scholarly journals Revitalisasi Tari Tayung Raci Desa Raci Kulon, Kecamatan Sidayu, Kabupaten Gresik

2019 ◽  
Vol 2 (2) ◽  
Author(s):  
Dwi Zahrotul Mufrihah
Keyword(s):  
Original Art ◽  
Research Problem ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Cultural Preservation ◽  
Symbolic Meaning ◽  
Dress Code ◽  
Apparent Death ◽  
Revitalization Effort

Tayung Raci dance is the original art of Raci Kulon village, Sidayu district, Gresik regency, which has been experienced apparent death 27 years. Meanwhile, Tayung Raci Dance begin to reappear sometime around 2014. The form of presenting Tayung Raci dance experience a change that is used to maintain its exclusion as the original art of Raci Kulon village. The change does not leave a culture that has became the identity of Tayung Raci Dance adapt to the community. This is called the revitalization effort that serves as one way of cultural preservation. The formulation of the research problem is how to revitalize Tayung Raci dance, Raci Kulon village, Sidayu district, Gresik regency. The objective of this research is to know the revitalization of Tayung Raci dance, Raci Kulon village, Sidayu district, Gresik regency. This research uses qualitative approach for the case of this study. The results of revitalization research take place in the form of presentation of Tayung Raci dance. The form of presentation are the presentation plot, motion, clothing, property, and music. Revolutions are divided into 5 rounds with some motion. The dress code has a symbolic meaning of dress or soldier’s uniform. The property consists of Wijil Trunojoyo spear, horses, Ketekan mask, Wedokan mask, Macanan mask and Pecut. Musical instruments use drums, Kenong and Tanjidor (drum), slompret and gong with the lyrics of songs use Sholawat Nabi.Keywords: revitalization; Tayung Raci dance; arts of Gresik district

scholarly journals SYMBOLIC MEANING OF LAMOHOLOT’S TRADITIONAL ARCHITECTURE IN ILE APE, LEMBATA ISLAND, EAST NUSA TENGGARA

2016 ◽  
Vol 1 (1) ◽  
pp. 11
Author(s):  
Dionisius Kumhan ◽  
Agus Saladin ◽  
Enny Supriati Sardiyarso
Keyword(s):  
Belief System ◽  
Cultural Factors ◽  
Space Structure ◽  
Qualitative Approach ◽  
Symbolic Meaning ◽  
Traditional Architecture ◽  
Social And Cultural Factors ◽  
Architectural Symbolism

<p align="left"><strong><em>Abstract</em></strong></p><p><em>Besides climate, economic, politic, social and cultural factors, belief/religion factor has an influence on the shape and meaning of traditional house. Lamaholot tribe’s traditional house in Ile Ape, Lembata Island is rich of architectural symbolism. The relation between the shape and the physical symbolic meaning willbe described in this articles. Through qualitative approach, it isfound that the space structure of Lamohot’s traditional house is the manifestation of social stratifications status and community’s belief system, both horizontally and vertically.</em></p><p><em>Keywords: Shapes, meaning, architecture elements of traditional house, Lamaholot tribe.</em></p>

scholarly journals IMAJINASI IDENTITAS ORANG JEMBER: WACANA PENDALUNGAN BESERTA EFEKNYA

2021 ◽  
Vol 5 (1) ◽  
pp. 15
Author(s):  
Fahma Filbarkah Aziz ◽  
Imam Setyobudi ◽  
Sriati Dwiatmini
Keyword(s):  
Literature Review ◽  
Practical Implication ◽  
Research Problem ◽  
Theoretical Implication ◽  
Qualitative Approach ◽  
The Other ◽  
Main Method ◽  
The People

