scholarly journals Le Corbusier versus Sergei Eisenstein. La construcción de un sueño

2015 ◽  
Author(s):  
Elena Martínez Millana
Keyword(s):  
Soviet Union ◽  
Le Corbusier ◽  
Moving Image ◽  
Sergei Eisenstein ◽  
The Soviet Union ◽  
Palabras Clave ◽  
The Relationship ◽  
Made In

Resumen: Este artículo plantea la revisión de la relación entre el arquitecto Le Corbusier y el cineasta Sergei Eisenstein. Se lanza como hipótesis la posible influencia del cineasta en Le Corbusier. Le Corbusier versus Eisenstein en el sentido más profundo de ‘avanzar en dirección a’: Le Corbusier hacia la cinematografía, no como contraposición. Se esboza el papel de cada figura y su encuentro en el período de 1928-1936, tiempo en que Le Corbusier se aproximó a la Unión Soviética, un contexto que configura un marco complejo a partir del cual es posible entrever aquello que los vincula y que refuerza la hipótesis planteada. Por otro lado, se realiza un análisis de Poème électronique - filme de 480” que Le Corbusier hace en 1958 con motivo de la Exposición Universal en Bruselas - con la intención de visibilizar que Le Corbusier recurre a la técnica del montaje dialéctico de la que Eisenstein era maestro y por tanto la consustancial influencia. Le Corbusier reconoce el potencial de esta técnica de montaje y se sirve de ella como la estrategia clave en su aproximación al ámbito de la cinematografía. El mecanismo del montaje dialéctico forma parte de su propio pensamiento y lo materializa en su arquitectura y también en el caso de estudio que nos ocupa, en la disciplina de la imagen en movimiento, tan próxima a ésta. Pero hay más, en el Pabellón Philips la técnica del montaje oculto - sobre la que Eisenstein había teorizado en aquél periodo - está presente, pues mediante éste mecanismo construye la puesta en escena del espectáculo total. Como veremos, Poème électronique representa la construcción de un sueño. Abstract: This article reviews the relationship between the architect Le Corbusier and the filmmaker Sergei Eisenstein. When launched, it was seen to hypothesise the possible influence of the filmmaker in the work of Le Corbusier. Le Corbusier versus Eisenstein, in the deepest sense of the expression, is portrayed as "towards to": Le Corbusier towards the film, not in opposition to it. It outlines the role of each figure and their interactions during the period between 1928 and 1936, the time when Le Corbusier got closer to the Soviet Union. This context forms a complex framework from which it is possible to glimpse what it is that links them, reinforcing the hypothesis-raised. On the other hand, this work presents an analysis of the Poème électronique - 480" film Le Corbusier made in 1958 for the Universal Exhibition in Brussels - in order to exemplify that Le Corbusier uses the technique of dialectical montage, in which Eisenstein was the undisputed master, thereby highlighting an inherent influence. Le Corbusier recognises the potential of this montage technique and uses it as a key strategy in his approach to the field of cinema. The mechanism of dialectical montage is a part of Le Corbusier's own thought and this materialises both in his architecture as well as in the subsequent case study regarding the discipline of the moving image, which is closely aligned to it. There is, however, more to it. In the Philips Pavilion, the hidden montage technique - theorised by Eisenstein in that period - is present, the use of which was the mechanism to construct the stage for the spectacle as a whole. As we will see, Poème électronique represents the construction of a dream.  Palabras clave: Eisenstein; Le Corbusier; Le Poème électronique; montaje dialéctico; montaje oculto; cinematografía. Keywords: Eisenstein; Le Corbusier; Le Poème électronique; dialectical montage; hidden montage; cinematography. DOI: http://dx.doi.org/10.4995/LC2015.2015.824

scholarly journals The eye of the architect. Le Corbusier and the photograph: demonstrate, learn, remember

