scholarly journals PENGARUH HUMAN RELATION TERHADAP PENINGKATAN KINERJA KARYAWAN PADA PT WIJAYA KARYA (WIKA BETON) BINJAI

Network Media ◽  
2021 ◽  
Vol 4 (1) ◽  
pp. 29-34
Author(s):  
Fitra Amalia Hutagalung ◽  
Humaizi Humaizi
Keyword(s):  
Problemos ◽  
2007 ◽  
Vol 71 ◽  
Author(s):  
Skirmantas Jankauskas

Straipsnyje mėginama rekonstruoti platoniškosios meilės sampratos fenomenologinį aspektą. Šios sampratos kontūrus Platonas nužymi dar „Puotoje“, tačiau daugiausia dėmesio jai skiria bene poetiškiausiame ir mįslingiausiame savo dialoge „Faidras“. Įvadinėje dalyje teigiama, kad graikiškasis filosofavimas klostosi natūraliai, t. y. tematizuoja filosofavimui rūpimus turinius, tik susiklostant filosofavimui palankioms aplinkybėms. Brandą pasiekusi filosofija jau mėgina perprasti save, taigi ir įsisąmoninti tas natūralias prielaidas. Platonas dar „Puotoje“ nustato, kad palankiausia filosofavimui natūrali žmogaus būsena yra meilė. „Puotoje“ jam pavyksta išryškinti vertybinį meilės profilį, o filosofavimas čia aprašomas kaip grožio vertybės užangažuotas „teisingasis kelias“, kreipiantis mąstymą grynojo teorinio žinojimo link. Pati meilė čia traktuojama dar gana neapibrėžtai, t. y. kaip „gimdymas grožyje“. Sutelkdamas dėmesį į žmogiškąjį santykį, „Faidre“ Platonas kaip tik imasi detalizuoti „gimdymo grožyje“ fenomenologiją. Platonas struktūruoja sielą, t. y. pavaizduoja ją kaip vadeliotojo važnyčiojamą sparnuotą dvikinkę. Grožio veikiama ši dvikinkė pasikelia į uždangės sritį, ir vadeliotojui palankiausiu atveju pavyksta išvysti „tiesos lygumą“. Metaforiškai aprašytos sielos dalys straipsnyje susiejamos su atitinkamomis kasdienio ir etinio mąstymo temomis bei teoriniu mąstymu apskritai, o sparnuotumas – su vertybiškumu. Sekant Platono aprašyta sielos dalių dinamika pavyksta parodyti, kaip veikiant grožiui teorinis mąstymas gali tematizuoti etiškumo temą ir veikiai pelnyti būties įžvalgą. Pagrindiniai žodžiai: meilė, šėlas, tiesa, būtis, grožis, gėris, natūralus filosofavimas, fenomenologijaPhaidros: Phenomenology of “Giving Forth upon the Beautiful”Skirmantas Jankauskas   SummaryThe author makes an attempt to reconstruct the phenomenological aspect of Plato’s concept of love. The contours of this concept are only outlined by Plato in his Symposium to be later developed in his probably the most poetic and enigmatic dialogue Phaedrus. A hypothesis is put forward here that love as ‘madness’ – as described in Phaedrus – could be treated as a further elaboration of the concept of ‘giving forth upon the beautiful’ as portrayed in Symposium. The article starts with a thesis that Greek philosophizing  proceeds in a natural way, i.e. it thematises the preferred contents only within favorable external circumstances. As philosophy reaches its maturity, it tries to learn itself, i.e. to realize these favorable natural circumstances. It is already in Symposium that Plato establishes that love is the most favorable condition for philosophizing. In this dialogue Plato manages to elucidate the axiological profile of love. Philosophizing is presented as the ‘right way’ to be engaged by the beautiful and to lead towards pure theoretical thinking. Love itself is treated in an inde terminate way as ‘giving forth upon the beautiful’. By putting the human relation in the focus of attention, Plato reveals in his Phaedrus the phenomenology of ‘giving forth upon the beautiful’. He describes the soul as ‘a team of winged steeds and their winged charioteer’. Affected by the beautiful, this ‘team’ climbs the boundaries of the heavens and the ‘charioteer’, in the utmost case, manages to contemplate the ‘plain of truth’. In the article, those metaphorically described parts of the soul are associated correspondingly with themes of everyday thinking and ethical thinking as well as theoretical thinking in general, while wingness is related to valuesness. Tracing the dynamics of the parts of the soul, as portrayed in Phaedrus, the author manages to describe the way in which theoretical thinking thematises the theme of ethical thinking and attains the insight into being under the impact of the beautiful. Keywords: love, madness, truth, being, the beautiful, the good, natural philosophising, phenomenology.p;


