Beyond consumer capitalism: foundations for a sustainable prosperity

Author(s):  
Tim Jackson
Keyword(s):  
Author(s):  
Jennifer Fay

Postwar American film noir explores an artificial world that does not foster human happiness and growth, but leads to a kind of human incapacity to act and respond. Beyond merely depicting these negative environments, noir lays bare the attachments to bad living and unsustainable striving that underwrite the accumulating culture of the Anthropocene at midcentury. Positioning itself as the genre that critiques postwar peaceful prosperity, noir gives us the characters, places, and scripts for human expiration as the counter to both nuclear survivalism and consumer capitalism. The hospitality of film noir is rental property. Indeed, impermanent dwelling of the individual and humanity as a whole is one of noir’s lessons for the Anthropocene. American noir is an ecological genre that teaches us in the spirit of Roy Scranton’s book how “to die in the Anthropocene.”


2016 ◽  
Vol 85 (3) ◽  
pp. 587-616
Author(s):  
Jennifer Wiard

This essay investigates the roles of Billy Sunday's staff during his urban revivals in the 1910s, especially the committees and departments they administered. Understanding this revival organization is central to understanding Sunday's success. A corporate organization not only allowed Sunday's team to reach urban populations, it also put evangelicalism culturally in step with the times. This committee structure made outpourings of the Holy Spirit predictable and even guaranteed, and it helped Sunday create a revivalism for an age of mass production, one that was palatable to a cross-class and nationwide audience and reproducible in cities across the country. Most scholars of American religion are familiar with the outline of Sunday's career, but the labors of his staff and their contributions remain virtually unexplored. Further, there is a looming historiographical problem with how scholars treat Sunday. His most important years as a revivalist were in the 1910s, before the fundamentalist movement began, but his name is virtually synonymous with fundamentalism. This article challenges scholars to interpret Progressive Era evangelicals not in terms of what they became in the 1920s, but in terms of how they shaped and were shaped by an era of urbanization and consumer capitalism.


Author(s):  
Tim Kasser

The idea that human well-being (WB) can be supported and even enhanced by using, producing, buying, selling and consuming less ‘stuff’ is anathema to many living under consumer capitalism. Yet a growing research literature actually finds that frequent engagement in pro-ecological behaviours (PEBs) is positively correlated with personal WB. This paper reviews data relevant to three possible explanations for the apparent compatibility of PEBs and WB: (i) engaging in PEBs leads to psychological need satisfaction, which in turn causes WB; (ii) being in a good mood causes people to engage in more prosocial behaviours, including PEBs; and (iii) personal characteristics and lifestyles such as intrinsic values, mindfulness and voluntary simplicity cause both PEBs and WB. Because each explanation has some empirical support, I close by reflecting on some relevant interventions and policies that could strengthen each of these three pathways and thereby promote living both well and sustainably. This article is part of the themed issue ‘Material demand reduction’.


2021 ◽  
Author(s):  
Aneta Duda

"This article discusses the concept of corporate social responsibility (CSR) in the particular case of a controversial Dove campaign for Real Beauty (CFRB) and its role in the production and consumption of contemporary popular meanings of empowerment, social change, and female beauty in global consumer culture. Because in some instances such corporate strategies appear well received, we move beyond cynical dismissal to analyze corporate discourse to identify its transformative possibilities and contradictions. The analysis replaces the oversimplifying approaches to the ethics of CSR with a communicative perspective that highlights the need for a contextual examination of the ethical dilemmas that arisen from CSR practices. In this article, I engage with this CSR campaign, using critical discourse analysis (CDA) to uncover its mechanisms and ideological functioning. CDA of the print, television, and new media texts reveals a certain juxtaposition between liberation and oppression of CFRB. The analysis show how Dove was able to transform an ordinary commodity, skin cleansing products, into a consumer activist brand through which consumers could take part in solving self-esteem and social problems. My analysis of CFRB shows the ways that CSR often operates to co-opte the criticism by embracing it, consolidating brand loyalty and corporate profits, and defuse struggles around consumption. By doing so, CSR forms a complex strategy to legitimize particular brands and commodities, so it can be seen as the ideological force of contemporary consumer capitalism."


Ecopiety ◽  
2019 ◽  
pp. 123-163
Author(s):  
Sarah McFarland Taylor

Chapter 5 explores conflicting expressions of ecopiety and consumopiety as worked out in and through thecontemporary remixing and remaking of vampire narratives for an age of environmental crisis. This chapter teases out how, as one reads across these popular narratives of piously “abstaining” vampires, a moral sensibility emerges that equates the deep, monstrous desire to consume and deplete the earth’s resources with the vampire’s voracious hunger to consume and drain the life of its host. Intermingled with messages of virtuous environmental temperance, however, vampire media franchises market endless tie-in consumer products to enthralled fans, in turn whetting a voracious appetite to consume. These counterpoints of pious consumer restraint and yet enthusiastic fan participation in vampire narratives via the virtues of consumer capitalism, ironically and strategically, tap into and feed off one of America’s most powerful consumer demographics: teenagers.


Author(s):  
Cecilia Tossounian

Chapter 2 studies how the flapper, the archetypical modern girl, was construed by popular culture in the 1920s and 1930s. Mass media was engaged in a debate about the defining traits of the American flapper and her Argentine counterpart. While the flapper inhabited a distant land, the joven moderna combined popular fashions and mannerisms both foreign and domestic. Portrayed as an upper-class character, she went beyond the traditional female role of the devoted daughter. An oversimplified media construction, the Argentine flapper alerted the public of the dangerous effects of international consumer capitalism and Americanization on gender and national identity.


Author(s):  
Anna Dezeuze

For Arendt, the fragile balance between labour, work and action that lies at the heart of the human condition was fundamentally endangered by the planned obsolescence characteristic of the new post-war consumer capitalism. Artworks displaying a ‘junk’ aesthetic produced on the East and West Coasts of the United States in the period between 1957 and 1962 can be read in light of Arendt’s perspective, which intersected with both sociological critiques of the new capitalism and the writings of Zen master D.T. Suzuki and other popularisers of Zen Buddhism. Jack Kerouac’s 1958 novel The Dharma Bums resonated with both critiques of consumer society and newly discovered Zen alternatives. This chapter outlines some of the links between Kerouac’s Beat aesthetic and the assemblage and happenings of the early 1960s, by analysing the reception of landmark exhibitions such as The Art of Assemblage in 1961, and the practices of Robert Rauschenberg, Claes Oldenburg, Bruce Conner and Allan Kaprow.


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