scholarly journals Write Like a Visual Artist: Tracing artists’ work in Canada’s textually mediated art world

2016 ◽  
Vol 24 (2) ◽  
pp. 43-63 ◽  
Author(s):  
Janna Klostermann

This study examines the social organisation of Canada’s art world from the standpoint of practising visual artists. Bringing together theories of literacy and institutional ethnography, the article investigates the literacy practices of visual artists, making visible how artists use written texts to participate in public galleries and in the social and institutional relations of the art world. Drawing on extended ethnographic research, including interviews, observational field notes and textual analyses, this study sheds light on the ways visual artists enact particular texts, enact organisational processes, and to enact the social and conceptual worlds they are a part of. Through the lens of visual artists, this study locates two particular texts – the artist statement and the bio statement – in the extended social and institutional relations of the art world. 

2000 ◽  
Vol 45 ◽  
pp. 136-175 ◽  
Author(s):  
Jeremy Tanner

Recent contributions to the debate on the role, status and autonomy of the artist in classical Greece remain polarised in terms which have remained largely unchanged for more than a century. On one side, we find ‘modernisers’ who hold that the role of the artist, the function of art and the social structure of the Greek art world was more similar to the modern western art world than different. On the other side are ranged the ‘primitivists’ who argue that modern conceptions of artistic autonomy and creativity are an anachronistic imposition on ancient Greek art, which was a largely anonymous craft, performing traditional functions and oriented to the reproduction of traditional artistic forms rather than the individualistic innovation held to be characteristic of western European art since the Renaissance. The modernisers look back to Winckelmann's neo-classical view of the Greek artist as free and autonomous creator, whilst the primitivists ultimately draw their inspiration from Jacob Burckhardt's alternative account of the Greek artist as mechanical craftsman or banausos. In this century, the primary point of reference for the debate has been Bernard Schweitzer's argument that whilst artists were held in low esteem during the classical period of Greek history, the fifth and fourth centuries, they came to be recognised as ‘creative’ in the Hellenistic period, the third to first centuries B.C. More recent contributions have largely been concerned with adducing, or criticising, new evidence for one or other side of the debate, whilst retaining the assumptions within which the debate was set up in the nineteenth century.


Africa ◽  
2000 ◽  
Vol 70 (2) ◽  
pp. 278-297 ◽  
Author(s):  
M. C. Jędrej

AbstractFrom a perspective based in ethnographic research this article reviews the historical evidence relating to the social organisation of the southern Funj in the Sudan during the nineteenth century. It goes beyond a characterisation of the region as one of pagan ‘tribes’ more or less successful in resisting subordination by a sophisticated Islamic state to discern a complexity of varied political relations radiating from an elite in a few regional centres and traversing all the communities of the region. The appearance of distinct ethnic groups under the colonial regime of the Anglo-Egyptian Sudan was preceded by a transitional geo-political division of the population into defiant highlanders and variously servile lowlanders under the Turco-Egyptian government which succeeded the Funj sultanate in the region.


1971 ◽  
Vol 27 (33) ◽  
pp. 311-339
Author(s):  
Sachiko Hatanaka

1998 ◽  
Vol 31 (2) ◽  
pp. 187-198 ◽  
Author(s):  
Sarah Ashwin

Various arguments have been put forward to explain the social stability of the post-Stalin era, in particular theories of a “social contract”, “incorporation” or “atomisation”. This article argues that all these theories have been cast into serious doubt by the response of workers to the reforms of the post-communist era and proposes an alternative view of the integration of workers which centres on the social organisation of the traditional Soviet enterprise. It goes on to show the way in which the form of workers' relation to the labour collective has structured their behaviour during the transition era.


1999 ◽  
Vol 16 (4) ◽  
pp. 372-388 ◽  
Author(s):  
Lupe Castañ ◽  
Claudine Sherrill

The purpose was to analyze the social construction of Challenger baseball opportunities in a selected community. Participants were 10 boys and 6 girls with mental and/or physical disabilities (ages 7 to 16 years, M = 11.31), their families, and the head coach. Data were collected through interviews in the homes with all family members, participant observation at practices and games, and field notes. The research design was qualitative, and critical theory guided interpretation. Analytical induction revealed five outcomes that were particularly meaningful as families and coach socially constructed Challenger baseball: (a) fun and enjoyment, (b) positive affect related to equal opportunity and feelings of “normalcy,” (c) social networking/emotional support for families, (d) baseball knowledge and skills, and (e) social interactions with peers.


2016 ◽  
Author(s):  
◽  
Lina M. Trigos-Carrillo

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In this study, I investigated the social practices related to reading and writing of first-generation college students and their families and communities in Latin America from a critical sociocultural perspective (Lewis, Enciso and Moje, 2007). This embedded multiple-case study was conducted in Mexico, Colombia, and Costa Rica. Using an ethnographic perspective of data collection (Bernard, 2011; Lillis and Scott, 2007) and the constant comparative method (Heath and Street, 2008), situational analysis (Clarke, 2005), and within and cross-case analysis (Yin, 2014), I analyzed specific literacy events (Heath, 1982) and literacy practices (Street, 2003) in social context. First, I argue that access to the academic discourse and culture is one of the main barriers first-generation college students faced, although they constructed strong social support systems and engaged in rich literacy practices that involved critical action and thinking. Second, I found that, in contrast to the common belief that socially and economically nonmainstream college students were deficient in literacy, these students and their families possessed a literacy capital and engaged in complex and varied literacy practices. Using their literacy capital, first-generation college students and their families and communities procured the preservation of cultural identity, resisted the effects of cultural globalization, served the role of literacy sponsors, and reacted critically to the sociopolitical context. These literacy practices constituted a community cultural wealth for the families and communities of first-generation college students. I argue that a positive approach towards first-generation college students' identities and their community cultural wealth is necessary in curriculum, instruction, and policy if universities are truly committed to provide access to higher education to students from diverse backgrounds. Finally, I investigated first-generation university women's gender identities, discourses, and roles as they navigated the social worlds of the public university and their local communities in Mexico, Colombia, and Costa Rica. While dominant discourses and roles associated with women reproduced the machismo culture in the region, these group of first-generation university women contested, challenged, and resisted those roles, discourses, and identities. From a Latin American feminist perspective, I argue that bonds of solidarity and communal relations are values that resist the negative effects of global capitalism in marginalized bodies. In particular, public universities, women's supporters, emancipatory discourses, and situated critical literacies played a critical role in improving gender equality in higher education in Latin America. This study contributes to a better understanding of the literacy practices in situated social contexts and informs the ways in which more equitable college instruction, policy, and practices can be developed and promoted.


2018 ◽  
Vol 23 (4) ◽  
pp. 744-762 ◽  
Author(s):  
Christian Nicholas Edwards ◽  
Robyn L Jones

The primary purpose of this article was to investigate the use and manifestation of humour within sports coaching. This was particularly in light of the social significance of humour as a critical component in cultural creation and negotiation. Data were gathered from a 10-month ethnographic study that tracked the players and coaches of Senghenydd City Football Club (a pseudonym) over the course of a full season. Precise methods of data collection included participant observation, reflective personal field notes, and ethnographic film. The results demonstrated the dominating presence of both ‘inclusionary putdowns’ and ‘disciplinary humour’, particularly in relation to how they contributed to the production and maintenance of the social order. Finally, a reflective conclusion discusses the temporal nature of the collective understanding evident among the group at Senghenydd, and its effect on the humour evident. In doing so, the work contributes to the body of knowledge regarding the social role of humour within sports coaching.


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