ABSTRAK Permasalahan penelitian adalah mengapa wacana tentang pendalungan dimunculkan berulang-ulang dan bagaimana efek kuasa/pengetahuan dari sisi lain wacana pendalungan. Tujuan dari penelitian ini bermaksud untuk menjelaskan kuasa/pengetahuan dalam rangka pembentukan identitas orang Jember melalui pewacanaan pendalungan dan menjelaskan efek yang timbul dari wacana. Manfaat teoritisnya dalam mengembangkan kajian antropologi tentang konsep identitas berkaitan pendalungan beserta efeknya, khususnya dalam pembentukan identitas dengan pendekatan wacana kuasa/pengetahuan. Manfaat praktisnya sebagai masukan kepada masyarakat dan pemerintah dalam melakukan pengembangan tentang identitas warga Jember. Metode penelitian adalah kualitatif menggunakan instrumen studi pustaka dan wawancara. Populasi penelitian adalah seniman, akademisi dan sejarawan. Variabel penelitian berupa identitas, imajinasi dan multikultural. Hasil penelitian menemukan bahwa identitas bukan lahir dari sebuah situasi yang harmoni dan keseimbangan, melainkan pergulatan,kontestasi, benturan, beradu argumen dan wacana, pergesekan, dinamis dan produktif. Berkaitan dengan itu, simpulan penellitian ini bahwa identitas bukan suatu hal yang tetap melainkan bersifat lentur dan cair atau beragam.Kata Kunci: Pendalungan, imajinasi, identitas, wacana ABSTRACT The research problem formulated within this study is the question of why the pendalungan discourse was repreatedly surfaced and how is the influence of power/knowledge from the other side of this very discourse. This study seeks to unfold the essence of power/knowledge in forming the identity of the people of Jember through the pendalungan discourse as well as to provide an elaboration of the resulted effect from said discourse. The theoretical implication of this study would be the development of anthropological studies concerning the identity and influence of pendalungan, particularly on the formation of identity through the approach of power/knowledge discourse. As for the practical implication, the outcome of this study could serve as a form of valid recommendation both for the people and government in pursuing the development of the identity of Jember people. Drawing upon artists, academics, and historians as the population, this study made use of qualitative approach as the main method as well as literature review and interview as the instrument. A number of variables involved within this study were identity, imagination, and multiculturalism. The result of the study revealed that identity is not to be regarded as an entity born from a harmonious and balanced situation, rather, from an atmosphere that is full of struggles, contestation, clashes, conflicts of arguments and discourse, frictions between parties, dynamics, as well as productivity. From this point, this study embarked upon a conclusion that identity is not something that is fixed or rigid, but flexible and diverse.Keywords: Pendalungan, imagination, identity, discourse

Nilai Religius pada Kearifan Lokal Tembang Macapat Madura

2021 ◽  
Vol 3 (1) ◽  
pp. 1-12
Author(s):  
Moh Hafid Effendy
Keyword(s):  
Everyday Life ◽  
Qualitative Approach ◽  
Symbolic Meaning ◽  
Religious Values ◽  
Human Relationship ◽  
Data Description ◽  
The Relationship

The religious value of the local wisdom of the Madurese Macapat song is motivated by the variety of Madurese macapat songs that contain religious values which until now have been neglected by the Madurese ethnic in everyday life. This article examines the religious value of local Madurese wisdom in macapat songs. The method in this research uses a qualitative approach with a descriptive type. The techniques used in collecting data are through transcription, observation, documentation, and listening. Meanwhile, to analyze the data, researchers used identification, classification, and data description techniques. The results showed that the religious value of the local wisdom of the Madura macapat song contains the relationship between humans and God the creator of nature, namely Allah commands humans to carry out His good commands and stay away from His prohibitions. Meanwhile, the human-human relationship found symbolic meaning parèbhâsan with a reflection from Paul Recoer namely Kerras lamon ta’ akerrès which is intended for people who do not think before they act so that something happens less profitable for them. Madurese are advised to think before acting, so as not to be careless in doing something to others.

scholarly journals Responsabilidade do gestor público e a judicialização da saúde no contexto do Estado do Ceará / Responsibility of the public manager and health judicialization in the context of the State of Ceará

