History of Architecture and Design

2020 ◽  
pp. 24-49
Author(s):  
Steven Webber
Keyword(s):  
History Of ◽  
History Of Architecture ◽  
Architecture And Design

Model Operations: Morphogenesis and the Design Process

2021 ◽  
pp. 602-626
Author(s):  
Carolin Höfler
Keyword(s):  
Architectural Design ◽  
Reciprocal Relationship ◽  
Digital Design ◽  
Responsive Materials ◽  
History Of ◽  
History Of Architecture ◽  
Generative Algorithms ◽  
The 1960S ◽  
Structural Architecture ◽  
Architecture And Design

Abstract Since the emergence of digital design techniques in combination with so-called responsive materials, the concept of organic forms in architecture seems to be gaining a new quality. The resemblance to an organism should no longer apply only superficially but be inscribed in the materiality as well as in the history of origin and functioning. This article addresses these new transformative effects between architecture and biology. They are presented primarily in relation to the structural architecture of the 1960s and the computational architectural systems since the 1990s. One focus of architecture is on dynamic forms that adapt themselves to their environment by means of flexible materials and generative algorithms. Here, architecture as technically animated matter no longer involuntarily competes with creative nature but is seen as part of a reciprocal relationship. This reciprocal relationship is specified by recourse to various architectural models. The models’ approaches suggest that organic-looking forms are generated by simulated biological processes. The article examines this claim of the models from the perspective of the history of architecture and design. It shows how, since the mid-twentieth century, a renewal of architectural design practice has been sought by reformulating morphological questions at the intersection of biological and cybernetic discourses.

History of Architecture and Design 1890-1939: Introduction

Leonardo ◽  
1976 ◽  
Vol 9 (2) ◽  
pp. 167
Author(s):  
Peter Lloyd Jones ◽  
Tim Benton ◽  
Geoffrey Baker ◽  
Sandra Millikin
Keyword(s):  
History Of ◽  
History Of Architecture ◽  
Architecture And Design

Stuttgarter Rede über Architektur

2012 ◽  
Vol 3 (1) ◽  
pp. 97-104
Author(s):  
Friedrich Kittler
Keyword(s):  
Media History ◽  
Media System ◽  
History Of ◽  
History Of Architecture

Der Vortrag schlägt vor, nicht mehr den Menschen als letzte Referenz und vertrauten Maßstab der Architektur zu setzen, sondern Architekturen als Mediensysteme zu denken. Eine noch ungeschriebene Mediengeschichte der Architektur sollte daher auch und gerade in historischer Absicht nach formalen Entsprechungen zwischen Techniken des Entwerfens und solchen der Bauten suchen, in denen Praxis und Produkt zusammenfallen. </br></br>The paper proposes the consideration of architecture(s) as a media system, instead of imposing man as its ultimate reference and known measure. A media history of architecture – which remains to be written – should therefore search for formal correspondences between techniques of drafting and those of buildings, in which practice and product coincide.

Architecture Culture, Humanitarian Expertise:

2017 ◽  
Vol 76 (3) ◽  
pp. 367-384 ◽  
Author(s):  
Anooradha Iyer Siddiqi
Keyword(s):  
Professional Practice ◽  
Building Design ◽  
Joint Activity ◽  
Joint Construction ◽  
Mutual Interest ◽  
History Of ◽  
History Of Architecture ◽  
Anchor Points ◽  
The Tropics ◽  
Shared Mission

Architecture Culture, Humanitarian Expertise: From the Tropics to Shelter, 1953–93 recovers a history of architecture and humanitarianism through an examination of institutions and the development of a subfield of professional practice. Charting mutual interest between major humanitarian agencies and the architecture and planning professions, Anooradha Iyer Siddiqi maps the joint construction of expertise, tying together three sets of concerns: preoccupations with the tropics and climate as anchor points for the science and rationalization behind building design, the institutionalization of humanitarian spatial expertise in the academy and industry, and a tension between models for development and for relief. This joint activity and its discursive themes, from the “tropics” to “shelter”—whether aggrandizing or instrumentalizing the shared mission of architecture and humanitarianism—raised the stakes for architectural expertise as a driver for practice as well as history.

