent back to aid concealment in the 17th or 18th centuries.


2003 ◽  
Vol 25 (1) ◽  
pp. 27-56 ◽  
Author(s):  
JOHN LEWIS
Keyword(s):  

Three seasons (1973–75) of excavation were undertaken at several locations around Crookston Castle, which is thought to have begun as a timber and earth fortification in the twelfth century. This was replaced by a stone castle around AD 1400. Trenches were opened across the castle's outer defences, the entrance, the E range and in and around the extant stone tower. There was evidence to suggest that the original counterscarp of the ditch was repaired some time after the stone castle was built and that the gatehouse area was refashioned on more than one occasion. No dating evidence was found to date the construction of the main defensive ditch, which is presumed to have been dug in the 12th century.


Author(s):  
Peter M. Fischer ◽  
Patrik Klingborg ◽  
Fanny Kärfve ◽  
Fredrika Kärfve ◽  
C. Hagberg ◽  
...  

Determination of the complete occupational sequence of the site, including investigation of pre-12th century levels which were thoroughly studied by P. Åström since the 1970s, is the main task of the planned project. During the course of the expedition (NSCE11) in spring 2010 a ground-penetrating radar survey (GPR) was carried out at Dromolaxia Vizatzia/Hala Sultan Tekke in Area 6, leading to the discovery of a large Late Cypriote complex. The compound is bordered to the north by a substantial wall, against which nine rooms (so far) could be exposed. Two occupational phases have been verified but there are indications of a third. The suggested functions of the various structures of the most recent phase are: living, working, storage and administration spaces. The rich find contexts point to the production of textiles and metal objects, and the locally produced pottery is generally of a high quality. There are also many imports, mainly from the Mycenaean sphere of culture. The locally produced vessels from Phase 2 include the “Creature krater” which is a masterpiece of a high artistic standard. Another piece of elevated artistry is the piece of a “Warrior vase”.


Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 115-132
Author(s):  
Michalina Duda ◽  
Sławomir Jóźwiak ◽  
Marcin Wiewióra

Abstract Thanks to the wide use of the fruits of interdisciplinary research (history, archaeology, and art history) and a thorough analysis of written and architectural sources, it can be clearly demonstrated that, from at least as early as the end of the 12th century, architects, builders, stonemasons and probably also sculptors from what is now northern and eastern France were operating in the Kingdom of Hungary (though it is not known to what extent). It is impossible not to see a correlation between their activity and the very early appearance of the Gothic style in the territory of what was then Hungary. The architect–builder–designer–sketcher Villard de Honnecourt of Picardy, northern France, and his stay on the shores of the Danube are of particular interest. He was there most probably in the 1220s, but it is unfortunately difficult to say for certain which of the edifices he worked on considering those that were erected at the time in the Kingdom of Hungary.


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