‘Till Death Do You Part’: Catholicism, Marriage and Culture War in Austria(-Hungary) For Darim († 2017).

Keyword(s):  
2008 ◽  
Author(s):  
Jesse Graham ◽  
Sena Koleva ◽  
Jonathan Haidt ◽  
Ravi Iyer ◽  
Peter H. Ditto

2021 ◽  
Vol 74 (2) ◽  
pp. 103-122
Author(s):  
Michelle C. Sanchez

AbstractToday, Christianity is often described as a ‘worldview’, especially among Reformed evangelicals in the USA. In this article I return to the 1890 lectures where Scottish theologian James Orr adapted the concept of Weltanschauung for Christian purposes. Although it was coined by Immanuel Kant in 1790, and primarily used in subsequent decades to theorise cultural difference and evaluate aesthetic expression, Orr nevertheless claims that the idea of a worldview is ‘as old as the dawn of reflection’ and thus appropriate to articulating Christianity. I examine Orr's engagement with the Kantian and emerging historicist context, paying particular attention to his epistemological and aesthetic citations and showing how Orr both adopts and departs from the characteristic features of the Kantian subject. I conclude by assessing the philosophical and theological costs of this project that, among other things, positions Christianity for perpetual culture war within secular societies similarly shaped by the post-Kantian subject.


2002 ◽  
Vol 46 (4) ◽  
pp. 501-534 ◽  
Author(s):  
LAUREN LANGMAN
Keyword(s):  

2011 ◽  
Vol 3 (3) ◽  
pp. 331-332 ◽  
Author(s):  
Peter H. Ditto ◽  
Spassena P. Koleva
Keyword(s):  

2021 ◽  
Vol 2021 (1) ◽  
pp. 43-62
Author(s):  
Agnieska Balcerzak

This article at the intersection of cultural studies of popular and memory culture deals with the genre of comics as an identity-forming (protest) medium and projection surface for the ideologised “culture war” between traditionalists and modernists in contemporary Poland. The analysis focuses on two historical comics that combine facts and imaginary and refer back to the Second World War, the communist period and the recent history of the Republic of Poland after 1989. The article juxtaposes two title heroes and their comic worlds, which represent opposite ends of the political spectrum and reveal the problem areas of Poland’s dividedness along the underlying canon of values and symbolic worlds: Jan Hardy, the national-conservative “cursed soldier”, and Likwidator, the relentless “anarcho-terrorist”. The characters and their adventures exemplify fundamental memory cultural, religious, nationalist and emancipatory discourses in Poland today. The focus of the analysis lies on the creation context and the (visual) language with its narrative-aesthetic intensifications, which illuminate Poland’s current state of conflict between national egoism and traditional “cultural patriotism” on the one hand and liberal value relativism with its progressive-emancipatory rhetoric on the other.


2016 ◽  
Vol 96 (1) ◽  
pp. 132-155
Author(s):  
Erlan Medeubayev

The article deals with the implementation of the complex of political and socio-economic measures of the Soviet state, called the policy of “war communism” in the cities of the Steppes and Turkestan in 1918-1921. Based on materials gleaned from various sources, the author endeavours to explore the processes of socialization and municipalization of private houses and dwellings, the nationalization of private property, which took place in the cities of the KazASSR and tassr; highlight some of the issues related to the subject policy of “war communism” in the cities of Kazakhstan. Various restrictive decrees and orders of the Soviet power in this period, aimed at limiting commodity-money relations and the prohibition of the right to private property put people into a rigid framework of survival. Approved in the sphere of public life, the ideology of “war communism” inevitably left its mark on the life of the city. This ideology was a special sociocultural phenomenon, strengthening other social psychology and ethics which propagandized the need to destroy the old “bourgeois” culture and create a new “proletarian culture”. “War Communism” as opposed to “bourgeois individualism” principles of the socialist community, broske vital foundations of society. A characteristic feature of this period is the legitimization of violence and its use as a universal remedy of solving all problems. Under the pressure of revolutionary changes the sense of justice in society underwent considerable transformation. The right to inviolability of private property was completely ignored. The ruling regime no longer recognized the existing legal mechanisms, replacing them with the amorphous concept of “revolutionary legality.”


1997 ◽  
Vol 40 (6) ◽  
pp. 325-344 ◽  
Author(s):  
Lene Arnett Jensen
Keyword(s):  

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