2018 ◽  
Vol 11 (3) ◽  
pp. 2042-2069
Author(s):  
Rômulo Luiz Nepomuceno Nogueira ◽  
Mariana Dionísio De Andrade
Keyword(s):  
Public Administration ◽  
Personal Responsibility ◽  
Research Problem ◽  
Qualitative Approach ◽  
The State ◽  
Public Health Services ◽  
Social Phenomena ◽  
The Public ◽  
The Subject ◽  
Public Manager

 DOI: 10.12957/rqi.2018.29241  ResumoO presente artigo se propõe a responder ao seguinte problema de pesquisa: deveria o gestor público responder pessoalmente pela ineficiência na prestação dos serviços públicos de saúde? O artigo possui como objetivo a análise da responsabilidade do gestor público, no âmbito do Estado do Ceará, diante do fenômeno da judicialização da saúde, demonstrando seus impactos na Administração Pública e para o próprio burocrata na gestão da pasta. O estudo possui abordagem qualitativa, porque interpreta a relação de causalidade entre fenômenos jurídicos e sociais, e possui suporte em elementos quantitativos, na medida em que utiliza dados mensuráveis e padrões numéricos para a melhor compreensão do assunto. Conclui-se que a ineficiência do Estado na promoção da saúde não poderia ser resolvida apenas por um administrante, que poderá sofrer sanção judicial por fatos anteriores à sua gestão. Verifica-se, ainda, a relevância do contínuo debate acerca dos meios de resolubilidade da judicialização da saúde, considerando a abrangência e importância essencial desse direito fundamental.Palavras-chave: Judicialização da Saúde; Responsabilidade Pessoal; Gestor Público; Ineficiência do Estado; Resolubilidade da Judicialização.AbstractThe present article proposes to answer the following research problem: should the public manager respond personally for the inefficiency in the provision of public health services? This article aims to analyze the responsibility of the public manager, in the context of the State of Ceará, facing the phenomenon of health judicialization, demonstrating its impact on the Public Administration and on the bureaucrat himself in the management of the agenda. The study has a qualitative approach, because it interprets the causal relationship between legal and social phenomena, and has support in quantitative elements, in that it uses measurable data and numerical standards to the better understanding of the subject. It is concluded that the inefficiency of the State in the promotion of health could not be solved only by an administrator, who could suffer judicial sanction for facts previous to his management. It is also verified the relevance of the continuous debate about the means of resolubility of the health judicialization, considering the comprehensiveness and essential importance of this fundamental right.Keywords: Health Judicialization; Personal Responsibility; Public Manager; Inefficiency of the State; Resilubility of the Judicialization.

scholarly journals Bentuk Penyajian Tari Sining Pada Masyarakat Gayo Aceh Tengah

2020 ◽  
Vol 3 (2) ◽  
pp. 493-505
Author(s):  
Maghfirah Murni Bintang Permata ◽  
Rika Wirandi ◽  
Berliana Denada
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Open Field ◽  
Main Property ◽  
Traditional Music ◽  
Musical Instruments ◽  
Spontaneous Movements ◽  
Dance Movements ◽  
Revitalization Effort ◽  
Field Area

This paper aims to describe the form of presentation of the sining dance in the Gayo community of Central Aceh Regency. Sining dance is a dance whose form of movement is inspired by nature. The movements are pure and use a lot of mimitive movements. This dance is also one of the traditional dances that was extinct and was then made a revitalization effort by the Central Aceh Kuta Dance Studio. This study focuses the problem on the form of presentation of the Sining Dance. To analyze the problem, Soedarsono used the theory of presentation forms, which said that, the form of presentation in dance has an understanding of how to present a dance as a whole, including the main elements or elements that support dance. These elements consist of dance movements, floor design, make-up, costumes, performance venues, props, and accompaniment music. This research uses qualitative research methods. This study concludes that the movements contained in the sining dance are mimitive and spontaneous movements, and tend to describe balance. Using a gayo openwork costume, accompanied by traditional music and traditional Gayo musical instruments. With two adult male dancers. Using upuh ulen-ulen cloth. Using a props made of pile board measuring 1.6 meters high. The shape of the board which is used as the main property is adopted from the Bere Numah shape. Meanwhile, the sining dance performance venue is currently adjusting to the location of the show provided, both on stage and in the open field area.