Building simply: ethic or aesthetic? Thinking and making in an era of specialisation

2007 ◽  
Vol 11 (2) ◽  
pp. 112-117
Author(s):  
Gordon Murray
Keyword(s):  
Design Research ◽  
Research Unit ◽  
Recent History ◽  
Surface Appearance ◽  
Performance Requirements ◽  
History Of ◽  
History Of Architecture ◽  
Aesthetic Thinking

The recent history of architecture can be characterised as a battle between attention-grabbing, ‘iconic’ buildings and a counteracting tendency towards the aesthetically reduced, even avowedly ‘minimal’. But beneath the surface appearance of these contrasting formal tendencies – restless or serene, as demanded by their aesthetic ideals – the means of building have become relentlessly more complex to meet ever more demanding environmental and other performance requirements. It was against this background that the Design Research Unit at Cardiff University convened a one-day symposium to explore the possibility of ‘Building Simply’: the topic proved, not unexpectedly, elusive. Below we publish some reflections by Gordon Murray on some of the issues raised, and these are followed by three design papers – by Pierre d'Avoine, Roland Raderschall and the organisers – that addressed the topic from differing perspectives.

scholarly journals Mortar mixes with oxblood: historical background, model sample recipes and properties

2018 ◽  
Vol 45 ◽  
pp. 19-24 ◽  
Author(s):  
Kun Zhang ◽  
Laura Rampazzi ◽  
Maria Pia Riccardi ◽  
Antonio Sansonetti ◽  
Alberto Grimoldi
Keyword(s):  
Building Materials ◽  
Historical Background ◽  
Organic Additives ◽  
X Ray Diffraction ◽  
Amorphous Calcium Carbonate ◽  
Historical Building ◽  
Model Sample ◽  
History Of ◽  
History Of Architecture ◽  
History Of Use

Abstract. In this survey we present studies on mortar mixes added with oxblood, which was a commonly found local waste material, with a wide application and long history of use; a precise recipe of lime–pozzolan mortar with blood addition from a 19th-century Italian manual was chosen, and model samples were prepared accordingly, with the aim of better understanding the chemical, mineralogical and physical characteristics of such compositions, starting with a blank reference specimen. The specimens were analysed by means of scanning electron microscopy, infrared spectroscopy, thermal analysis and X-ray diffraction, and the results suggested that amorphous calcium carbonate could be formed in the specimens with oxblood addition. These preliminary results allow a better understanding of historical building practices, measuring effects induced by organic additives on mortar microstructure, as well as an evaluation of new performances obtained in mortar mixes. Moreover, this paper intends to propose a full multi-discipline approach to bridge the history of architecture and building materials to conservation science.

scholarly journals O desenho digital e as paisagens patrimoniais. Convento da Madre Deus de Monchique, no Porto

CEM ◽  
2020 ◽  
pp. 57-74
Author(s):  
Tiago Trindade Cruz
Keyword(s):  
Digital Technology ◽  
Urban Research ◽  
Urban Structures ◽  
Built Heritage ◽  
History Of ◽  
History Of Architecture ◽  
New Research ◽  
The City ◽  
Historical Periods

This article is part of a broader reflection on the digital drawing and new research metho‑ dologies in the History of Architecture. Aiming to reflect on the concept of Heritage Landscape, it starts from the old monastic structure of Monchique, in the city of Porto, as an experimental labora‑ tory for architectural and urban research. It is known that digital technology makes it possible to reconstruct elements from other eras, whose time has transformed or disappeared. In this context, and using digital drawing, the recognition of the built heritage and urban structures is sought through a synchronic and diachronic interpretation, attentive to the different historical periods and their specificities.

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