2015 ◽  
Author(s):  
Annarita Teodosio
Keyword(s):  
Visual Arts ◽  
Cultural Context ◽  
Le Corbusier ◽  
Palabras Clave ◽  
Representation Of Architecture ◽  
The Subject ◽  
The Many ◽  
Siglo Xx ◽  
The Relationship ◽  
Made In

Abstract: The relationship between Le Corbusier and the visual arts (drawing, photography and cinema) is deep and complex and, although the subject of numerous publications and research since the late 60s, still arouses much interest, as evidenced by the many events organized in the last years - "Le Corbusier. Vue sur la mer ", Maison La Roche, Paris, 2012; "Construire the image: Le Corbusier et la Photographie", Musée des Beaux-Arts, the Chaux-de-Fonds, 2013; or the recent "Le Corbusier and photography", IUAV, Venice, May 2015-. The paper, starting out from the researches already developed, proposes a further reflection on the relationship between the Swiss architect and the photography, paying particular interest to the shooting made in first person. The study analyzes the different approaches and the different subjects photographed in the course of his life and it is proposed to include the work of Le Corbusier in the broader cultural context of the twentieth century, a period in which the relationship between architecture and visual communication, thanks to the many possibilities offered by technological innovations, it becomes increasingly close and inevitable. Resumen: La relación entre Le Corbusier y las artes visuales (dibujo, fotografía y cine) es profunda y articulada y, aunque es objeto de numerosas publicaciones y investigaciónes desde el finales de los años 60es, todavía despierta mucho interés, como lo demuestran los diversos eventos realizados en los últimos años - “Le Corbusier. Vue sur la mer”, Maison La Roche, Parìs, 2012; “Construire l’image: Le Corbusier et la photographie”, Musée des Beaux-Arts, la Chaux-de-Fonds, 2013; o la más reciente “Le Corbusier e la fotografia”, IUAV , Venezia, mayo 2015-. El articulo, a partir desde investigación ya desarrollado, propone una reflexión más sobre la relación entre el arquitecto suizo y la fotografía, prestando especial interés a las realizata en primera persona. El estudio analiza los diferentes enfoques y diferentes sujetos fotografiados en el curso de su vida y se propone de insertar la obra de Le Corbusier en el contexto cultural más amplio del siglo XX, un período en el que la relación entre la arquitectura y la comunicación visual, gracias a las muchas posibilidades que ofrecen las innovaciones tecnológicas, se vuelve cada vez más estrecha e inevitable.  Keywords: Le Corbusier; photography; representation of architecture. Palabras clave: Le Corbusier; fotografia; representaciones de la arquitectura. DOI: http://dx.doi.org/10.4995/LC2015.2015.947

“Soviet mentality?” The role of shared political culture in relations between the Armenian state and Russia's Armenian diaspora

2013 ◽  
Vol 41 (5) ◽  
pp. 709-729 ◽  
Author(s):  
Kristin Cavoukian
Keyword(s):  
Soviet Union ◽  
Political Culture ◽  
Community Organization ◽  
The Soviet Union ◽  
Armenian Diaspora ◽  
The Difference ◽  
The One ◽  
Management Institutions ◽  
The Relationship

Russia's Armenians have begun to form diaspora institutions and engage in philanthropy and community organization, much as the pre-Soviet “established” diaspora in the West has done for years. However, the Russian Armenian diaspora is seen by Armenian elites as being far less threatening due to a shared “mentality.” While rejecting the mentality argument, I suggest that the relationship hinges on their shared political culture and the use of symbols inherited from the Soviet Union in the crafting of new diaspora and diaspora-management institutions. Specifically, “Friendship of the Peoples” symbolism appears to be especially salient on both sides. However, the difference between old and new diasporas may be more apparent than real. The Russian Armenian diaspora now engages in many of the same activities as the Western diaspora, including the one most troublesome to Armenia's elites: involvement in politics.