scholarly journals ANALISIS AZAS-AZAS UMUM PELAYANAN PUBLIK DI DINAS PERINDUSTRIAN DAN PERDAGANGAN KABUPATEN KERINCI

2020 ◽  
Vol 1 (1) ◽  
pp. 1-10
Author(s):  
Eliyusnadi M.Si
Keyword(s):  
Service Delivery ◽  
Public Service ◽  
Public Services ◽  
Good Governance ◽  
Research Problem ◽  
Qualitative Approach ◽  
Service Users ◽  
Field Interview ◽  
Trade Office

Analysis of General Principles of Public Service at the Industry and Trade Office of Kerinci Regency. Every community certainly really hopes for the existence of general principles of public services in providing services to the community, especially at the Kerinci Regency Industry and Trade Office. In order to provide satisfactory services to service users, service delivery must meet the general principles of good governance in order to create customer satisfaction, which is a measure of the success of a public service. The formulation of the research problem, namely, how are the general principles of public services at the Kerinci Regency Industry and Trade Service. The objective of the research is to find out the general principles of public services in the Kerinci Regency Industry and Trade Service. This research uses a qualitative approach where data is obtained through field interview guides to 7 informants referring to 6 research indicators, namely 1. Transparency 2. Accountability 3. Conditional 4. Participation 5. Non-Discriminatory. 6. Balance of Rights and Obligations. The data obtained in the field were analyzed based on the classification of the informants' answers which were described in the results and discussion of the research which was then carried out by the interpretative researcher. It is known that the General Principles of Public Service at the Industry and Trade Office of Kerinci Regency, from the six research indicators, five indicators are well implemented, namely accountability, conditionality, participation, non-discrimination and balance of rights and obligations, while transparency indicators have not been maximally implemented. For this reason, the authors suggest that the General Principles of Public Service in the Kerinci Regency Industry and Trade Service can be improved so that they are more transparent in providing services to the community.

scholarly journals Peluang Pelaksanaan Manajemen Kolaboratif dalam Pengembangan Kawasan Situs Kota Cina sebagai Potensi Pariwisata di Kota Medan

PERSPEKTIF ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 149-167
Author(s):  
Biliater Situngkir ◽  
Zulkifli Lubis ◽  
Abdul Kadir
Keyword(s):  
Secondary Data ◽  
Research Problem ◽  
Qualitative Approach ◽  
Primary Data ◽  
Collaborative Management ◽  
Chinese City ◽  
Tourism Sector ◽  
The Government ◽  
Tourism Potential ◽  
The City

The development of the Chinese city site area as a tourism potential in the city of Medan is very important considering the city of Medan does not yet have natural tourism objects that are well managed. The type of study used in this research is descriptive with a qualitative approach where research is carried out to create a tourism development using the Collaborative Management (Co-Management) method. To obtain data and to deepen the implementation of collaborative management, in-depth interviews were conducted with key informants and questionnaires so that the data needed in this study was complete. Data obtained in the field, both secondary data and primary data will be compiled, presented and analyzed with a qualitative approach in the form of exposure which will then be analyzed in accordance with the research problem undertaken. The results of research conducted show that the community has been involved in the development of tourism in the Chinese city site area. But the community is still walking alone in the development of tourism. With the concept of collaborative management, it will certainly be in developing tourism that is more focused and more targeted as desired. From this research it can be concluded that the area of the Chinese city site has a huge opportunity to be developed into the tourism sector that can provide benefits for both the government, the community and the parties involved in developing tourism.

scholarly journals History of Inheritance of Wayang Topeng Malangan (Malang Traditional Mask Puppet) in Pakisaji and Tumpang

2020 ◽  
Vol 20 (1) ◽  
pp. 73-83
Author(s):  
Arining Wibowo ◽  
Joko Kurnain ◽  
Juanda Juanda
Keyword(s):  
Data Collection ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Early Age ◽  
Traditional Dance ◽  
Art Practices ◽  
History Of

