scholarly journals Kunst og naturvidenskab under samme tag

1970 ◽  
pp. 115
Author(s):  
Mette Kia Krabbe Meyer ◽  
Hanne Teglhus
Keyword(s):  
Aesthetic Experience ◽  
17Th Century ◽  
Art And Science ◽  
Work Of Art ◽  
Full Size ◽  
Disciplinary Boundaries ◽  
American Artist ◽  
Size Model ◽  
The Relationship

Kollokvium om at udstille kunst og naturvidenskab. Steno Museet, Danmarks Videnskabshistoriske Museum, Århus, 25. september 2006. In the fall of 2006, the Steno Museum (Aarhus, Denmark) exhibited the installation Room One created by the American artist Rosamond Purcell. This installation consists of a full-size model of Museum Wormianum, the Danish physician Ole Worm’s curiosity cabinet, dating from the 17th century. This is a work of art – yet it depicts a naturalist’s laboratory. When one adds that it has also been called the first museum in Denmark, it seemed an obvious step to make the artwork the occasion of a symposium on the relationship between art, science and museums. At this symposium, the artist, along with a number of science historians and museum curators, discussed the definitions of art and science then and now, and spoke about the attempts to transcend the disciplinary boundaries that take place within the museums. Different ways of exhibiting were brought into focus, and Purcell’s installation formed the basis for many interesting discussions about the museum as a place of learning and of aesthetic experience.

The Philosophy of Rhythm

2019 ◽  
Keyword(s):  
Aesthetic Experience ◽  
Media Theory ◽  
Embodied Experience ◽  
Disciplinary Boundaries ◽  
Specific Experience ◽  
Original Essays ◽  
Key Concepts ◽  
Rhythm And Meter ◽  
And Performance ◽  
The Relationship

Spanning all cultures, rhythm is the basic pulse that animates poetry and music. The recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience—particularly in sociology, cultural and media theory, and literary studies—has yet to explore this fundamental category. Discussion of rhythm tends to be confined within the discrete conceptual domains and technical vocabularies of musicology and prosody. With its original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, this volume opens up wider—and plural—perspectives. It examines formal affinities between the historically interconnected fields of music, dance, and poetry, addressing key concepts such as embodiment, movement, pulse, and performance. Questions considered include: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? What is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? This collection provides a unique overview of a neglected aspect of aesthetic experience, and will appeal across disciplinary boundaries. It examines formal affinities between the historically interconnected fields of music, dance, and poetry, addressing key concepts such as embodiment, movement, pulse, and performance. The book is conceived throughout to appeal to a cross-disciplinary readership.

Social Mindscapes and the Self

2019 ◽  
pp. 387-402
Author(s):  
Jamie L. Mullaney
Keyword(s):  
Pattern Analysis ◽  
Methodological Approach ◽  
The Self ◽  
Cognitive Sociology ◽  
Disciplinary Boundaries ◽  
Culture And Cognition ◽  
Identity Processes ◽  
Sociological Thought ◽  
The Relationship

While the relationship between culture and cognition has long-standing roots in sociological thought, scholars face the issue regarding how to “do” cognitive sociology. This chapter discusses the methodological approach of social pattern analysis (SPA) from Zerubavel’s social mindscapes tradition or culturalist cognitive sociology (SM/CCS), which encourages researchers to move away from content-driven inquiries toward those that explore processes across time, context, and even disciplinary boundaries. Using the specific example of virginity studies, the chapter then demonstrates how the flexible nature of SPA may serve as an asset in understanding generic identity processes more broadly.

Computer-Mediated Communication and Mental Health

2020 ◽  
pp. 78-110
Author(s):  
Adrian Meier ◽  
Emese Domahidi ◽  
Elisabeth Günther
Keyword(s):  
Mental Health ◽  
Computer Mediated Communication ◽  
Well Being ◽  
Future Research ◽  
Mediated Communication ◽  
Disciplinary Boundaries ◽  
Emerging Trends ◽  
Computer Mediated ◽  
The Relationship ◽  
Systematic Database

The relationship between computer-mediated communication (e.g., Internet or social media use) and mental health has been a long-standing issue of debate. Various disciplines (e.g., communication, psychology, sociology, medicine) investigate computer-mediated communication in relation to a great variety of negative (i.e., psychopathology) and positive (i.e., well-being) markers of mental health. We aim at charting this vast, highly fragmented, and fast growing literature by means of a scoping review. Using methods of computational content analysis in conjunction with qualitative analyses, we map 20 years of research based on 1,780 study abstracts retrieved through a systematic database search. Results reveal the most common topics investigated in the field, as well as its disciplinary boundaries. Our review further highlights emerging trends in the literature and points to unique implications for how future research should address the various relationships between computer-mediated communication and mental health.

