Rituals of Restorative Resistance: Healing Cultural Trauma and Cultural Amnesia through Cultural Anamnesis and Collective Memory

2021 ◽  
Vol 2 (1) ◽  
pp. 18-37
Author(s):  
Jean Derricotte-Murphy

Using a womanist auto-ethnographic approach, this essay presents an anamnestic remedy for healing cultural trauma and cultural amnesia within the African American community. The essay narrates the creation then infusion of rituals of restorative resistance into the liturgy of a traditional, urban black Baptist Church as a means of resistance, resilience, and restoration. By commemorating the sacrifices of Jesus and enslaved African ancestors in eucharist rituals that are enhanced with sacred songs, readings, and symbols, the liturgy expands the meaning of “Do This in Remembrance of Me” (1 Corinthians 11:24) to “Re-Member Me.” Drawing especially on work of Engelbert Mveng, Delores S. Williams, Barbara A. Holmes, Linda E. Thomas, and JoAnne Marie Terrell, and combining theology and anthropology, the essay describes a hermeneutic of healing within the community. It argues (1) that participation in enactment of rituals of restorative resistance decolonizes minds and deconstructs negative Western characterizations of black and brown bodies and (2) that ritualistic inversion and transformation of painful histories and traumatic stories into narratives and symbols of endurance and faith can re-invent, re-construct, and re-member individuals and communities into whole and healed entities.

Author(s):  
Mala Annamma Mathew

This research paper looks into the effect of slavery, as a traumatic communal experience, on music and lyrics. It focuses on the development of narratives out of the collective memory of trauma in the African-American community; which in turn worked first as a tool for freedom and evolved to function as cure and testimony. It addresses the issue of trauma being imbibed into a collective consciousness of a culture and its reflection in the narratives. The research paper looks at narratives used as escape slave codes and deconstructs them. While the primary text used to understand cultural trauma is the lyrics to the song “Strange Fruit” sung by Billie Holiday and written by Abel Meeropol. Trauma theories by Cathy Caruth, Jeffrey C. Alexander and Toni Morrison are used to understand how trauma is manifested in lyrics. The research paper will also look into the account of Billie Holiday to understand the development of Strange Fruit as an anthem and how she performed the song for racially integrated audiences when she felt that the song would receive its due.


Author(s):  
Michelle Santos Gontijo ◽  
Thomas LaBorie Burns

Este estudo examina a relação entre memória coletiva e escravidão como um trauma cultural em textos autobiográficos afro-americanos de autoria feminina no início do desenvolvimento dessa tradição na literatura afro-americana. O corpus literário enfoca, respectivamente, a narrativa de Harriet Jacobs, Incidents in the Life of a Slave Girl (1861), e o livro de memórias da Guerra Civil de Susie King Taylor, Reminiscences of My Life in Camp with the 33d United States Colored Troops Late 1st S. C. (1902). Ambos textos trazem memórias subterrâneas (POLLAK, 1989) de mulheres afro-americanas do período antebellum e do período da Guerra Civil Americana que desafiam as memórias nacionais e a história americana.


2005 ◽  
Author(s):  
N. Kaslow ◽  
O. Guessous

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