An Analytical Approach to Evaluating Bivariate Functions of Fuzzy Numbers with One Local Extremum

Author(s):  
Arthur Seibel ◽  
Josef Schlattmann
2020 ◽  
Vol 2020 ◽  
pp. 1-8
Author(s):  
Abdullah Alotaibi

We define the notions of weighted λ,μ-statistical convergence of order γ1,γ2 and strongly weighted λ,μ-summability of γ1,γ2 for fuzzy double sequences, where 0<γ1,γ2≤1. We establish an inclusion result and a theorem presenting a connection between these concepts. Moreover, we apply our new concept of weighted λ,μ-statistical convergence of order γ1,γ2 to prove Korovkin-type approximation theorem for functions of two variables in a fuzzy sense. Finally, an illustrative example is provided with the help of q-analogue of fuzzy Bernstein operators for bivariate functions which shows the significance of our approximation theorem.


2014 ◽  
Vol 2014 ◽  
pp. 1-9 ◽  
Author(s):  
Arthur Seibel ◽  
Josef Schlattmann

This paper presents an extended analytical approach to evaluating continuous, monotonic functions of independent fuzzy numbers. The approach is based on a parametricα-cut representation of fuzzy numbers and allows for the inclusion of parameter uncertainties into mathematical models.


2015 ◽  
Vol 2015 ◽  
pp. 1-6
Author(s):  
Arthur Seibel ◽  
Josef Schlattmann

This paper presents a novel analytical approach to evaluating continuous, nonmonotonic functions of independent fuzzy numbers. The approach is based on a parametricα-cut representation of fuzzy numbers and allows for the inclusion of parameter uncertainties into mathematical models.


Author(s):  
Benoît Verdon ◽  
Catherine Chabert ◽  
Catherine Azoulay ◽  
Michèle Emmanuelli ◽  
Françoise Neau ◽  
...  

After many years of clinical practice, research and the teaching of projective tests, Shentoub and her colleagues (Debray, Brelet, Chabert & al.) put forward an original and rigorous method of analysis and interpretation of the TAT protocols in terms of psychoanalysis and clinical psychopathology. They developed the TAT process theory in order to understand how the subject builds a narrative. Our article will emphasize the source of the analytical approach developed by V. Shentoub in the 1950s to current research; the necessity of marking the boundary between the manifest and latent content in the cards; the procedure for analyzing the narrative, supported by an analysis sheet for understanding the stories' structure and identifying the defense mechanisms; and how developing hypotheses about how the mental functions are organized, as well as their potential psychopathological characteristics; and the formulation of a diagnosis in psychodynamic terms. In conjunction with the analysis and interpretation of the Rorschach test, this approach allows us to develop an overview of the subject's mental functioning, taking into account both the psychopathological elements that may threaten the subject and the potential for a therapeutic process. We will illustrate this by comparing neurotic, borderline, and psychotic personalities.


Author(s):  
Olha Shumilina

Relevance of the study. The article studies recently found symphony of the prominent Ukrainian composer of the second half of the eighteenth century Maxim Berezovsky. He is widely known now as the author of cyclic spiritual concerts written for the Orthodox worship, and is practically unknown as a musician instrumentalist associated with the imperial theater and the court musical life. The work of M. Berezovsky as a secular musician determined the creative interest in composing instrumental music intended for secular chamber and orchestral music. Main objective of the article is a clarification of M.Berezovsky symphony as one of secular field artworks in the light of new summaries about artist’s life-creativity. Methodology. Taking into account peculiarities of the material and the analytical approach to its study, the methods of theoretical research have been chosen(abstraction, analysis and synthesis, induction and deduction, mental modeling, ascension from abstract to concrete, etc.). Conclusions. As a result of a study the symphony analysis in a context of new authentic statements about M.Berezovsky’s life-creativity. It was stated that this artwork was written not accidentally and detects absolute awareness of the artist in all composer’s niceties – how to build a topic and build a homophonic construction based on it, in a technique of orchestral construction, form creations of that time and etc. From the beginning of his creative career, M. Berezovsky was well aware of the possibilities of the orchestra as a performer, attached to the Italian opera and instrumental music. Symphony enriches our imagination about the works of M. Berezovsky in the field of secular instrumental and operatic music and extends the range of works of the artist beyond the spiritual direction. Some signs indicate that the Symphony was not an independent work, but an overture to the opera Demofont.


Author(s):  
Olha Shumilina

Relevance of the study. The article studies recently found symphony of the prominent Ukrainian composer of the second half of the eighteenth century Maxim Berezovsky. He is widely known now as the author of cyclic spiritual concerts written for the Orthodox worship, and is practically unknown as a musician instrumentalist associated with the imperial theater and the court musical life. The work of M. Berezovsky as a secular musician determined the creative interest in composing instrumental music intended for secular chamber and orchestral music. Main objective of the article is a clarification of M.Berezovsky symphony as one of secular field artworks in the light of new summaries about artist’s life-creativity. Methodology. Taking into account peculiarities of the material and the analytical approach to its study, the methods of theoretical research have been chosen(abstraction, analysis and synthesis, induction and deduction, mental modeling, ascension from abstract to concrete, etc.). Conclusions. As a result of a study the symphony analysis in a context of new authentic statements about M.Berezovsky’s life-creativity. It was stated that this artwork was written not accidentally and detects absolute awareness of the artist in all composer’s niceties – how to build a topic and build a homophonic construction based on it, in a technique of orchestral construction, form creations of that time and etc. From the beginning of his creative career, M. Berezovsky was well aware of the possibilities of the orchestra as a performer, attached to the Italian opera and instrumental music. Symphony enriches our imagination about the works of M. Berezovsky in the field of secular instrumental and operatic music and extends the range of works of the artist beyond the spiritual direction. Some signs indicate that the Symphony was not an independent work, but an overture to the opera Demofont.


2020 ◽  
Vol 7 (1) ◽  
pp. 72-83
Author(s):  
Alevtina Yu. Shatalova ◽  
◽  
Igor V. Shevchenko ◽  
Boureima Bamadio ◽  
Konstantin A. Lebedev ◽  
...  

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