scholarly journals Valaam Monastery School of Painting

Secreta Artis ◽  
2021 ◽  
pp. 41-72
Author(s):  
Svetlana Evgenievna Bolshakova
Keyword(s):  
Historical Development ◽  
Human Anatomy ◽  
Works Of Art ◽  
The Future ◽  
Religious Paintings ◽  
History Of ◽  
Imperial Academy ◽  
The Way

The article is dedicated to the formation of Valaam’s own school of painting for monks and novices of the monastery. This process consisted of several stages connected to both the historical development of the monastery itself, as well as the expanding influence of the Russian Imperial Academy of Arts. The official establishment of the painting school, which trained artists according to academic methods, dates back to the late 19th – early 20th centuries. The entire preceding history of the monastery paved the way for the inauguration of the school. In particular, the monastery gathered a carefully selected collection of engravings and reproductions of famous religious paintings, art manuals, human anatomy atlases and picturesque copies of popular works of art. Construction of the new Transfiguration Cathedral, to be supposedly painted by monastery artists, provided the main impetus for the eventual opening of the school. Gifted Valaam monks Alipiy (Konstantinov) and Luka (Bogdanov), as well as a student of the Russian Academy of Arts, V. A. Bondarenko, taught at the monastery’s school. Among some of the most diligent students of the school were hegumen Gavrill (Gavrilov), the main proponent of its establishment and its trustee, along with monk Fotiy (Yablokov), the future head of the icon painting workshop. The school continued to operate until the monks of the Valaam Monastery were forced to flee to Finland as a result of hostilities that broke out in the archipelago during the Soviet-Finnish war of 1939–1940.

Given the Tino Sehgal Case: How to Save the Future of a Work of Art that Materializes Only Temporarily

2009 ◽  
Vol 34 (2) ◽  
pp. 194-199 ◽  
Author(s):  
SANDRA UMATHUM
Keyword(s):  
Visual Arts ◽  
Performance Art ◽  
Work Of Art ◽  
Unique Position ◽  
Works Of Art ◽  
History Of Art ◽  
The Future ◽  
History Of ◽  
The Way

This article focuses on German artist Tino Sehgal (born in 1976), whose works of art materialize only temporarily, while they fulfill, at the same time, all the requirements that any work of the visual arts must fulfill if it is to have a lasting existence. In this regard Sehgal's artistic approach not only takes a unique position within the history of art; it also departs fundamentally from the tradition of performance art. This article deals with the way Sehgal tries to save the future of the ephemeral situations his art puts forth, and shows, furthermore, how he thereby confronts questions and problems that performance art has neglected or even generated.

What’s Next?

2009 ◽  
Vol 217 (2) ◽  
pp. 95-102 ◽  
Author(s):  
Theo Herrmann
Keyword(s):  
Historical Development ◽  
Psychological Research ◽  
History Of Psychology ◽  
Complex Pattern ◽  
Short Term ◽  
Historical Changes ◽  
The Future ◽  
History Of

One cannot predict the future of the sciences or that of psychology. The question “What’s next?” gives reason to think about which principles to which psychology has developed. In analyzing the historical development of psychology, one should differentiate between basic psychological research, psychological technology, and the structure of institutions. Historical changes of psychology occur slowly and continuously. These continuous changes are obviously a foil for short-term changes that we can refer to as discontinuities. The complex pattern of continuities and discontinuities is based on very different conditions. External and internal causes of the changes in the history of psychology are discussed.

Introduction

2021 ◽  
pp. 1-9
Author(s):  
Hans Joas
Keyword(s):  
Religious History ◽  
The Future ◽  
False Sense ◽  
History Of ◽  
The Way

This book is an attempt to divest of its enduring enchantment one of the concepts central to the way in which modernity understands itself, namely that of disenchantment. As we will see, this concept is profoundly ambiguous, as are contrasting terms such as “enchantment” and “re-enchantment,” which also began to circulate after it was coined. Such ambiguity may lead to confusion and has, in fact, often done so in this case. Conveyed covertly along with the term itself, this ambiguity may also serve to establish a false sense of certainty. This undoubtedly applies to the narrative of a progressive process of disenchantment extending across millennia. If my argument is correct, we cannot simply project this narrative forward into the future. What we need, then, is an alternative to it, or perhaps several such alternatives—new narratives of religious history as it is intertwined with the history of power, narratives that might supersede that of disenchantment....

Paleontology's Greatest Hits

2008 ◽  
Vol 14 ◽  
pp. 17-40
Author(s):  
Richard K. Bambach
Keyword(s):  
Phylogenetic Analysis ◽  
Fossil Record ◽  
Evolutionary Biology ◽  
Analytical Study ◽  
The Future ◽  
History Of ◽  
Paleontological Society ◽  
Link Pattern ◽  
The Way

Although this paper mentions many specific discoveries and advances it is not intended as a catalog of the “biggest hits” in the sense of public notice, but rather it is an effort to chart how the diversity of paleontological work in the last century fits into the context of the biggest hit of all, the emergence of a “new paleontology” in which conceptual advances have revolutionized every aspect of our profession. When the Paleontological Society was founded no unambiguous fossils were known from the immense stretch of Precambrian time and no hominine fossils were known from Africa. Rigorous phylogenetic analysis and a seat for paleontology at the “high table” of evolutionary biology were in the future. Where once we learned a series of guide fossils and thought we had studied paleontology, now students explore taphonomy, paleoeocology, geobiology and macroevolution in our general courses on paleontology. This paper attempts to take notice of some of the highlights of our evolution from a field focused on cataloging and describing the contents of the fossil record into a complex, multidisciplinary endeavor focused on analytical study of general questions. Some of those hits have been discoveries that document the course of evolution, some have been new conceptual approaches that give us insights that link pattern to process, some are new ways of compiling, analyzing or communicating our knowledge. But with all that the study of the history of life remains at the heart of our profession. The change has been the shift in goal from description to understanding of that history, from “what” to “how.” The greatest hits have been the steps that have opened the way to understanding, that have made following the path possible.

