The Cultural Landscape

Author(s):  
Ken Nicolson

Cultural landscapes are the combined works of man and nature and it is only by studying this dynamic interaction that the essence of the resulting cultural landscapes can be fully appreciated and valued. Differences and similarities between western and eastern perceptions and artistic expressions of landscape are discussed to establish the cultural values that underpin our understanding and interpretation of the natural and built world. The way by which the cultural landscape concept attained international recognition as a more holistic approach to define and interpret heritage sites is outlined. World Heritage definitions of the different categories of cultural landscape, namely, designed, organically evolved, and associative, are described using examples inscribed on the World Heritage List. Examples of equivalent categories of cultural landscapes in Hong Kong are then presented to introduce the concept and, for the first time, highlight their heritage value.

2019 ◽  
Vol 4 (3) ◽  
pp. 139-148
Author(s):  
CAROL WESTRIK

UNESCO cultural landscapes and management challenges In 1992 UNESCO adopted guidelines to include cultural landscapes in the World Heritage List. Cultural Landscapes are defined as ‘combined works of nature and of man’. It is this interaction that has to be of outstanding universal value. It should also be the focus concerning the management of such World Heritage sites. It requires an interdisciplinary approach as it covers different disciplines and in some cases different management systems. The management system is a living document that looks ahead. A holistic approach and monitoring are essential in order to be able to identify possible threats to the OUV early on and to act upon them.


2021 ◽  
Author(s):  
◽  
Stefania Ferrucci

<p><b>State aspirations to have national properties recognised as belonging to the heritage of humanity with an international significance has increasingly empowered the United Nations Educational, Scientific and Cultural Organization (UNESCO) in regard to its influence upon international behaviour. In the early 1970s, UNESCO embarked on an ambitious mission to protect and preserve humanity’s most outstanding heritage to guarantee that it will be passed to future generations. It also aimed to recognise people’s interaction with nature and to ensure a balance between them. Towards this end, UNESCO launched a global World Heritage regime to accomplish its noble mandate. Over the past thirty-nine years this regime has become an international success as it has enabled the safeguarding of numerous tangible and intangible goods of exceptional value for the entirety of humanity. The key to its success has been a balanced combination of measures that highlight the regime’s direct and indirect forms of power. Yet, with a growing number of sites inscribed on the World Heritage List and with growing threats to them, the World Heritage system has found itself increasingly facing difficulties in maintaining its “moral power”. These challenges have been exacerbated by a lack of coercive force and sanctioning methods in realistic terms, as well as by rising flows of tourism and, at the same time, decreasing international assistance and funds. The ongoing success of the regime thus come to depend, more than ever, upon the shared involvement and commitment of the States Parties, the international community, and the civil society.</b></p> <p>This thesis proposes to examine the multiple ways in which the World Heritage regime has used its power mechanisms to achieve its current significant international position. It will begin with a definition of the UNESCO’s World Heritage Convention, an international treaty to preserve the world cultural and natural and intangible heritage. UNESCO’ s World Heritage regime is thus chiefly based on the implementation of the World Heritage Convention and the Operational Guidelines for the Implementation of the World Heritage Convention through the World Heritage Committee (WHC). A brief diachronic view of the Convention’s work and aims are therefore imperative for understanding the regime’s power mechanisms and its dynamics. Also provided will be definitions of cultural and natural heritage as well as cultural landscapes and the adopted criteria for the nomination of world heritage, which are all key aspects and assessment measures of UNESCO’ s Heritage regime. After a brief synopsis of the differences between this regime and conventional International Organisations (IOs), this research will shed light on the nature of its persuasive forms of power: scientific objectivity, blacklisting, mimicry, and competition - especially regarding the significance of both the States Parties and the regime’s reputation, as well as its legitimacy. It will discuss how vital these forms of power are to success in influencing states to ratify the World Heritage Convention, to ensure compliance, and persuade them to jointly achieve the proposed goals. It will be further shown that the regime’s legitimacy is based on the perception of its procedures and favourable outcomes by its Member States. In addition, this research will theorise on the constructivist IR approach by adapting it to the regime. How Member States follow constructed rules and adopt a ‘logic of appropriateness’ will also be explored. It will in addition involve examination of its political tools, the World Heritage List, the List of World Heritage in Danger and socio-cultural tools, since they represent the conduit for its power mechanisms, and argue the chances of success in each arena. Examples from the Cologne Cathedral in Germany and the Kathmandu Valley in Nepal illustrate how the regime’s tools can be used as a deterrent mechanism to ensure the integrity of World Heritage sites. Moreover, the dichotomy of heritage viewed through the lens of national and international interests will be addressed, as well as what this entails for the States Parties’ sovereignty. International interests may come to the forefront of heritage protection, creating a new form of sovereignty: ‘Disaggregated sovereignty’. The World Heritage regime’s various benefits will also be discussed, its impact on the state’s economies especially in regard to tourism, the granting of international assistance as well as funds, and its influence on the States Parties social life by igniting a sense of prestige and pride about their World Heritage properties and by sensitising entire nations regarding the necessity to jointly protect and conserve this collective treasure. Examples from Cambodia and the Democratic Republic of the Congo illustrate the effectiveness of international assistance provided by the regime, while the example of the Galapagos Islands’ underlines the need to develop sustainable tourism practices to prevent the deterioration of heritage sites. ...</p>


