scholarly journals Righting History

2021 ◽  
Vol 28 ◽  
pp. 131-138
Author(s):  
Paul Kiem

Abstract In recent years there has been ongoing controversy in the United States regarding monuments and place names commemorating the Confederate cause in the American Civil War. The following discussion focuses on Monument Avenue in the former Confederate capital of Richmond, Virginia. This was one of the most prominent locations of Confederate commemoration until statues along the avenue began to be removed during 2020. While also needing to be seen in the immediate context of events in mid-2020, these removals followed a process of investigation and consultation carried out by Richmond City Council. This produced a report which is now a useful resource for a case study investigating Monument Avenue and the broader issues its history helps to illustrate.   

Author(s):  
Nigel Hall

In the period 1878 to 1883 there was heavy speculation in the Liverpool raw cotton market associated with a trader named Morris Ranger. Little has previously been written about Ranger and his background. Ranger was born in Germany and emigrated to the United States in 1855. He initially traded in tobacco but branched out into cotton during the American Civil War. He settled in Liverpool in 1870. His cotton speculations were enormous, but he fell bankrupt in 1883. The speculations associated with Ranger involved other Liverpool traders and drew heavy criticism from the spinning industry. The speculations played a part in a reorganisation of the Liverpool market and attempts to circumvent it, including the building of the Manchester Ship Canal.


Author(s):  
Alan Gallay

Indian slavery was neither fleeting nor secondary to the story of colonialism, imperialism, and economic exploitation in the Americas. Persisting for centuries, it both pre-dated African slavery in the Americas, and survived African slavery's abolition in the United States. Not until the American government's five-year program to eradicate Indian slavery in Colorado and Utah after the American Civil War did slavery officially end, though it likely persisted in several areas of the American West. This article examines the contours of Indian slavery in the Americas, its evolution and character, the varieties of labour systems implemented to control Indian labour and lives, and the existence of Indian slave trades that paralleled African slave trades.


1940 ◽  
Vol 34 (2) ◽  
pp. 220-237 ◽  
Author(s):  
Alice Morrissey McDiarmid

When the present European war broke out and neutral rights came into the foreground of America’s anxieties, the President advised the public to study the conduct of the United States during the Civil War. That desperate struggle is inevitably the American touchstone for belligerent rights because, as Secretary of State Seward pointed out in 1863.It is… obvious that any belligerent claim which we make during the existing war, will be urged against us as an unanswerable precedent when [we] may ourselves be at peace.


2021 ◽  
Author(s):  
Taylor Whitney

This project focuses on the methodology of assigning intellectual and physical arrangement to private family photographic collections. I selected the Brown Family Archive as a case study, working directly with the Brown Family and Lake County Historical Museum in Crown Point, Indiana. The collection brings together photographs and related artifacts from the Civil War, the First National Bank of Crown Point, Indiana, and several interrelated families. The size and scope of the collection is analagous to many family collections. It is historically and culturally significant due to its visual documentation of a sociological milieu in the United States during the 18th and 19th centuries. Equally important, the photographs offer insight ito the widespread problem of deterioration due to improper housing, mishandling, and chemical break down. Through research and best practices in photographic preservation and collections management, the project delivers a model for use by family historians, museums, historical societies and libraries.


2021 ◽  
Author(s):  
Emily McKibbon

This thesis addresses the use of a set of photographs of returned prisoners of war (POWs) published both as tipped-in albumen prints and as wood engravings in six different publications from 1864 and 1865, including three versions of Narrative of Privations and Sufferings of United States Officers and Soldiers while Prisoners of War in the Hands of the rebel Authorities, one pamphlet, and two magazine articles, The discussion focuses on the dissemination of these images by the United States Sanitary Commission, the ways in which the photographs were presented in the individual publications that contained them, the decisions that the engravers made in translating the photographs into wood engravings and the visual codes that informed the photographs and the related engravings. The illustrated essay situates these photographs and wood engravings within the political context of the American Civil War and the history of photography in the 1860s. The dissemination of photographic imagery via wood engravings before the widespread use of halftone reproductions, beginning in the 1880s, is presently under researched. The paper encourages consideration of wood engravings when examining the history of photographic reproduction during this transitional time period.


2020 ◽  
Vol 21 (1) ◽  
Author(s):  
Ana T. Duggan ◽  
Edward C. Holmes ◽  
Hendrik N. Poinar

AbstractWe thank Brinkmann and colleagues for their correspondence and their further investigation into these American Civil War Era vaccination strains. Here, we summarize the difficulties and caveats of work with ancient DNA.


Author(s):  
Axel Körner

This book concludes with a discussion of the ways that America offered Italians an outlook on a wider range of possible futures, most of which were set in conditions that stood in stark contrast to Italy's own experiences. It examines the connection between the American Civil War and the Unification of Italy, noting how the Italians' experience of that war helped them to make the experience of their own Unification meaningful. It also describes the sudden change in Italian attitudes toward American modernity during the finesecolo, which coincided with the start of Italian mass migration to the United States. Finally, it considers how the assassination of Abraham Lincoln transformed political culture in the United States and views the event as a final example of cross-Atlantic exchange that illustrates how Italians explored what they knew about America for their own purposes, without having to imitate foreign prescriptions.


Author(s):  
Axel Körner

This chapter examines the Italian reception of Giuseppe Rota's ballet Bianchi e Neri (Whites and Blacks), an adaptation of Harriet Beecher Stowe's novel Uncle Tom's Cabin. Bianchi e Neri, which presents the dehumanizing brutality of a slaveholding society, became a major point of reference in Italians' critical assessment of life in the United States. Rota's work inspired comments that reveal the passion with which Italians engaged with issues such as race and slavery across the Atlantic. The chapter considers how Bianchi e Neri transformed the ways in which Italians discussed and imagined the New World. It also explores how the debate on the ballet influenced Italian responses to the unfolding American Civil War, and how the abolition of slavery in America intersected with the Unification of Italy as “one single cause”: a struggle for the good of humankind as a whole.


Sign in / Sign up

Export Citation Format

Share Document