Reading Martin Jane’s “Skopic Regimes of Modernity”

2018 ◽  
Vol 2 (1) ◽  
Author(s):  
Vyara Popova ◽  
Keyword(s):  
Visual Perception ◽  
17Th Century ◽  
Italian Renaissance ◽  
Research Issues ◽  
Visual Research ◽  
Renaissance Painting ◽  
The Way

The work builds on Martin Jane’s text “Skopic Regimes of Modernity” and follows the set rhythm. Text has a fund of physical, physiological, psychological, artistic, and artistic knowledge as a broad culturalgnoseological network of information tendentiously put into the notes; it produces a resource for constantly correlating meaningfully and referring to it focuses on their own visual research issues. In this way, it can bring the vision of a dominant sense to perception in no way as conception, presentation, understanding of reality, and the way this visual perception is expressed in the Italian Renaissance painting and in the Flemish one from the 17th century.

scholarly journals Language Acquisition in the Light of Rationalist Philosophy of Mind and Philosophy of Language

2016 ◽  
Vol 48 (1) ◽  
pp. 303-315
Author(s):  
Halina Święczkowska ◽  
Beata Piecychna
Keyword(s):  
Language Acquisition ◽  
Philosophy Of Mind ◽  
Cognitive Abilities ◽  
Philosophy Of Language ◽  
17Th Century ◽  
Human Beings ◽  
Speech Acquisition ◽  
The Way

Abstract The present study deals with the problem of the acquisition of language in children in the light of rationalist philosophy of mind and philosophy of language. The main objective of the paper is to present the way Gerauld de Cordemoy’s views on the nature of language, including its socio-linguistic aspects, and on the process of speech acquisition in children are reflected in contemporary writings on how people communicate with each other. Reflections on 17th-century rationalist philosophy of mind and the latest research conducted within the field of cognitive abilities of human beings indicate that between those two spheres many similarities could be discerned in terms of particular stages of the development of speech and its physical aspects.

scholarly journals Classical Myths in Italian Renaissance Painting

2013 ◽  
Vol 36 (3) ◽  
pp. 164-166
Author(s):  
Luba Freedman (book author) ◽  
Giancarla Periti (review author)
Keyword(s):  
Italian Renaissance ◽  
Renaissance Painting ◽  
Classical Myths

Lovers, Gentlemen and Farmers

Nuncius ◽  
2016 ◽  
Vol 31 (3) ◽  
pp. 584-609
Author(s):  
Simona Valeriani
Keyword(s):  
17Th Century ◽  
Garden Design ◽  
Starting Point ◽  
The Subject ◽  
Estate Management ◽  
Insight Into ◽  
The Way

This article takes as a starting point amateur architects in 17th-century England. It considers architectural writings including Henry Wotton’s Elements of Architecture (1624), Sir Balthasar Gerbier’s Councel and Advice to All Builders (1663) as well as Sir Roger Pratt’s and Sir Roger North’s notes on architecture and several building manuals. It enquires into the different kinds of knowledge and professional figures associated with architecture in the period. The paper scrutinizes how being a lover of architecture influenced the actors’ approach to other branches of knowledge such as garden design and agriculture. Did being an amateur shape the way in which one went about apparently more trivial aspects of life such as managing one’s estate? Comparing Roger Pratt’s unpublished notes with other contemporary sources on agriculture and estate management, it provides an insight into distinctive ways in which “amateurs” approached the subject.

‘I feel your pain’: some reflections on the (literary) perception of pain

2017 ◽  
Author(s):  
Jonathan Sawday
Keyword(s):  
Eighteenth Century ◽  
New Technologies ◽  
17Th Century ◽  
King Lear ◽  
Source Text ◽  
Mental Pain ◽  
Cognitive Studies ◽  
The Way

In this chapter, Jonathan Sawday looks at some examples of the representation of pain on the renaissance stage, concentrating on the language which is deployed to reproduce the sensation of both physical and mental pain. Using Shakespeare’s King Lear as his source text, Sawday looks at the way in which eighteenth-century commentators (chiefly Dr Johnson) responded to the play’s ‘painfulness’. Sawday argues that, rather than seeing Johnson’s response as ‘excessive,’ it faithfully rehearses a theory of pain derived (in part) from Locke. Sawday goes on to examine the nature of ‘word-induced’ pain which has become a feature of modern cognitive studies of pain, and which might suggest that Johnson’s reaction to the play may, in fact, have some somatic basis. He concludes by suggesting the possibility that 16th- and 17th-century rehearsals of pain via the medium of metaphoric and devotional language may also have a somatic basis, and one which, with the arrival of new technologies for understanding the location and nature of pain, we are only just beginning to (re-)discover.

