Oswajanie przestrzeni Islandii w piśmiennictwie polskim. Rekonesans

2018 ◽  
Vol 62 (2 (461)) ◽  
pp. 49-59
Author(s):  
Dariusz Rott

The author of the article discusses in a chronological order the literature on Iceland written in Polish starting from the seventeenth-century account of the journey to the island by Daniel Vetter. Most attention is devoted to the accounts created in the second half of the twentieth (reports by Lucjan Wolanowski and Polish sailors) and at the beginning of the twenty-first century. Recent publications are largely based on blog experiences. In quantitative as well as qualitative terms, we observe the perspective of changing the geographical and cultural imagination of Polish literature at the beginning of the 21st century: within the North-South axis one can notice the recently emerging diagonal axis linking Poland with Iceland. It is worth examining this issue in more detail in a while.

2015 ◽  
Vol 27 (02) ◽  
pp. 1630001 ◽  
Author(s):  
Dietrich Stauffer

Capital usually leads to income and income is more accurately and easily measured. Thus, we summarize income distributions in USA, Germany, etc.


2006 ◽  
Vol 1 (4) ◽  
pp. 279-282 ◽  
Author(s):  
A. R. Champneys

This paper represents the author’s view on the impact of the book Nonlinear Oscillations, Dynamical Systems and Bifurcations of Vector Fields by John Guckenheimer and Philip Holmes, first published in 1983 (Springer-Verlag, Berlin). In particular, the questions addressed are: if one were to write a similar book for the 21st century, which topics should be contained and what form should the book take in order to have a similar impact on the modern generation of young researchers in applied dynamical systems?


2021 ◽  
Vol 10 (2) ◽  
pp. 298
Author(s):  
Lorenzo Ridola ◽  
Oliviero Riggio

Why write about hepatic encephalopathy (HE) in the twenty-first century [...]


2013 ◽  
Vol 26 (18) ◽  
pp. 7187-7197 ◽  
Author(s):  
Wei Cheng ◽  
John C. H. Chiang ◽  
Dongxiao Zhang

Abstract The Atlantic meridional overturning circulation (AMOC) simulated by 10 models from phase 5 of the Coupled Model Intercomparison Project (CMIP5) for the historical (1850–2005) and future climate is examined. The historical simulations of the AMOC mean state are more closely matched to observations than those of phase 3 of the Coupled Model Intercomparison Project (CMIP3). Similarly to CMIP3, all models predict a weakening of the AMOC in the twenty-first century, though the degree of weakening varies considerably among the models. Under the representative concentration pathway 4.5 (RCP4.5) scenario, the weakening by year 2100 is 5%–40% of the individual model's historical mean state; under RCP8.5, the weakening increases to 15%–60% over the same period. RCP4.5 leads to the stabilization of the AMOC in the second half of the twenty-first century and a slower (then weakening rate) but steady recovery thereafter, while RCP8.5 gives rise to a continuous weakening of the AMOC throughout the twenty-first century. In the CMIP5 historical simulations, all but one model exhibit a weak downward trend [ranging from −0.1 to −1.8 Sverdrup (Sv) century−1; 1 Sv ≡ 106 m3 s−1] over the twentieth century. Additionally, the multimodel ensemble–mean AMOC exhibits multidecadal variability with a ~60-yr periodicity and a peak-to-peak amplitude of ~1 Sv; all individual models project consistently onto this multidecadal mode. This multidecadal variability is significantly correlated with similar variations in the net surface shortwave radiative flux in the North Atlantic and with surface freshwater flux variations in the subpolar latitudes. Potential drivers for the twentieth-century multimodel AMOC variability, including external climate forcing and the North Atlantic Oscillation (NAO), and the implication of these results on the North Atlantic SST variability are discussed.


2021 ◽  
Vol 7 (1) ◽  
pp. 27-42 ◽  
Author(s):  
Benjamin Hedge Olson

Over the last ten years, the radical right has proliferated at an alarming rate in the United States. National Socialist Black Metal (NSBM) has become an important feature of neo-Nazi, White supremacist and militant racist groups as the radical right as a whole has gained traction in American political life. Although rooted in underground music-based subculture, NSBM has become an important crypto-signifier for the radical right in the twenty-first century providing both symbolic value and ideological inspiration. The anti-racist and apolitical elements of the North American metal scene have responded in a variety of different ways, sometimes challenging racist elements directly, at other times providing ambivalent acceptance of the far right within the scene. While fans, musicians, journalists and record labels struggle to come to terms with the meaning of NSBM and how it should be addressed, NSBM-affiliated political and paramilitary groups have formed and started making their violent fantasies a reality. As many elements within the American metal scene continue to perceive NSBM as a purely artistic movement of no concern to the world outside of the metal scene, proponents of NSBM are marching in the streets of Charlottesville, burning African American churches, murdering LGBTQ people and plotting acts of domestic terrorism.


Author(s):  
Andy Willis

The 21st century revival in Spanish horror film production has seen both a resurgence of interest in the genre’s Iberian past and an interest in transnational film remakes for North American audiences. This chapter will consider the cultural politics of remaking Spanish horror through two case studies - Quarantine (2008), the US remake of [REC] (2007), and Come Out and Play (2012), the Mexican remake of Who Can Kill a Child? (1976). The chapter argues that Who Can Kill a Child? might profitably be read as an engagement with the legacy of Francoist Spain, and that [REC] could be productively understood in relation to Spain’s recent tensions surrounding immigration. Through a discussion of the potential political readings of these films, the chapter argues that the North American remakes are divested of the most urgent political aspects of their Spanish counterparts in an endeavour to create globally marketable horror films.


Author(s):  
Dalia Judovitz

The epilogue presents a reassessment of La Tour’s reception and pictorial impact in light of his unique and inexplicable disappearance from the annals of art history. His pictorial legacies to both the seventeenth century and to the twenty-first century are considered insofar as they provide a platform for engaging in broader reflections on the nature of vision, the visible, and viewer response. The importance and endurance of La Tour’s artistic legacy is summed up in terms of his conceptual approach which calls the very nature of painting into question.


2021 ◽  
pp. 130-185
Author(s):  
Kirsten Sandrock

This chapter focuses on literary and cultural works dealing with Scotland's attempt to colonize Darien, at the Isthmus of Panama, in the 1690s. It establishes Darien as a central trope in Scottish literature by analyzing works from the seventeenth to the twenty-first century, including novels, poetry, drama, songs, and political treatises by William Paterson, William Burnaby, Eliot Warburton, Douglas Galbraith, David Nicol, Alistair Beaton, and anonymous female authors. It illustrates how these depictions interact with other political and ideological trajectories in Scotland and the UK, including Jacobitism, Anglo-Scottish relations, and revisionist historical writing. The chapter establishes images of Darien gold and material possession as central structuring devices of Scottish colonial literature, which stand in conflict with depictions of Scotland's alleged kindness towards the indigenous populations of Panama. The chapter argues that narratives of benevolence together with narratives of gold and material possessions turn the colonial utopian tradition into a full-fledged myth of the Scottish Atlantic by the end of the seventeenth century. The mythologization of the colonial sphere together with the mythologization of the Scottish settlers functions as an aesthetic instrument to enter the competition over power in the late-seventeenth-century Atlantic.


Sign in / Sign up

Export Citation Format

Share Document