Relational Rules and Communist Single-Party Regimes

2021 ◽  
pp. 90-142
Author(s):  
Graeme Gill
Keyword(s):  
Soviet Union ◽  
Political Institutions ◽  
Authoritarian Regimes ◽  
Major Focus ◽  
Symbolic Function ◽  
The Soviet Union ◽  
Relational Rules ◽  
The Individual ◽  
The Relationship

Relational rules structure the relationship between the oligarchs and the elite, and the oligarchs and the institutions of the regime. The chapter analyses how the 11 relational rules functioned in the Soviet Union and China over the life of the respective regimes. It explains how the oligarchs sought to insulate themselves from below and, in looking at the role of political institutions, tackles the idea that institutions serve little more than a symbolic function in authoritarian regimes. A major focus is also the power of the individual leader, its nature and bases and how this related to those institutions.

scholarly journals Non-Soviet Perspectives on the Great Famine: A Comparative Analysis of British, Italian, Polish, and German Sources

2019 ◽  
Vol 48 (3) ◽  
pp. 444-459 ◽  
Author(s):  
Paolo Fonzi
Keyword(s):  
Comparative Analysis ◽  
Soviet Union ◽  
Diplomatic Relations ◽  
Present Contribution ◽  
Soviet Government ◽  
Great Famine ◽  
The Soviet Union ◽  
Key Issues ◽  
The Relationship

AbstractThe present contribution analyzes systematically diplomatic reports written by German, Italian, British, and Polish representatives in the Soviet Union at the time of the Great Famine. Based on both published documents and unpublished archival sources, the article examines comparatively the perception of the Great Famine in these four countries. After providing a short overview of the diplomatic relations between the Soviet Union and the four countries at the time of the famine, this article examines how German, Italian, British, and Polish diplomats explained three key issues for understanding the Great Famine: (1) the role of the conflicts between state and peasantry in unleashing the famine; (2) the issue of whether the Soviet government intentionally caused the famine; and (3) the role of intentions in the development of the famine and the relationship between the nationalities policy of the Soviet government and the famine.

Commemorating the Soviet Deportations of 1945 and Community-Building in Post-communist Upper Silesia

2009 ◽  
Vol 18 (2) ◽  
pp. 217-234 ◽  
Author(s):  
EWA OCHMAN
Keyword(s):  
Soviet Union ◽  
Mining Industry ◽  
Regional Identity ◽  
Upper Silesia ◽  
The Soviet Union ◽  
Collapse Of Communism ◽  
Post War ◽  
Separatist Movement ◽  
The Relationship

AbstractThis article focuses on the remembrance of the deportations of Silesians to the Soviet Union in 1945, undertaken in Upper Silesia, Poland, after the collapse of communism. It explores the relationship between local elite-sponsored official remembrance of the deportations and the formation of regional identity in the context of the Upper Silesia's borderland locality and the post-war population movement. The article also investigates the role of public commemorations of the Silesian past in the construction of a Silesian national identity undertaken by the Silesian separatist movement that gained in popularity against the backdrop of the post-1989 de-industrialisation of the region, Poland's most important centre for coal mining industry.

scholarly journals War Spoliations and Cultural Transfers: The Case Study of Soviet Cinema (1939-1949)

2017 ◽  
Vol 3 ◽  
pp. 7-10
Author(s):  
Eric Aunoble
Keyword(s):  
Soviet Union ◽  
Film History ◽  
War Films ◽  
The Soviet Union ◽  
Soviet Cinema ◽  
Great Patriotic War ◽  
Scientific Project ◽  
Cultural Transfers

This collection of articles is one of the last achievements of the scientific project called Cinema in the Soviet Union at war, 1939-1949. This project was initiated by Valérie Pozner (CNRS, Arias THALIM) and Alexandre Sumpf (University of Strasburg, ARCHE, CERCEC) and its goal was to go way further than studies on a couple ofSoviet war films uniformly quoted by authors dealing with the role of cinema during the “Great patriotic war”. It meant to include in its scope documentaries, newsreels and cartoons in order to explore this crucial moment in the development of one of the most important creative cultures of film history.