What We Know and Do Not Know About Mobile App Usage and Stickiness

2016 ◽  
pp. 117-141 ◽  
Author(s):  
Christopher P. Furner ◽  
Pradeep Racherla ◽  
Jeffrey S. Babb
Keyword(s):  
Mobile Applications ◽  
Mobile App ◽  
Marketing Strategies ◽  
Research Issues ◽  
Research And Practice ◽  
Area Of Interest ◽  
Frequent Use ◽  
The Way

Mobile applications (apps) have transformed the way firms and consumers communicate with each other, and have now become integral to firms' marketing strategies. However, in a marketplace characterized by myriad choices, one of the biggest challenges that Marketers face is to foster continued and frequent use, or stickiness. This brings forth two important questions: what factors affect consumers' decision to use and “stick” to apps? What are the key outcomes of stickiness for both consumers and firms? This study maps the conceptual and research issues underlying consumers' decision journey and outcomes with respect to mobile app use. We build a framework based on the central tenets of interactivity combined with the insights gleaned from a survey of interdisciplinary literature. We discuss the implications for research and practice in this emerging area of interest.

Systems Thinking and the Internet

2005 ◽  
pp. 2719-2723
Author(s):  
Kambiz E. Maani
Keyword(s):  
20Th Century ◽  
Systems Thinking ◽  
Science And Technology ◽  
17Th Century ◽  
Human Relation ◽  
The Internet ◽  
Newtonian Physics ◽  
The World ◽  
Mechanistic View ◽  
The Way

Despite our most impressive advances in science and technology, our prevailing worldview and the way we work and relate are deeply rooted in the thinking that emerged during the Renaissance of the 17th century. This thinking was influenced by the sciences of that era and, in particular, by Newtonian physics. Newton viewed the world as a machine that was created to serve its master—God (Ackoff, 1993). The machine metaphor and the associated mechanistic (positivist) worldview, which was later extended to the economy, the society, and the organization, has persisted until today and is evident in our thinking and vocabulary. The mechanistic view of the enterprise became less tenable in the 20th century, partly due to the emergence of the corporation and the increasing prominence of human relation issues in the workplace. As the futurist Alvin Toffler (1991) declared, “the Age of the Machine is screeching to a halt” (Toffler, 1991).

Seeing and Saying

2018 ◽  
Author(s):  
Berit Brogaard
Keyword(s):  
Visual Perception ◽  
Visual Experience ◽  
Mental States ◽  
Insight Into ◽  
Alternative Theories ◽  
The Way

We often communicate with each other about how the things we see visually appear to us when we want to achieve a goal like finding the perfect end table, deciding what to eat or issuing a warning. But what do we say when we talk about how things visually appear to us? Can our talk about appearances tell us anything about the nature of visual perception? In this book, the author delves into these questions, defending the view that in spite of all its imprecision, the language used to report on how things look provides important insight into the nature of visual perception. In chapters that explore the semantics of ‘appear’ words and the nature of the mental states they are used to express, she argues that considerations of how we talk and think about our experiences can help us establish that our visual experiences are akin to mental states, such as belief and desire, in being relations to contents, or propositions, that represent things and features in the perceiver’s environment. Along the way, she argues against alternative theories of what our talk about looks can tell us, including those of Chisholm, Jackson, Byrne, Johnston, Martin, Brewer, Travis, Siegel, Schellenberg, and Glüer. Finally, she examines how our talk about visual experience compares to our talk about how things sound, smell, taste and feel. This book is thus an extended defense of the view that experience in creatures like us is representational.

scholarly journals A Handbook of Italian Renaissance Painting

Parnassus ◽  
1939 ◽  
Vol 11 (5) ◽  
pp. 48
Author(s):  
A. Philip McMahon ◽  
Laurence Schmeckebier
Keyword(s):  
Italian Renaissance ◽  
Renaissance Painting
Sign in / Sign up

Export Citation Format

Share Document