Renesaissance wind instruments with a double reed, part 2

2020 ◽  
Vol 1 (13) ◽  
pp. 9-27
Author(s):  
Agnieszka Szwajgier

The present article is the second part of the cycle aimed at collecting and arranging information about the Renaissance wind instruments with a double reed. The author discusses their history, structure, use, ranges, styles and secrets of their playing technique. An addition to the text are the illustrations presenting construction details and circumstances in which these instruments were used. In the previous issue of “Notes Muzyczny” Agnieszka Szwajgier presented instruments with an “open reed”, such as the shawm, rackett, dulcian or bassanello. In this part she presents instruments whose reed is protected with a so-called “cap”: crumhorn, cornamuse, kortholt or Rauschpfeife. The air is blown through a small hole in the arch of the instrument and a wooden capsule protecting the reed against damage allows it to freely vibrate. These instruments had a small tone range (within a ninth or a tenth), and the lack of contact with the reed made it impossible for performers to shape tone colour or influence the dynamics. That is why with time the instruments were no longer used and became replaced by instruments with a wider range and much greater capacities, such as baroque oboe or chalumeau. The author also touches on the issue of the compromise between the preserved proportions and size of instru- ments and the fact that modern-time performers count on comfort and convenience in playing, which entails a number of facilitations in the instruments’ construction, using plastic reeds, playing in equal temperament or having extra levers which extend the range of an instrument by a second or a third.

2010 ◽  
Vol 23 (2) ◽  
pp. 151-186 ◽  
Author(s):  
Fabio Acerbi

ArgumentThis article is the sequel to an article published in the previous issue of Science in Context that dealt with homeomeric lines (Acerbi 2010). The present article deals with foundational issues in Greek mathematics. It considers two key characters in the study of mathematical homeomery, namely, Apollonius and Geminus, and analyzes in detail their approaches to foundational themes as they are attested in ancient sources. The main historiographical result of this paper is to show that there was a well-established mathematical field of discourse in “foundations of mathematics,” a fact that is by no means obvious. The paper argues that the authors involved in this field of discourse set up a variety of philosophical, scholarly, and mathematical tools that they used in developing their investigations.


1939 ◽  
Vol 4 (4) ◽  
pp. 314-327 ◽  
Author(s):  
Gordon C. Baldwin

The architecture and burials of the prehistoric pueblo of Kinishba have been presented in a previous issue of American Antiquity. The present article is a preliminary report of the lesser objects of material culture as represented by the pottery, stone and bone implements, ornaments, a few charred fragments of basketry and textiles, food, and ceremonial objects. The majority of these specimens are made from imperishable material. Clothing, sandals, baskets, various types of textiles, wooden implements, and other perishable materials have but a very short existence in open sites such as Kinishba. Hence the following description of the artifacts presents only a limited picture of the arts and crafts of these prehistoric people.


2019 ◽  
Vol 2 (12) ◽  
pp. 9-32
Author(s):  
Agnieszka Szwajgier

The present article is aimed at collecting and arranging information about the Renaissance wind instruments with a double reed, which never before or after that period in the history of music presented as many tone colours. The author pays attention to the great importance of the sound of a wind ensemble as without these instruments – as Lorenz Walker claimed – neither a prince nor any wealthy city would have been able to fully show their significance. The first part of the article in this issue of the magazine presents the shawm, rackett, dulcian and bassanello – the instruments in which the reed was fully outside or partially enclosed by a pirouette – a small wooden part on which a musician could rest their lips and prevent fatigue. The author discusses the history and construction of these instruments, their use, scales, varieties and ways of playing. An addition to the text are the illustrations presenting construction details and circumstances in which these instruments were used. New concepts and ideas of instrument makers from the turn of the 16th century, such as the extended range of the bassanello, the piruet, or the “twist” of the bore of the over 2-metre-long bass shawm and thus creating a shorter instrument yet still remaining in the same register – the dulcian, are still admired by modern restorers of historical instruments. The article is meant both for people playing early music and modern performers interested in the topics connected with historical performance using old wind instruments.


