Richardson, Dorothy (1873–1957)

2018 ◽  
Author(s):  
Scott McCracken
Keyword(s):  
Marcel Proust ◽  
Reference Points ◽  
Major Work ◽  
Dorothy Richardson ◽  
Second Wave Feminism ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Time Critical ◽  
The Way

Dorothy Richardson (17 May 1873–17 June 1957) was an English writer who pioneered experimental modernist prose. Her major work was Pilgrimage, a thirteen-volume narrative. The first part, or ‘Chapter-volume,’ Pointed Roofs, was published in 1915. A collected edition, containing the twelfth chapter Dimple Hill, was published in 1938. The unfinished, thirteenth chapter, March Moonlight, was published posthumously as part of a new collected edition in 1967. Pilgrimage is narrated exclusively through the consciousness of its heroine, Miriam Henderson. The technique is challenging for the reader, who is given little in the way of context or the familiar reference points of nineteenth-century realism. For Richardson, however, it opened the way to a new ‘feminine realism,’ where Miriam’s identity is not bound by the demands of marriage or family. The result is an open-ended, unfinished – and perhaps unfinishable – text, which is as significant in the history of women’s writing as it is for the history of twentieth-century literature. In the 1920s, Richardson’s work was routinely cited alongside James Joyce and Marcel Proust. Her reputation declined after 1945, but revived with second-wave feminism in the 1960s and 1970s. Since that time, critical interest in Richardson has grown steadily, and she now has an established place in the modernist canon.

scholarly journals Integrazione VS decostruzione nelle collaborazioni degli artisti visivi con la tv e qualche nota su Foligno ’67 di Alfredo Di Laura

2020 ◽  
Vol 8 (1) ◽  
Author(s):  
Francesca Gallo
Keyword(s):  
Mass Communication ◽  
Video Art ◽  
Visual Artists ◽  
Art Exhibition ◽  
Technological Potential ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
The One ◽  
The Way

The contribution gives an overview of the way visual artists have intervened in television production and within its specific audiovisual languages. Against the background of some famous and prolonged international experiences, the reflection focuses on Italian television between the 1960s and 1970s. Integration, experimentation, deconstruction are some of the categories in which such interventions can be steal, in relation to the way in which painters, sculptors and multimedia artists have intended to relate to tv, on the one hand attracted by the communicative and technological potential of the medium, and on the other critical of that type of visual universe and cultural offer in general. In the same position is also placed Alfredo Di Laura, television director and author of the program Avanguardie ‘60: a particularly representative case study both as an innovative reading of the seminal contemporary art exhibition, Lo spazio dell’immagine, and for the marginalization in the schedule. The intent of the contribution, moreover, is also to underline the ineffectiveness of critical formulations that in assimilating television to electronic technology tout court absorb peculiar formal exercises, born in dialectic with the pervasive means of mass communication, within the wider history of video art.

MINING THE ARCHIVES: A POTTERY SEQUENCE FOR BORNO, NIGERIA

2003 ◽  
Vol 1 (1) ◽  
pp. 39-76 ◽  
Author(s):  
Graham Connah ◽  
S.G.H. Daniels
Keyword(s):  
Large Body ◽  
Archaeological Research ◽  
Independent Data ◽  
Frankfurt Am Main ◽  
Archaeological Pottery ◽  
New Findings ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Johann Wolfgang Goethe

New archaeological research in Borno by the Johann-Wolfgang-Goethe-Universität, Frankfurt am Main, Germany, has included the analysis of pottery excavated from several sites during the 1990s. This important investigation made us search through our old files for a statistical analysis of pottery from the same region, which although completed in 1981 was never published. The material came from approximately one hundred surface collections and seven excavated sites, spread over a wide area, and resulted from fieldwork in the 1960s and 1970s. Although old, the analysis remains relevant because it provides a broad geographical context for the more recent work, as well as a large body of independent data with which the new findings can be compared. It also indicates variations in both time and space that have implications for the human history of the area, hinting at the ongoing potential of broadscale pottery analysis in this part of West Africa and having wider implications of relevance to the study of archaeological pottery elsewhere.

scholarly journals Philosophy as Synchronic History

2021 ◽  
pp. 1-18
Author(s):  
DANIEL STOLJAR
Keyword(s):  
Causal Explanation ◽  
David Lewis ◽  
Analytic Philosophy ◽  
Philosophy Of History ◽  
Bernard Williams ◽  
History Of ◽  
The 1960S ◽  
Philosophical Progress ◽  
The Way