scholarly journals DEVELOPMENT OF THEOLOGICAL TRAINING AND HERMENEUTICS IN PENTECOSTALISM: A HISTORICAL PERSPECTIVE AND ANALYSIS

2016 ◽  
Vol 42 (2) ◽  
pp. 192-207
Author(s):  
Marius Nel
Keyword(s):  
Historical Development ◽  
Historical Perspective ◽  
Close Connection ◽  
Past Century ◽  
The Past ◽  
Pentecostal Movement ◽  
The Bible ◽  
History Of ◽  
The Way ◽  
Theological Training

The article hypothesises that the historical development of Pentecostal hermeneutics is closely related to and illustrated by Pentecostals’ attitude towards theological training. A short survey is given of the development of theological training within the Pentecostal movement in order to demonstrate how it accompanied a change in the way the Bible was considered during the past century in terms of three phases. For the first three decades Pentecostals had no inclination towards any theological training; they considered that the Bible provided all they needed to know and what was important was not what people in biblical times experienced with or stated about God, but the way these narratives indicate contemporary believers to an encounter with God themselves, resulting in similar experiences. From the 1940s, Pentecostals for several reasons sought acceptance and approval and entered into partnerships with evangelicals, leading to their acceptance of evangelicals’ way of reading the Bible in a fundamentalist-literalist way. From the 1970s they established theological colleges and seminaries where theologians consciously developed Pentecostal hermeneutics in affinity with early Pentecostal hermeneutics, although most Pentecostals still read the Bible in a fundamentalist-literalistic way − as do the evangelicals. Its hermeneutics determined its anti-intellectual stance and the way Pentecostals arranged the training of its pastors. The history of the Pentecostal movement cannot be understood properly without realising the close connection between its hermeneutics and its view of theological training.

scholarly journals O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina

1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak
Keyword(s):  
Science Fiction ◽  
Biblical Text ◽  
The Third ◽  
The Future ◽  
History Of ◽  
The Subject ◽  
Written Word ◽  
The Way ◽  
Adam Mickiewicz

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.

“The Way You Enter a Church”: The Dialectics of Ken Burns’s Baseball

2020 ◽  
Vol 44 (6) ◽  
pp. 499-514
Author(s):  
David Jenemann
Keyword(s):  
Civil Society ◽  
American Democracy ◽  
Historical Events ◽  
Self Reflection ◽  
Philosophical Beliefs ◽  
The Future ◽  
History Of ◽  
The Way

Taken as a whole, Ken Burns’s 1994 documentary Baseball and its 2010 follow-up The Tenth Inning stand as some of the most influential documentaries on the history of American sports. Baseball develops the link between the “fun” of the game and philosophical beliefs about American democracy through a “dialectical aesthetic” that operates through Baseball’s choice of subjects and historical events as well as through its formal documentary strategies. While many critics dismiss Baseball as overly nostalgic, this essay argues that Baseball engages the reader with the dialectic to encourage self-reflection about the future of the game and its role in civil society.

SEE! HEAR! CUT! KILL!

2020 ◽  
Author(s):  
Wickham Clayton
Keyword(s):  
Historical Development ◽  
Point Of View ◽  
History Of ◽  
And Shifts ◽  
Slasher Films ◽  
The Way

SEE! HEAR! CUT! KILL!: Experiencing Friday the 13th, is the first book entirely devoted to the analysis of the Friday the 13 th franchise. The story a film tells is usually filtered through a particular perspective, or point of view. This book argues that slasher films, and the Friday the 13th movies particularly, use all the stylistic tools at their disposal to create a complex and emotionally intense approach to perspective, which develops and shifts across the decades. Chapter one discusses the history of perspective in horror, and the different critical conversations around this. Chapter two looks at the use of camerawork, specifically point-of-view camerawork in the way these films visually communicate perspective. The fourth chapter talks about the way sound and editing work together to communicate perspective and experience in the death sequences these movies capitalize upon. The fourth chapter considers the perspective of viewers, and how each movie speaks to viewers who are either familiar or unfamiliar with the ongoing story in the series. The final chapter first explains how these trends look across a chronological timeline, and what this tells us about the historical development of perspective before looking at the influence these stylistic approaches have had on ‘serious’ film, particularly those recognized by the Hollywood critical establishment.

Responsible for Destiny

2021 ◽  
Vol 11 ◽  
pp. 198-226
Author(s):  
Katherine Ward ◽  
Keyword(s):  
Being And Time ◽  
Individual Level ◽  
The Future ◽  
History Of ◽  
The Individual ◽  
The Way

Historizing is the way Dasein takes up possibilities and roles to project itself into the future. It is why we experience continuity throughout our lives, and it is the basis for historicality – our sense of a more general continuity of “history.” In Being and Time, Heidegger identifies both inauthentic and authentic modes of historizing that give rise, respectively, to inauthentic and authentic modes of histori­cality. He focuses on historizing at the individual level but gestures at a communal form of historizing. In this paper, I develop the concept of co-historizing in both its authentic and inauthentic modes. I argue that Heidegger’s unarticulated concept of inauthentic co-historizing is what necessitated the planned (but unfinished) second half of Being and Time – the “phenomenological destruction of the history of ontology.” I consider what it means to take responsibility for our destiny as a people and specifically as a community of philosophers.

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