The Devil Inside
This chapter argues that the founding of the Arthurian world rests on otherness thanks to the role of Merlin, a character simultaneously good and bad. Examining works spanning the centuries from Geoffrey of Monmouth and Wace to the late thirteenth-century Claris et Laris, the study traces the tale of Merlin’s origins along with the story of Arthur’s conception. Whether the texts treat the material directly or indirectly through allusions, they all elicit questions concerning the relationship between history and fable, truth and lies. While early works privilege the historical aspects, Robert de Boron blurs the boundary between fiction and history, and Claris et Laris abandons claims to historical truth and chooses to underscore fiction instead. Ultimately, the chapter concludes, the genre of romance resides on the permeable boundary between history and fiction.