The great blockade of Lithuania: Evaluating sanction theory with a case study of Soviet sanctions to prevent Lithuanian independence

2016 ◽  
Vol 19 (4) ◽  
pp. 320-339 ◽  
Author(s):  
David Lektzian ◽  
Rimvydas Ragauskas
Keyword(s):  
Soviet Union ◽  
Political Science ◽  
Empirical Work ◽  
Political Factors ◽  
Declaration Of Independence ◽  
The Soviet Union

Previous work in political science has looked to dyadic, international, and domestic factors in senders and targets of sanctions for explanations of why they sometimes succeed and frequently fail. In this paper, we present a case study of the sanctions imposed by the Soviet Union over Lithuania’s declaration of independence in 1990. We examine the dyadic, international, and domestic factors that influenced the outcome of the sanctions and connect them to existing theoretical and empirical work in the literature. While dyadic and international factors played important roles, we find the strongest evidence for the role of domestic political factors in the Soviet Union and Lithuania in determining the outcome of the dispute.

Western Policy and the Demise of the Soviet Union

2003 ◽  
Vol 5 (4) ◽  
pp. 137-177 ◽  
Author(s):  
Celeste A. Wallander
Keyword(s):  
Soviet Union ◽  
Military Spending ◽  
Defense Spending ◽  
Soviet System ◽  
Mikhail Gorbachev ◽  
Political Dissent ◽  
The Soviet Union ◽  
Military Expenditures ◽  
Made In

The role of Western governments in the disintegration of the Soviet Union was complex. The two most important factors that undermined the Soviet state were the deepening economic chaos under Mikhail Gorbachev and the rapid growth of internal political dissent. Western policies tended to magnify both of these factors. This is not to say, however, that Gorbachev's original decision to embark on an economic reform program was simply the result of pressure created by Western defense spending and military deployments. The Soviet economy was plagued by severe weaknesses, of which the misallocation of resources and excessive military expenditures were only a small part. Gorbachev's initial economic reforms were spurred by his awareness of the country's general economic problems. After the first round of reforms failed, he sensed that arms control and reductions in military spending would be helpful for the next stage. Even so, the belated cuts he made in military spending (beginning in 1990) were of relatively little consequence. The West's refusal to pour money into the Soviet system without evidence of structural reform in the last years of the Soviet regime, and Western pressure on Gorbachev not to crack down on political dissent and separatism, did hasten the Soviet collapse. These policies denied the Soviet system resources that might have prolonged its survival, and they helped to deter Gorbachev from using decisive force against elements that were splitting the Soviet Union apart.

Economics and Politics in a Socialist Country: Gorbachev's New Concepts

1988 ◽  
Vol 23 (2) ◽  
pp. 167-185 ◽  
Author(s):  
Klaus von Beyme
Keyword(s):  
Soviet Union ◽  
Western Europe ◽  
Public Enterprises ◽  
Leading Role ◽  
The Soviet Union ◽  
New Concepts ◽  
Social Tasks ◽  
The Relationship ◽  
Economics And Politics

SINCE GORBACHEV'S COMING TO POWER THE RELATIONSHIP between economics and politics in the Soviet Union has been changing rapidly. But even from the outset one could see that there would be limits to change. The primacy of politics which characterizes the relationship between economics and politics under the conditions of socialism in power will be fully maintained in the future, too. All proposals for more decentralization meet with obstacles when they seem to call into question the leading role of the party. The party is only advised to observe a kind of ‘economic restraint’: it should stop mingling every aspect of public administration with the economy. The idea is to free the party from its responsibility for detail in order to allow it to concentrate more on its central political tasks. In this respect socialism has problems similar to those which Western governments face in the welfare state. After the end of the hegemony of social democracy it is, above all, the conservative parties in Western Europe who are ready to reduce the responsibility of the governments of the day for many economic and social tasks: this is why we find deregulation efforts, privatization of public enterprises and the transfer of political functions to non-state social organizations everywhere.

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