This study aims to explain the history and process of inheriting mask puppet art in two representative hermitages (padepokan) (in Malang, namely Padepokan Asmoro Bangun in Pakisaji sub-district and Mangun Dharma in Tumpang sub-district). This research uses a qualitative approach. Data collection techniques are done through interviews, observation, and study documents. The process of inheritance includes art practices such as dancing, puppeteering, playing musical instruments, and making masks and transferring knowledge about Wayang Topeng Malangan. Inheritance is generally done since offsprings (children/grandchildren) are still at an early age. The history of the inheritance of the traditional mask puppet art in Padepokan Asmoro Bangun has occurred for six generations of this family since before 1930 starting from the Serun period. The sixth Padepokan Asmoro Bangun Heirs are two daughters named Winnie Padnecwara (15 years old) and Dita Andhika Raja Padmi (12 years old) who learned this art since the age of four. Padepokan Mangun Dharma is the home of mask puppet art, as well as music, traditional dance, and theatre, macapat, puppetry, and shadow puppets. The history of the inheritance of this hermitage began with the great-grandfather of the puppeteer Soleh namely Kek Sainten (Grandpa Sainten). The current heir of Padepokan Mangun Dharma is the son of the puppeteer Soleh, Supriyono Hadi Prasetyo, who also learned puppetry both autodidact and formally through college. Although inheritance occurs vertically, which is hereditary in each hermitage, horizontal inheritance also occurs between the two. This indicates that the inheritance process of Padepokan Asmoro Bangun and Mangun Dharma are related to each other. 

scholarly journals Strategi pemuda Gang Tato Desa Kemantren Kabupaten Malang melawan stigma sosial

2020 ◽  
Vol 5 (2) ◽  
pp. 63-78
Author(s):  
Risdawati Ahmad ◽  
◽  
Joan Hesti Gita Purwasih ◽  
Irawan Irawan
Keyword(s):  
Social Movements ◽  
Data Analysis ◽  
Young People ◽  
Data Collection ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Second Phase ◽  
Data Presentation ◽  
Collection Data ◽  
Teaching Programs

This thesis attempts to review how the Young People of Tattoo Alley interpret tattoos and social movements carried out to fight stigma. The process of extracting data is done through a qualitative approach. This study uses data collection techniques such as observation, interviews and documentation. The research location is in Tattoo Alley, Kemantren Village, Malang Regency. The process of data analysis is done through data collection, data reduction, data presentation, and drawing conclusions. Meanwhile, the validity of the data was examined using source triangulation techniques. The results of this study indicate that: First, there are two types of meaning of tattoos that are distinguished by phase, namely the first phase of meaning of tattoos tends to be negative, while the second phase of tattoos is more positively interpreted. Second, forms of social movements undertaken by Tattoo Alley Young People to fight stigma and discrimination include: conducting tutoring, training in mask craft, training in traditional musical instruments, and implementing teaching programs conducted by thugs.

Symbolic Meaning of Lamoholot’s Traditional Architecture in Ile Ape, Lembata Island, East Nusa Tenggara

2016 ◽  
Vol 1 (1) ◽  
Author(s):  
Dionisius Kumhan Kumhan
Keyword(s):  
Belief System ◽  
Cultural Factors ◽  
Space Structure ◽  
Qualitative Approach ◽  
Title Page ◽  
Symbolic Meaning ◽  
Traditional Architecture ◽  
Social And Cultural Factors ◽  
Architectural Symbolism

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>Besides climate, economic, politic, social and cultural factors, belief/religion factor has an influence on the shape and meaning of traditional house. Lamaholot tribe’s traditional house in Ile Ape, Lembata Island is rich of architectural symbolism. The relation between the shape and the physical symbolic meaning willbe described in this articles. Through qualitative approach, it isfound that the space structure of Lamohot’s traditional house is the manifestation of social stratifications status and community’s belief system, both horizontally and vertically. </span></p><p><span>Keywords: Shapes, meaning, architecture elements of traditional house, Lamaholot tribe. </span></p></div></div></div>

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