2020 ◽  
Vol 22 (1) ◽  
pp. 67-77
Author(s):  
I. V. Salnikova

The present research featured a collection of cross pendants, obtained in the process of archeological excavations in the village of Krivoshchyokovo. The village was situated on the left bank of the Ob river on the territory of the modern Novosibirsk. The archeological site included a fragment of the foundation of Nikolskaya church (1881) and a Christian necropolis of 384 graves. The excavations yielded a substantial staurographic collection, as rich as the collections of the Ilimsk fortress, Irkutsk churches, or the city of Omsk. The research objective was to structure the information about the Krivoshchyokovo collection of cross pendants. The collection consists of 270 artifacts dated XVIII – late XIX centuries. The items were classified according to shape, semantics, and epigraphic observations. The classification was based on the typology developed by V. I. Molodin for the collection of Ilimsk fortress. The collection was divided into six types of crosses, typical of similar collections of modern time artifacts found in Western and Eastern Siberia. The Krivoshchyokovo collection appeared to contain some unique items, which have no iconographic analogies but are similar in shape. As a result, the typology introduced by the present article proved wider than the typology it was based on. In addition, the author discovered two new types of cross pendants. The fact that one of them may be related to Catholic cross pendants revealed a certain confessional diversity of the local village population.


Author(s):  
P. B. Basham ◽  
H. L. Tsai

The use of transmission electron microscopy (TEM) to support process development of advanced microelectronic devices is often challenged by a large amount of samples submitted from wafer fabrication areas and specific-spot analysis. Improving the TEM sample preparation techniques for a fast turnaround time is critical in order to provide a timely support for customers and improve the utilization of TEM. For the specific-area sample preparation, a technique which can be easily prepared with the least amount of effort is preferred. For these reasons, we have developed several techniques which have greatly facilitated the TEM sample preparation.For specific-area analysis, the use of a copper grid with a small hole is found to be very useful. With this small-hole grid technique, TEM sample preparation can be proceeded by well-established conventional methods. The sample is first polished to the area of interest, which is then carefully positioned inside the hole. This polished side is placed against the grid by epoxy Fig. 1 is an optical image of a TEM cross-section after dimpling to light transmission.


2006 ◽  
Vol 11 (2) ◽  
pp. 1-3, 9-12
Author(s):  
Robert J. Barth ◽  
Tom W. Bohr

Abstract From the previous issue, this article continues a discussion of the potentially confusing aspects of the diagnostic formulation for complex regional pain syndrome type 1 (CRPS-1) proposed by the International Association for the Study of Pain (IASP), the relevance of these issues for a proposed future protocol, and recommendations for clinical practice. IASP is working to resolve the contradictions in its approach to CRPS-1 diagnosis, but it continues to include the following criterion: “[c]ontinuing pain, which is disproportionate to any inciting event.” This language only perpetuates existing issues with current definitions, specifically the overlap between the IASP criteria for CRPS-1 and somatoform disorders, overlap with the guidelines for malingering, and self-contradiction with respect to the suggestion of injury-relatedness. The authors propose to overcome the last of these by revising the criterion: “[c]omplaints of pain in the absence of any identifiable injury that could credibly account for the complaints.” Similarly, the overlap with somatoform disorders could be reworded: “The possibility of a somatoform disorder has been thoroughly assessed, with the results of that assessment failing to produce any consistencies with a somatoform scenario.” The overlap with malingering could be addressed in this manner: “The possibility of malingering has been thoroughly assessed, with the results of that assessment failing to produce any consistencies with a malingering scenario.” The article concludes with six recommendations, and a sidebar discusses rating impairment for CRPS-1 (with explicit instructions not to use the pain chapter for this purpose).