Jurnal EMA ◽  
2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Dina Irnanda ◽  
Eva Mufidah ◽  
Yufenti Oktafiah
Keyword(s):  

Author(s):  
Kambiz E. Maani

Despite our most impressive advances in science and technology, our prevailing worldview and the way we work and relate are deeply rooted in the thinking that emerged during the Renaissance of the 17th century. This thinking was influenced by the sciences of that era and, in particular, by Newtonian physics. Newton viewed the world as a machine that was created to serve its master—God (Ackoff, 1993). The machine metaphor and the associated mechanistic (positivist) worldview, which was later extended to the economy, the society, and the organization, has persisted until today and is evident in our thinking and vocabulary. The mechanistic view of the enterprise became less tenable in the 20th century, partly due to the emergence of the corporation and the increasing prominence of human relation issues in the workplace. As the futurist Alvin Toffler (1991) declared, “the Age of the Machine is screeching to a halt” (Toffler, 1991).


2019 ◽  
Vol 50 (1) ◽  
pp. 29-55
Author(s):  
Rana Issa

AbstractThis article explores Aḥmad Fāris al-Shidyāq’s treatment of Christian and Islamic dogma in his linguistic and literary works, al-Sāq ʿalā al-sāq fī mā huwa al-Fāryāq and Mumāḥakāt al-taʾwīl fī munāqaḍāt al-injīl, among others. A convert to Islam, al-Shidyāq is a notorious critic of Christian doctrine and scripture. I draw parallels with his Bible critique to show how he thwarts the Qurʾān’s stronghold on the Arabic language. Borrowing from Muʿtazilah doctrines, al-Shidyāq proposes that language is a human creation—and meaning a human relation—and blames Arabic philologists for conflating language with submission to the divine. Through the technique of iqtibās, al-Shidyāq perforates the scriptural authority of the Bible and the Qurʾān by treating them as literary texts. Al-Shidyāq underscores the scriptures as products of the human, and not the divine, mind. His parodic play with iqtibās underscores literary rigor against authoritative discourse. Al-Shidyāq provides us with exquisite examples of how radicalness may be diffused, asserted, curtailed and covered up through word choice as well as conditions of book production, to affect a critique of authority that would long outlast his time.


1970 ◽  
Author(s):  
James W. Morris

We are the bees of the invisible. Lovesick, we forage for the honey of the visible, to store it in the great golden hive of the Invisible.Rainer Maria Rilke For Ibn ‘Arabī, as for Plato and Dante (or Calderon), all of earthly life and existence is essentially a divine Dream:” a singular, ongoing, timelessly interpenetrating, profoundly meaningful and ultimately transformative cinematic drama that cosmic “Play” and universal shadow-theater whose personal meanings and mysteries each of us must gradually discover through all our hastily improvised roles as audience, author, reader, performer, and even critic.This essay, centering on key passages translated for the first time from the concluding volume of our Murcian master's immense book of Meccan Illuminations, highlights some of the key elements of the universal process of spiritual realization within which each human being gradually moves from the perception of this unfolding shadow-play in sharply limited worldly terms toward the deepening recognition of its aim and fulfillment as a shared, never-ending adventure of divine-human discovery. In order to provide a basic metaphysical framework for these more focused and practical insights, I have begun here with a few more familiar selections from Ibn ‘Arabī 's earlier foundational chapter (63) devoted to outlining our human relation to this entire Play of our earthly (and posthumous spiritual) existence conceived as a cosmic divine "Imagining” (ḫayāl) within which we and our familiar worlds are both the dreamed and yet also in so many shifting ways active dreamers.Given the larger film festival context of this conference, I had originally hoped to draw out more explicit connections at each stage between Ibn ‘Arabī's teachings and observations and particular cinematic illustrations fitting each of these short passages. However, given both the greater time that would require and the need to clearly explain each of the chosen examples we might take up, I must ask each of you instead, as we proceed, simply to notice the pertinent illustrations that will inevitably come to mind. 


2017 ◽  
Vol 2017 (1) ◽  
pp. 12005
Author(s):  
Cristina Neesham ◽  
Julie Wolfram Cox
Keyword(s):  

1984 ◽  
Vol 7 (9) ◽  
pp. 529-529
Author(s):  
Yasuyoshi Sayato
Keyword(s):  

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