Abstract Bernard Williams argues that philosophy is in some deep way akin to history. This article is a novel exploration and defense of the Williams thesis (as I call it)—though in a way anathema to Williams himself. The key idea is to apply a central moral from what is sometimes called the analytic philosophy of history of the 1960s to the philosophy of philosophy of today, namely, the separation of explanation and laws. I suggest that an account of causal explanation offered by David Lewis may be modified to bring out the way in which this moral applies to philosophy, and so to defend the Williams thesis. I discuss in detail the consequences of the thesis for the issue of philosophical progress and note also several further implications: for the larger context of contemporary metaphilosophy, for the relation of philosophy to other subjects, and for explaining, or explaining away, the belief that success in philosophy requires a field-specific ability or brilliance.

Why Diamonds Really are a Girl's Best Friend: Another American Narrative

Daedalus ◽  
2012 ◽  
Vol 141 (1) ◽  
pp. 89-100
Author(s):  
Linda K. Kerber
Keyword(s):  
The United States ◽  
Cultural Practice ◽  
Legal Tradition ◽  
Domestic Relations ◽  
Recent Developments ◽  
American Law ◽  
History Of ◽  
The Republic ◽  
1960S And 1970S ◽  
The 1960S

The old law of domestic relations and the system known as coverture have shaped marriage practices in the United States and have limited women's membership in the constitutional community. This system of law predates the Revolution, but it lingers in U.S. legal tradition even today. After describing coverture and the old law of domestic relations, this essay considers how the received narrative of women's place in U.S. history often obscures the story of women's and men's efforts to overthrow this oppressive regime, and also the story of the continuing efforts of men and some women to stabilize and protect it. The essay also questions the paradoxes built into American law: for example, how do we reconcile the strictures of coverture with the founders' care in defining rights-holders as “persons” rather than “men”? Citing a number of court cases from the early days of the republic to the present, the essay describes the 1960s and 1970s shift in legal interpretation of women's rights and obligations. However, recent developments – in abortion laws, for example – invite inquiry as to how full the change is that we have accomplished. The history of coverture and the way it affects legal, political, and cultural practice today is another American narrative that needs to be better understood.

scholarly journals Dyskursywnie o dyskursie

2006 ◽  
pp. 89-96
Author(s):  
Ewa Sławkowa
Keyword(s):  
Modern Human ◽  
Social Practices ◽  
Human Sciences ◽  
Feminist Discourse ◽  
History Of ◽  
Discourse Studies ◽  
Political Speeches ◽  
Characteristic Evolution ◽  
1960S And 1970S ◽  
The 1960S

The article presents a lexical and semantic study of the discourse, one of the most widespread terms of modern human sciences. We begin with etymology, and then demonstrate various stages of the development of the meaning of the term in the history of Polish. The lexem “discourse”, well established in the linguistic tradition of Polish, has undergone a characteristic evolution: first, a borrowing from Latin (discurere – “go in diverse directions”), it then became popular in the 16th through 18th centuries as a rhetorically marked Polish (particularly with the view of political speeches and sermons) to signal a kind of discussion and logical exposition of argumentation. Recent contemporary Polish gives this term a slightly archaic and bookish sense. At the same time, however, “discourse” has become a strictly scientific, scholarly term which carved for itself a special discipline of research (discourse studies). In the 1960s and 1970s the work of such linguists as Emile Benveniste or Roman Jakobsen helped to shape the meaning of discourse as a process of speaking, an interactive and dialogic communicative behaviour which sees language as conditioned by diverse social practices and/or ideologies (e.g. historical, scholarly, or feminist discourse).

Write Your Mother

2016 ◽  
Author(s):  
Amanda C. Seaman
Keyword(s):  
Literary History ◽  
Japanese Women ◽  
The Self ◽  
The Other ◽  
Pregnancy And Childbirth ◽  
Second Wave Feminism ◽  
Meiji Era ◽  
History Of ◽  
The 1960S ◽  
Second Wave

This chapter traces the literary history of Japanese women writing about pregnancy and childbirth, focusing on two key figures in this development. The first is Meiji-era poet Yosano Akiko whose works explored her experiences as an expectant mother and highlighted the unsettling aspects of pregnancy. While Yosano’s works permitted the literary treatment of formerly taboo issues, later writers rejected her lead, instead treating pregnancy as the prelude to motherhood, as a quasi-sacred moment. This persisted until the 1960s and 70s, when writers influenced by second-wave feminism challenged patriarchal society, rejecting the roles of wife and mother. The second was Tsushima Yuko, whose novels and stories explored alternative, mother-centered family models. Since then, writing about pregnancy rests on these two authors: on one side, treatments of pregnancy that emphasize the alien and the disquieting, and on the other, more ironic works, focusing upon the self-assertive and individualistic nature of childbearing.