2003 ◽  
Vol 34 (4) ◽  
pp. 219-226 ◽  
Author(s):  
Bart Duriez ◽  
Claudia Appel ◽  
Dirk Hutsebaut

Abstract: Recently, Duriez, Fontaine and Hutsebaut (2000) and Fontaine, Duriez, Luyten and Hutsebaut (2003) constructed the Post-Critical Belief Scale in order to measure the two religiosity dimensions along which Wulff (1991 , 1997 ) summarized the various possible approaches to religion: Exclusion vs. Inclusion of Transcendence and Literal vs. Symbolic. In the present article, the German version of this scale is presented. Results obtained in a heterogeneous German sample (N = 216) suggest that the internal structure of the German version fits the internal structure of the original Dutch version. Moreover, the observed relation between the Literal vs. Symbolic dimension and racism, which was in line with previous studies ( Duriez, in press ), supports the external validity of the German version.


Author(s):  
Odile Husain

Le présent article tente d’effectuer un rapprochement entre un article européen de Rossel et Merceron et un livre américain de Reid Meloy, tous deux consacrés à l’analyse des organisations psychopathiques. Si tous les auteurs s’entendent sur l’économie narcissique du psychopathe, le choix de la population d’étude diffère quelque peu, en raison de l’approche structurale des premiers et de l’approche symptomatique du second. Tandis que l’étude suisse ne retient que des psychopathes du registre des états-limites, l’étude américaine inclut également des psychopathes de niveau psychotique. Par contre, la mésentente règne au niveau des outils d’analyse du discours psychopathique: analyse statistique et échelles validées chez Meloy; approche qualitative chez Rossel et Merceron. Aux premiers, l’on reprochera un certain réductionisme et appauvrissement du discours, prix à payer pour le respect de la standardisation et de la cotation. Aux seconds, l’on reprochera l’absence de toute quantification qui pose problème lorsque l’on aborde la question de la validité des données. Néanmoins, Européens et Américains s’entendent sur la notion d’un fonctionnement psychopathique. La relation d’objet est marquée par la pulsion agressive et ses dérivatifs, par la recherche de pouvoir et de contrôle. La lutte contre la dépendance est déduite chez Meloy de l’absence de réponse de texture et chez Rossel et Merceron de l’absence de contenus de dépendance. La qualité narcissique des représentations d’objet est mise en évidence, chez Meloy, par le biais de l’investissement du paraître, chez Rossel et Merceron par l’importance du processus d’externalisation. La dévalorisation des objets est aussi décrite. Ni les uns ni les autres ne font réellement référence à l’angoisse car cette angoisse qualifiable d’anaclitique s’exprime justement sous des manifestations tout à fait opposées. Le vide intérieur est déduit, chez Meloy, à partir de l’ennui que vit le psychopathe et, chez Rossel et Merceron, à partir de la survalorisation de la référence au réel. Une grande convergence existe entre les deux écrits au sujet des mécanismes de défense. Tous les auteurs s’accordent sur la prépondérance du clivage et du déni, un déni par le mot et l’acte chez Meloy, un déni hypomaniaque chez Rossel et Merceron. De part et d’autre de l’Atlantique, on s’accorde également pour attribuer une place importante à l’identification projective et à l’identification à l’agresseur. Par ailleurs, Rossel et Merceron démontrent comment à travers les caractéristiques de l’énonciation et les nuances de la verbalisation du psychopathe, il est possible d’inférer son non-investissement de la mentalisation et du savoir au profit d’un surinvestissement de l’agir. La complémentarité, voire la similarité, des commentaires dans les deux ouvrages devrait réconforter certains cliniciens, désarmés devant le fossé qui semble parfois régner entre la littérature des deux continents et confirmer, qu’indépendamment du type de méthodologie et de validation choisi, l’observation clinique du psychologue expérimenté demeure la pierre angulaire de toute recherche en psychopathologie.


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