scholarly journals Introductory Chapter: Dedicated Initial Giants Breaking the Barriers to Successful Cardiac Transplantation Therapy

2018 ◽  
Author(s):  
Antonio Loforte
Keyword(s):  
Cardiac Transplantation ◽  
Transplantation Therapy

HL-A MATCHING AND GRAFT SURVIVAL AFTER CARDIAC TRANSPLANTATION

The Lancet ◽  
1971 ◽  
Vol 298 (7224) ◽  
pp. 606
Author(s):  
H Festenstein
Keyword(s):  
Graft Survival ◽  
Cardiac Transplantation

Outcomes after cardiac transplantation using organ care system in extended criteria donors and high risk recipients

2014 ◽  
Vol 62 (S 01) ◽  
Author(s):  
A. Sabashnikov ◽  
D. García Sáez ◽  
B. Zych ◽  
P. Mohite ◽  
A.-F. Popov ◽  
...  
Keyword(s):  
High Risk ◽  
Cardiac Transplantation ◽  
Extended Criteria Donors ◽  
Care System

RNA Release Triggers Ischemia/Reperfusion Injury in Cardiac Transplantation

2020 ◽  
Author(s):  
C. Gollmann-Tepeköylü ◽  
M. Graber ◽  
L. Pölzl ◽  
F. Nägele ◽  
J. Hirsch ◽  
...  
Keyword(s):  
Reperfusion Injury ◽  
Cardiac Transplantation ◽  
Ischemia Reperfusion Injury ◽  
Ischemia Reperfusion

Mechanical circulatory support as a bridge to cardiac transplantation: Predictors of survival

2006 ◽  
Vol 54 (S 1) ◽  
Author(s):  
A El-Banayosy ◽  
L Arusoglu ◽  
M Morshuis ◽  
L Kizner ◽  
P Sarnowski ◽  
...  
Keyword(s):  
Cardiac Transplantation ◽  
Mechanical Circulatory Support ◽  
Circulatory Support

Introduction: Plato’s Nightmare

2018 ◽  
Author(s):  
John Marmysz
Keyword(s):  
Immanuel Kant ◽  
Martin Heidegger ◽  
Friedrich Nietzsche ◽  
Objective Reality

This introductory chapter examines the “problem” of nihilism, beginning with its philosophical origins in the ideas of Plato, Immanuel Kant, Friedrich Nietzsche and Martin Heidegger. It is argued that film is an inherently nihilistic medium involving the evocation of illusory worlds cut loose from objective reality. This nihilism of film is distinguished from nihilism in film; the nihilistic content also present in some (but not all) movies. Criticisms of media nihilism by authors such as Thomas Hibbs and Darren Ambrose are examined. It is then argued, contrary to such critics, that cinematic nihilism is not necessarily degrading or destructive. Because the nihilism of film encourages audiences to linger in the presence of nihilism in film, cinematic nihilism potentially trains audiences to learn the positive lessons of nihilism while remaining safely detached from the sorts of dangers depicted on screen.

Introduction: Exploring Russian nationalisms

2018 ◽  
Author(s):  
Pål Kolstø ◽  
Helge Blakkisrud
Keyword(s):  
The State ◽  
Complex Interplay ◽  
Recent Developments ◽  
Part Structure

Russian societal nationalism comes in various guises, both ethnic and imperialist. Also Putin’s rhetoric is marked by the tensions between ethnic and state-focused, imperialist thinking. Noting the complex interplay of state nationalism and societal nationalism, this introductory chapter examines the mental framework within which Russian politicians were acting prior to the decision to annex Crimea. The chapter develops a typology of Russian nationalisms, surveys recent developments, and presents the three-part structure of this book: official nationalism, radical and other societal nationalisms, and identities/otherings. It concludes that after the annexation of Crimea, when the state took over the agenda of both ethnic and imperialist nationalists in Russia, societal nationalism finds itself at low ebb.

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