"Study on Design Layout of Card News Contents for Effective Visual Communication in Social Network Era - Focused on Use of Basic Architectural Components -"

2018 ◽  
Vol 19 (5) ◽  
pp. 727-738
Author(s):  
Seung Hee Choi ◽  
Chan Seok Hong
Author(s):  
Miguel A. Jiménez-Crespo

For decades, the fuzzy notion of translation quality has evolved parallel to the theorizations of translation and localization. This paper focuses on a novel approach to quality evaluation in the localization industry: how Facebook crowdsourced quality evaluation to an active community of users that votes on proposed translations. This approach, unthinkable a decade ago, seems to combine and distill some of the best aspects of several previous Translation Studies evaluation proposals, such as user-based approaches (Nida, 1964), functionalist approaches (Nord, 1997; Reiss and Vermeer, 1984) or corpus-assisted approaches (Bowker, 2001). These models were largely criticized at the time because they did not explicitly indicate how they could be professionally implemented. The current paper critically reviews the emerging crowdsourcing model in light of these approaches to quality evaluation and describes how mechanisms suggested in these earlier theoretical proposals are actually implemented in the Facebook model.


Panggung ◽  
2015 ◽  
Vol 25 (4) ◽  
Author(s):  
Elda Franzia ◽  
Yasraf Amir Pialang ◽  
Acep Iwan Saidi

ABSTRACTIn virtual community, identity represented through various form. A person as community member is appearing through profile picture and doing communication activity between members in virtual community. The communication held actively in verbal and visual communication form consists of message exchange and meaning through symbols that understand thoroughly based on culture and custom with certain characteristic differ to each ethnic groups. Palanta Urang Awak Minangkabau is one of the virtual communities in Facebook social network. As an active virtual community, the communication is ongoing intensely between members. Conversation and interac- tion are often beginning with image posting by member. This research is aim to explain the variety of visual communication form in this certain virtual community as part of virtual identity con- struction of Minangkabau ethnic group. The method is virtual observation and documentation, with semiotic method analysis in cultural studies approach. This research gave the understanding of image typology and cultural symbolism in Minangkabau culture, especially in the context of virtual community in Facebook.Keywords: identity, communication, visual, Minangkabau, Facebook ABSTRAKDalam komunitas virtual, identitas direpresentasikan melalui berbagai bentuk. Individu yang menjadi anggota komunitas dihadirkan melalui foto profil dan melakukan aktivitas komunikasi antar individu dalam ruang komunitas virtual tersebut. Komunikasi berlangsung secara aktif meliputi tukar menukar pesan dan pemaknaan secara verbal dan visual melalui simbol-simbol penandaan yang dipahami bersama, dengan berbasis budaya dan adat dengan karakteristik tertentu yang berbeda antara etnis satu dengan yang lain. Palanta Urang Awak Minangkabau merupakan salah satu komunitas virtual di jejaring sosial Facebook. Sebagai komunitas virtual yang aktif, komunikasi berlangsung secara intens antar anggotanya. Percakapan dan interaksi sering kali dimulai dengan gambar yang dipaparkan oleh anggota komunitas. Kajian ini bertujuan untuk memaparkan ragam bentuk dan cara penyampaian komunikasi visual di dalam komunitas virtual ini sebagai bagian dari konstruksi identitas virtual etnis Minangkabau. Metode yang digunakan adalah observasi dan dokumentasi virtual, melalui analisis semiotik dengan pendekatan cultural studies. Kajian ini memberi pemahaman terhadap tipologi gambar dan simbol-simbol budaya yang berlaku dalam adat Minangkabau, khususnya dalam konteks komunitas vir- tual di Facebook.Kata kunci: identitas, komunikasi, visual, Minangkabau, Facebook


2013 ◽  
Vol 44 (2) ◽  
pp. 22
Author(s):  
ALAN ROCKOFF
Keyword(s):  

2015 ◽  
Vol 21 ◽  
pp. 301
Author(s):  
Armand Krikorian ◽  
Lily Peng ◽  
Zubair Ilyas ◽  
Joumana Chaiban

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