Exploring Tourist Behavior in a Reused Heritage Site

2021 ◽  
pp. 109634802110200
Author(s):  
Yi-Ju Lee ◽  
I-Ying Tsai ◽  
Te-Yi Chang
Keyword(s):  
Behavioral Intention ◽  
Structural Equation ◽  
Aesthetic Experience ◽  
Equation Modeling ◽  
Tourist Behavior ◽  
Heritage Site ◽  
Modeling Analysis ◽  
Heritage Buildings ◽  
The Aesthetic ◽  
The Relationship

This study investigated the relationship among tourists’ perceived sustainability, aesthetic experience, and behavioral intention toward reused heritage buildings by employing stimulus–organism–response theory. There were 354 valid questionnaires collected from the Sputnik Lab in Tainan, Taiwan. A positive correlation was found between tourists’ perception of sustainability and aesthetic experience. When tourists perceived higher aesthetic experience, they also had stronger behavioral intention. Structural equation modeling analysis verified that the aesthetic experience of tourists had mediating effects between perceived sustainability and behavioral intention in the reused heritage space. The reuse of space should be attached significantly to the aesthetic display of space and service so as to promote such scenic spots and increase tourists’ intention to revisit through word of mouth.

An Exploration of How Objectivity Is Practiced in Art

Leonardo ◽  
2000 ◽  
Vol 33 (4) ◽  
pp. 267-274 ◽  
Author(s):  
Siún Hanrahan
Keyword(s):  
Critical Power ◽  
Vested Interest ◽  
Art And Science ◽  
The Relationship

In the binary economy of art and science, art's subjectivity is widely perceived as undermining its contribution to knowledge. Even when invoked by those with a vested interest in art, the potential ascribed to art within this economy does not do justice to the range and critical power of art. Trans-gressing this art-science binary, the author explores how objectivity is practiced within art and argues that the relationship between art and science is not a matter of boundaries but of intertwined in-flections of understanding.

scholarly journals The Revenge of Sovereignty on Government? The Release of Neoliberal Politics from Economics Post-2008

2021 ◽  
pp. 026327642199945
Author(s):  
William Davies
Keyword(s):  
17Th Century ◽  
Political Activity ◽  
Sovereign Power ◽  
Liberal Societies ◽  
Liberal Government ◽  
The Relationship

Liberal government, as analysed by Foucault, is a project of measured, utilitarian political activity, that takes ‘population’ as its object, dating back to the late 17th century. The rise of nationalism, authoritarianism and populism directly challenges this project, by seeking to re-introduce excessive, gratuitous and performative modes of power back into liberal societies. This article examines the relationship and tensions between government and sovereignty, so as to make sense of this apparent ‘revenge of sovereignty on government’. It argues that neoliberalism has been a crucial factor in the return of sovereignty as a ‘problem’ of contemporary societies. Neoliberalism tacitly generates new centres of sovereign power, which have become publicly visible since 2008, leading to a dramatic resurgence of discourses and claims to ‘sovereignty’.

The Mausoleum of Youth: Between Experience and Nihilism in Benjamin's Berlin Childhood

Paragraph ◽  
2009 ◽  
Vol 32 (3) ◽  
pp. 313-330 ◽  
Author(s):  
Michael W. Jennings
Keyword(s):  
Human Experience ◽  
The Moon ◽  
History Of Photography ◽  
Work Of Art ◽  
Modern Media ◽  
Siegfried Kracauer ◽  
History Of ◽  
The Relationship

Key sections of Walter Benjamin's montage-text Berlin Childhood around 1900 figure the relationship between human experience and modern media, with the sections that frame the text, ‘Loggias’ and ‘The Moon’, structured around metaphors of photography. Drawing on the work of Siegfried Kracauer, and especially his seminal essay ‘Photography’, Benjamin develops, in the course of his book, a theory of photography's relationship to experience that runs counter to the better-known theories developed in such essays as ‘Little History of Photography’ and ‘The Work of Art in the Age of its Technological Reproducibility’, theories that are part of the broad currents of technological utopianism and, as such, emphasize photography's transformative potentials. In the Berlin Childhood, Benjamin instead emphasizes photography's role in the mortification and annihilation of meaningful human experience. Photography emerges here as the mausoleum of youth and hope.

Biblical theology and/or theological interpretation of scripture?

2008 ◽  
Vol 61 (1) ◽  
pp. 16-31 ◽  
Author(s):  
Daniel J. Treier
Keyword(s):  
Internal Structure ◽  
Biblical Theology ◽  
Theological Method ◽  
Theological Interpretation ◽  
Theological Hermeneutics ◽  
Disciplinary Boundaries ◽  
Organic Unity ◽  
The Bible ◽  
The Relationship ◽  
Biblical Teaching

Abstract‘Biblical theology’ has long influenced modern theological method, especially Protestant, as both boon and bane. Its role has been seen as either pivotal or problematic in the attempt to construe the Christian Bible as scripture with unified teaching for the contemporary church. The attempt to unfold biblical teaching as having organic unity, related to an internal structure of theological concepts, is frequently perceived as a failure, a has-been that leaves us only with fragmentation – between parts of the Bible, between academy and church, church and world, clergy and laity, and between various theological disciplines. Today a new movement is afoot, often labelled ‘theological interpretation of scripture’. Some of its adherents define this practice as distinct from, even opposed to, biblical theology. Others treat the two practices as virtually coterminous, while perhaps contesting what ‘biblical theology’ is typically taken to be in favour of new theological hermeneutics. Much of the difficulty in defining the relationship, then, stems from lingering debates about what biblical theology can or should be. The rest of the difficulty is perhaps rooted in the dilemma of any interdisciplinary efforts: how to breach unhelpful sections of disciplinary boundaries without redefining territory so nebulously that no one knows where they are.

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