Laughing to Keep from Dying

Author(s):  
Danielle Fuentes Morgan

This book utilizes an interdisciplinary approach to expand the parameters of satire to include the satirization found in twenty-first-century African American forms of expression crossing generic boundaries. While many of these texts and performances are satires or comedies in a traditional sense, some offer the satirization of race itself as a strategy to create space for possible satiric readings. The use of comedy, humor, and satire in these texts and performances incisively problematizes the existing social sphere by highlighting its absurdity in both the reality of racialization and the mythology of the “post-racial.” These texts reveal the irrationality of racialization and critique anxieties surrounding race and Blackness to demonstrate the usefulness of satire as a critical frame for articulating Black selfhood. Here the power of satire is found in “laughing to keep from dying,” a form of revolutionary laughter in two registers. The in-group laughter opens up Black interior space to make room for autonomous Black identity formation. Out-group laughter either indicts the listener or offers protective plausible deniability of “just jokes” in which comedy is feigned to lack sociopolitical meaning. This laughter opens up space for kaleidoscopic Blackness, where all autonomous performances of Black self-identity are valid.

Author(s):  
Danielle Fuentes Morgan

The book concludes with Dave Chappelle and his return to the stand-up comedy stage and Saturday Night Live. It examines a burgeoning sense of African American satire in the twenty-first century as focused not necessarily on inspiring easy laughter but instead on opening up space for Black selfhood. A post-“post-racial” United States demands that our satirists offer productive ways to express Black identity in a world that seems increasingly self-satirizing. This conclusion underscores the idea of kaleidoscopic Blackness and the variety of valid ways of autonomously choosing to express Black identity in the twenty-first century.


Author(s):  
Danielle Fuentes Morgan

The introduction offers historical and twenty-first-century context for African American satire and comedy and explains that the diverse generic forms of these satirical readings disrupt our expectations of discrete boundaries between staged performance and lived experience. The contemporary pervasiveness of satire is related to its ability to shape and reshape an understanding of Black identity. Satire in the twenty-first century moves ethics away from theoretical concepts of right and wrong to consider what ethical behavior might look like in practice and how this could impact Black identity and the possibility for racial justice.


Daedalus ◽  
2011 ◽  
Vol 140 (1) ◽  
pp. 142-153
Author(s):  
Werner Sollors

The 1965/1966 Dcedalus issues on “The Negro American” reveal how America's racial future was imagined nearly a half-century ago, and at least one of the prophecies - voiced by sociologist Everett C. Hughes - found its fulfillment in an unexpected way at President Obama's inauguration in 2009. Short stories by Amina Gautier (“Been Meaning to Say” and “Pan is Dead”), Heidi Durrow's novel The Girl WhoFellfrom the Sky, plays by Thomas Bradshaw (Strom Thurmond Is Not a Racist and Cleansed), and poems by Terrance Hayes (“For Brothers and the Dragon” and “The Avocado”) suggest trends in recent works by African American authors who began their publishing careers in the twenty-first century.


2021 ◽  
Author(s):  
Wai-Chung Ho

Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China examines the recent developments in school education and music education in Greater China – Mainland China, Hong Kong, and Taiwan – and the relationship between, and integration of, national cultural identity and globalization in their respective school curriculums. Regardless of their common history and cultural backgrounds, in recent decades, these localities have experienced divergent political, cultural, and educational structures. Through an analysis of the literature, official curriculum documents, approved music textbooks, and a survey questionnaire and in-depth interviews with music teachers, this book also examines the ways in which policies for national identity formation and globalization interact to complement and contradict each other in the context of music education in respect to national and cultural values in the three territories. Wai-Chung Ho’s substantive research interests include the sociology of music, China’s education system, and the comparative study of East Asian music education. Her research focuses on education and development, with an emphasis on the impact of the interplay between globalization, nationalization, and localization on cultural development and school music education.


Author(s):  
Tyrone McKinley Freeman

The conclusion brings together the lessons and insights provided by examining Walker’s philanthropic life. After summarizing the origins, evolution, and character of Madam Walker’s gospel of giving, it underscores the historical importance of black women’s philanthropy in undermining and resisting Jim Crow and its enduring role in ultimately dismantling the institution. Further, it suggests an approach to theorizing black women’s generosity as being based on five characteristics: proximity, “resourcefull-ness,” collaboration, incrementalism, and joy. It also affirms philanthropy as a powerful interpretive and analytical lens through which to examine African American life in general and black women in particular. It urges collaboration between scholars interested in philanthropy and black women to mutually strengthen intellectual inquiry and understanding of who counts as a philanthropist and what counts as philanthropic giving. It contends that Walker’s gospel of giving is more accessible as a model of generosity than the prevailing examples offered by today’s wealthiest 1 percent. It is certainly the direct inheritance of African Americans today, but relevant to all Americans, regardless of race, class or gender, interested in taking voluntary action in the twenty-first century.


2019 ◽  
pp. 223-248 ◽  
Author(s):  
Eugenio Cusumano

The Conclusion examines the nature and scope of diplomatic security policies worldwide, the factors underlying their variations, their effectiveness in securing diplomats, and their implications for the conduct of diplomacy. It provides novel insights into the study of security and diplomacy alike. Most notably, it underscores the importance of organizational interests and cultures in shaping protective arrangements, conceptualizes diplomatic inviolability as an international norm, and posits the existence of a trade-off between effective diplomacy and effective diplomatic security. Arguing that diplomacy in a traditional sense has partly lost its importance has become commonplace. States’ reluctance to close missions in dangerous locations, arguably the most effective security policy available, vindicates the enduring importance of traditional, face-to-face diplomacy in the twenty-first century.


Sign in / Sign up

Export Citation Format

Share Document