Fyodor Mikhailovich Dostoyevsky between Moritz Heinrich Romberg and Armand Trousseau.

Fyodor M. Dostoyevsky (1821-1881) was a famous Russian writer born 200 years ago, important for the psychological depth and dramatic structure of his novels. Epilepsy was important in his life and creative process. Moritz H. Romberg (1795-1873) and Armand Trousseau (1801-1867) were two well-known physicians at the time who dedicated themselves to neurology. Its notoriety extended beyond the medical-scientific area, as exemplified by Dostoievski's letter. Although the occurrence of the meeting was controversial,3,4 its intention denotes their prestige. Romberg, known as the father of clinical neurology. Fyodor M. Dostoyevsky (1821-1881) foi um famoso escritor russo nascido há 200 anos, importante pela profundidade psicológica e estrutura dramática dos seus romances. A epilepsia foi importante na sua vida e no seu processo criativo. Moritz H. Romberg (1795-1873) e Armand Trousseau (1801-1867) eram dois médicos conhecidos na altura que se dedicavam à neurologia. A sua notoriedade estendeu-se para além da área médico-científica, como exemplificado pela carta de Dostoievski. Embora a ocorrência do encontro tenha sido controversa,3,4 a sua intenção denota o seu prestígio. Romberg, conhecido como o pai da neurologia clínica

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Adaptation of The Wiruncana Murca Play in The Wayang Topeng Jatiduwur (Jatiduwur Mask Puppet) Jombang Performance

Harmonia Journal of Arts Research and Education ◽

10.15294/harmonia.v20i1.24807 ◽

2020 ◽

Vol 20 (1) ◽

pp. 58-72

Author(s):

Setyo Yanuartuti ◽

Anik Juwariyah ◽

Peni Puspito ◽

Joko Winarko

Keyword(s):

Creative Process ◽

Cultural Context ◽

Research Method ◽

New Product ◽

Transformation Process ◽

Contextual Approach ◽

Village Community ◽

The Past ◽

Dramatic Structure ◽

Descriptive Method

Wiruncana Murca play is the only Panji play in the Mask Puppet Performance in Jatiduwur Jombang which still performances its dramatic structure after the Mask Puppet is extinct. Wiruncana Murca play in the Wayang Topeng Jatiduwur Performance in the past was used for nadzar rituals. When the Mask Puppet was rebuilt, the Wiruncana Murca play was performed in a different context, the Panji Festival. This study aims to analyze the transformation process of the Wiruncana Murca play with an adaptation approach. The scope of this research includes text and context. The research method is descriptive qualitative analytical. The data collection used is observation, interview, and document study. The analysis uses an analytical descriptive method. The results performance that the adaptation of Wiruncana Murca in the Wayang Topeng Jatiduwur performance was carried out because there was a different contextuality from the ritual cultural context of the Jatiduwur village community to the context of the National Panji Festival performance in 2017 in Kediri. The transformation was carried out by the stages of identification of story ideas, the embodiment of the text, the embodiment of the dramaturgy, and staging. Adaptation to the process of intellectual transformation is based on a new contextual approach using fidelity or maintaining the originality of the source. The original uniqueness of the existing art is still used as a source of inspiration or a source of reference used as material to develop new performance products. The adaptation of the Wiruncana Murca play in the context of the Wayang Topeng Jatiduwur performance at the 2017 National Panji Festival performances the creative process of mask artists. While the result is a manifestation of a new product from Mask Puppet in Jatiduwur Jombang.

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THE DRAMATIC STRUCTURE OF TOURISM ADVERTISEMENT “WONDERFUL INDONESIA EPISODE TORAJA-MAKASSAR”

Capture Jurnal Seni Media Rekam ◽

10.33153/capture.v11i2.3011 ◽

2020 ◽

Vol 11 (2) ◽

pp. 96-110

Author(s):

Damar Tri Afrianto ◽

Putut Bayu Santiko

Keyword(s):

Coherent Structure ◽

Creative Process ◽

Real Life ◽

Structural Theory ◽

Cultural Centers ◽

The North ◽

South Sulawesi ◽

Dramatic Structure ◽

Normal Speed ◽

Tourism Destinations

The study of digital advertisement of the tourism was based on the potential of dramatic elements seen in the "Wonderful Indonesia episode of Toraja-Makassar" advertisement released by the Ministry of Tourism of Republic Indonesia. This research uses the approach and theory of William Wells’s advertising video and Gustav Freytag's dramatic structural theory. The results of this study indicate that important elements in the "Wonderful Indonesia episode Toraja-Makassar" included Rambu Solo', Masilaga Tedong, creative process of weaving, carving, and Tau-Tau sculpture. Voice over in audio uses English. Talent is very good at material. Advertising props contains of South Sulawesi tourism destinations. Setting of advertisement video located in cultural centers in South Sulawesi. Lighting uses soft light and hard light. The graph varies by using long shots, and close ups. Pacing is in normal speed. This ads presents a coherent structure starting from exposition, conflication, climax, conclusion and resolution. In addition, the advertising scenario is packed close to the reality, so that the audience is carried away to the real life This is able to motivate the North Toraja government to create tourism promotion content through video ads that are more attractive.

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