Out of Empire into Socialist Modernity

2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung
Keyword(s):  
Soviet Union ◽  
Eastern Europe ◽  
Intellectual History ◽  
Post Colonial ◽  
The Soviet Union ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Relationship

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.

Henry Mathison Pelling 1920–1997

2003 ◽  
Author(s):  
Peter Clarke
Keyword(s):  
Labour Movement ◽  
History Of ◽  
The 1960S ◽  
Anglophone World ◽  
The Way

Henry Pelling enjoyed the deep respect of his professional colleagues, primarily in Britain and the anglophone world and also notably in Japan. His oeuvre secured him a reputation as the foremost empirical labour historian of his generation. Between 1954 and 1963 he published no fewer than nine substantial books, despite his complaints at the way that Oxford teaching duties ate into his time as a writing scholar. Having made himself the unrivalled authority on the history of the labour movement, Pelling had branched out in the 1960s into the new field of electoral history.

Catholic (Non)Feminism

2020 ◽  
pp. 70-104
Author(s):  
Mary J. Henold
Keyword(s):  
Catholic Church ◽  
Vatican Ii ◽  
Organizational Structures ◽  
National Council ◽  
Feminist Activism ◽  
Vatican Council ◽  
Catholic Women ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S

In this chapter, the history of the National Council of Catholic Women in the 1960s and 1970s – the years during and following Vatican II – is reassessed. The NCCW has been commonly perceived as a powerful anti-feminist organization for Catholic laywomen that was controlled by the Catholic hierarchy, but its archives reveal a sustained effort to engage with feminist ideas after the Second Vatican Council. Although most of the NCCW’s leadership did not self-identify as feminist, the group espoused many feminist beliefs, particularly about women’s leadership, opportunity, challenging ideas about women’s vocation, and women’s right to participate fully in the life of the Catholic church. The NCCW, under the leadership of Margaret Mealey, developed new organizational structures, educational programs, and publications to educate their membership about changing gender roles and the need to press the church for greater inclusion. Comparison to the international organization the World Union of Catholic Women’s Organizations (WUCWO), reveals the limitations of their feminism, however. Whereas WUCWO was willing to openly embrace feminism and feminist activism, NCCW was divided and preferred not to self-identify as feminist.

Coming Home: Portraying Japanese Baseball on the Silver Screen

2018 ◽  
Author(s):  
Christopher T. Keaveney
Keyword(s):  
Middle Class ◽  
Early History ◽  
Japanese Cinema ◽  
Avant Garde ◽  
Hollywood Films ◽  
History Of ◽  
Baseball Films ◽  
1960S And 1970S ◽  
The 1960S ◽  
Important Marker

Chapter 3 examines the long history of baseball films in Japan, a tradition nearly as old as the history of Japanese cinema itself. After a brief survey of the early history of cinema in Japan, a tradition whose history parallels that of the game of baseball chronologically, the study focuses on early shomingeki films and explores how baseball became an important marker of domesticity and middle class respectability in this genre of film in the 1930s. The chapter then examines several pivotal films in the postwar era, examining how baseball was used alternately to perpetuate a national hero in Suzuki Hideo’s Immortal Pitcher (1955) or to chart the corruption and greed surrounding professional baseball as in Kobayashi Masaki’s I Will Buy You (1956). In the 1960s and 1970s, as young filmmakers arose to challenge the dominance of the great postwar filmmakers and to produce often avant-garde and politically charged films that reflected an international challenge to the hegemony of Hollywood films, the baseball film was again adopted as a means to offer that challenge. Ōshima Nagisa’s Ceremonies, in a film that contests the very concept of the baseball film, uses baseball as a metaphor for the Japan’s abandonment of its citizens during the war. The recent splatter comedy baseball films of Yamaguchi Yūdai likewise play with the familiar tropes of Japanese baseball and of the baseball hero as antihero in problematizing the very concept of the baseball film.

Sign in / Sign up

Export Citation Format

Share Document