scholarly journals Music and dance in household of narts

2021 ◽  
Author(s):  
Л.А. Чибиров
Keyword(s):  
Musical Instruments ◽  
Symbolic Meaning

The article examines the musical and choreographic culture of the Nart people. Its mythological origins are investigated, corresponding parallels with the Scythian and Alanic worlds are recorded. The musical instruments of the Narts and the plots associated with their invention, as well as the main dance traditions in the Nart life and their compositional and symbolic meaning in the texts of the Nartiada, are specially characterized.

scholarly journals Revitalisasi Tari Tayung Raci Desa Raci Kulon, Kecamatan Sidayu, Kabupaten Gresik

2019 ◽  
Vol 2 (2) ◽  
Author(s):  
Dwi Zahrotul Mufrihah
Keyword(s):  
Original Art ◽  
Research Problem ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Cultural Preservation ◽  
Symbolic Meaning ◽  
Dress Code ◽  
Apparent Death ◽  
Revitalization Effort

Tayung Raci dance is the original art of Raci Kulon village, Sidayu district, Gresik regency, which has been experienced apparent death 27 years. Meanwhile, Tayung Raci Dance begin to reappear sometime around 2014. The form of presenting Tayung Raci dance experience a change that is used to maintain its exclusion as the original art of Raci Kulon village. The change does not leave a culture that has became the identity of Tayung Raci Dance adapt to the community. This is called the revitalization effort that serves as one way of cultural preservation. The formulation of the research problem is how to revitalize Tayung Raci dance, Raci Kulon village, Sidayu district, Gresik regency. The objective of this research is to know the revitalization of Tayung Raci dance, Raci Kulon village, Sidayu district, Gresik regency. This research uses qualitative approach for the case of this study. The results of revitalization research take place in the form of presentation of Tayung Raci dance. The form of presentation are the presentation plot, motion, clothing, property, and music. Revolutions are divided into 5 rounds with some motion. The dress code has a symbolic meaning of dress or soldier’s uniform. The property consists of Wijil Trunojoyo spear, horses, Ketekan mask, Wedokan mask, Macanan mask and Pecut. Musical instruments use drums, Kenong and Tanjidor (drum), slompret and gong with the lyrics of songs use Sholawat Nabi.Keywords: revitalization; Tayung Raci dance; arts of Gresik district

Symbolic meaning of drugs in psychotherapy: A psychodynamic perspective.

2020 ◽  
Vol 37 (4) ◽  
pp. 294-304
Author(s):  
Arianna Palmieri ◽  
Silvia Zidarich ◽  
Johann Roland Kleinbub
Keyword(s):  
Symbolic Meaning

DHAMMONG : A RAIN RITUAL IN MADURA (A STUDY ON ITS HISTORY, FUNCTION, AND HISTOR ORY SIMBOLIC MEANING)

2020 ◽  
Vol 18 (2) ◽  
pp. 205-227
Author(s):  
Nor Hasan ◽  
Edi Susanto
Keyword(s):  
Human Life ◽  
Phenomenological Analysis ◽  
Dry Season ◽  
Time Sequence ◽  
Symbolic Meaning ◽  
Human Relations ◽  
The Earth ◽  
Younger Generation

This article attempted to trace the existence of Dhâmmong tradition in the following scopes, namely: (1) Madurese perception against Dhâmmong , (2) the function and symbolic meaning of Dhâmmong in human life, and (3) the efforts of the Madurese community to preserve the Dhâmmong tradition. Through a descriptive phenomenological analysis, this study revealed that Dhâmmong is a hereditary tradition carried out by the Madurese community, it is urged by the community’s anxiety caused by the long dry season (némor lanjheng). Dhâmmong functionsas a means for salametan, paying respect for the ancestors, strengthening human relations (silaturrahim ), Bhek Rembhek, and nguri berkah (the fertility of the earth). The offerings and mouth-music by imitating the sounds of animals represent a strong desire and wishof the community for the immediate rainfall that could pour out blessings for the community. Hence, the community’s efforts to preserve Dhâmmong are: (1) introducing and involving the younger generation in the ritual, and (2) setting and changing the time sequence of Dhâmmong implementation from night to daytime.

PENGARUH KEBUDAYAAN ASING DALAM PEMBENTUKAN RAGAM HIAS PELAMINAN NAREH PARIAMAN

CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Nofi Rahmanita
Keyword(s):  
Symbolic Meaning ◽  
The People ◽  
The Many ◽  
The Village

The Handicraft of embroidery “palaminan” in Nareh Pariaman is an old culture product which is used for social purposes. As the time goes, now, the “palaminan” is not only used by the king or noblesse. Right now, it has been used in mostly wedding parties of Minangkabau tradition. It is used as the seat of the bride groom and bride who are called king and queen for a day. Regarding this theme, when we see the several various of palaminan, it looks like been influenced by the Chinese and Hindi/Gujarat Custom. Such as phoenix 9(bird) and lion decorated at the “palaminan”, or for the Gujarat custom, there are embroidery with mirrors that decorate the palaminan. The mirror embroidered for the people of Nareh Pariaman has the meaning “suluah bendang” in the village. The art of embroidery palaminan Nareh Pariaman has many structures which are connected to each other. They can not be separated in each use. The structures are decorated by the many kinds of Minangkabau decoration. Most of the decorating comes from application of the Minangkabau’sphilosophy known as “alam takambang Jadi Guru”. The philosophy has symbolic meaning that contains some lessons about managing humans life, especially for people of Nareh Pariaman.Keywords: beyond culture, motif, pelaminan

REREADING TEXTS OF MUSIC AND DANCE IN THE HEBREW BIBLE: THE SPIRITUALITY OF MUSIC AND DANCE IN ZIMBABWE

2017 ◽  
Vol 25 (1) ◽  
pp. 72-98
Author(s):  
Temba T. Rugwiji
Keyword(s):  
Hebrew Bible ◽  
Land Reform ◽  
Critical Role ◽  
Musical Instruments ◽  
World Music ◽  
Human Existence ◽  
Biblical Text ◽  
Ancient Israel ◽  
Formed Part ◽  
The Church

The Hebrew Bible depicts that music and dance formed part of worship and reverence of Yahweh in which various musical instruments were played during ancient biblical times. In the modern post-biblical world, music and dance characterise every context of human existence either in moments of love, joy, celebration, victory, sorrow or reverence. In Zimbabwe, music — which is usually accompanied by dance — serves various purposes such as solidarity towards or remonstration against the land reform, despondency against corruption, celebration, giving hope to the sick, worship as in the church or appeasing the dead by those who are culturally-entrenched. Two fundamental questions need to be answered in this article: 1) What was the significance of music and dance in ancient Israel? 2) What is the significance of music and dance in Zimbabwe? In response to the above questions, this essay engages into dialogue the following three contestations. First, texts of music, musical instruments and dance in the Hebrew Bible are discussed in view of their spiritual significance in ancient Israel. Second, this study analyses music and dance from a faith perspective because it appears for the majority of Gospel musicians the biblical text plays a critical role in composing their songs. Third, this article examines music and dance in view of the spirituality which derives from various genres by Zimbabwean musicians in general. In its entirety, this article attempts to show that the Zimbabwean society draws some spirituality from music and dance when devastated by political, cultural or socio-economic crises.

Sign in / Sign up

Export Citation Format

Share Document