2021 ◽  
Author(s):  
◽  
Stefania Ferrucci

<p><b>State aspirations to have national properties recognised as belonging to the heritage of humanity with an international significance has increasingly empowered the United Nations Educational, Scientific and Cultural Organization (UNESCO) in regard to its influence upon international behaviour. In the early 1970s, UNESCO embarked on an ambitious mission to protect and preserve humanity’s most outstanding heritage to guarantee that it will be passed to future generations. It also aimed to recognise people’s interaction with nature and to ensure a balance between them. Towards this end, UNESCO launched a global World Heritage regime to accomplish its noble mandate. Over the past thirty-nine years this regime has become an international success as it has enabled the safeguarding of numerous tangible and intangible goods of exceptional value for the entirety of humanity. The key to its success has been a balanced combination of measures that highlight the regime’s direct and indirect forms of power. Yet, with a growing number of sites inscribed on the World Heritage List and with growing threats to them, the World Heritage system has found itself increasingly facing difficulties in maintaining its “moral power”. These challenges have been exacerbated by a lack of coercive force and sanctioning methods in realistic terms, as well as by rising flows of tourism and, at the same time, decreasing international assistance and funds. The ongoing success of the regime thus come to depend, more than ever, upon the shared involvement and commitment of the States Parties, the international community, and the civil society.</b></p> <p>This thesis proposes to examine the multiple ways in which the World Heritage regime has used its power mechanisms to achieve its current significant international position. It will begin with a definition of the UNESCO’s World Heritage Convention, an international treaty to preserve the world cultural and natural and intangible heritage. UNESCO’ s World Heritage regime is thus chiefly based on the implementation of the World Heritage Convention and the Operational Guidelines for the Implementation of the World Heritage Convention through the World Heritage Committee (WHC). A brief diachronic view of the Convention’s work and aims are therefore imperative for understanding the regime’s power mechanisms and its dynamics. Also provided will be definitions of cultural and natural heritage as well as cultural landscapes and the adopted criteria for the nomination of world heritage, which are all key aspects and assessment measures of UNESCO’ s Heritage regime. After a brief synopsis of the differences between this regime and conventional International Organisations (IOs), this research will shed light on the nature of its persuasive forms of power: scientific objectivity, blacklisting, mimicry, and competition - especially regarding the significance of both the States Parties and the regime’s reputation, as well as its legitimacy. It will discuss how vital these forms of power are to success in influencing states to ratify the World Heritage Convention, to ensure compliance, and persuade them to jointly achieve the proposed goals. It will be further shown that the regime’s legitimacy is based on the perception of its procedures and favourable outcomes by its Member States. In addition, this research will theorise on the constructivist IR approach by adapting it to the regime. How Member States follow constructed rules and adopt a ‘logic of appropriateness’ will also be explored. It will in addition involve examination of its political tools, the World Heritage List, the List of World Heritage in Danger and socio-cultural tools, since they represent the conduit for its power mechanisms, and argue the chances of success in each arena. Examples from the Cologne Cathedral in Germany and the Kathmandu Valley in Nepal illustrate how the regime’s tools can be used as a deterrent mechanism to ensure the integrity of World Heritage sites. Moreover, the dichotomy of heritage viewed through the lens of national and international interests will be addressed, as well as what this entails for the States Parties’ sovereignty. International interests may come to the forefront of heritage protection, creating a new form of sovereignty: ‘Disaggregated sovereignty’. The World Heritage regime’s various benefits will also be discussed, its impact on the state’s economies especially in regard to tourism, the granting of international assistance as well as funds, and its influence on the States Parties social life by igniting a sense of prestige and pride about their World Heritage properties and by sensitising entire nations regarding the necessity to jointly protect and conserve this collective treasure. Examples from Cambodia and the Democratic Republic of the Congo illustrate the effectiveness of international assistance provided by the regime, while the example of the Galapagos Islands’ underlines the need to develop sustainable tourism practices to prevent the deterioration of heritage sites. ...</p>


2019 ◽  
Vol 4 (3) ◽  
pp. 149-160
Author(s):  
DRÉ VAN MARREWIJK

Urban World Heritage and the Historic Urban Landscape approach in the Netherlands Within the category of cultural landscapes on the UNESCO World Heritage List the ‘continuing urban landscapes’ are a small but interesting group of sites. This group consists of urban and suburban areas (‘urban landscapes’) with outstanding historical and heritage values, while at the same time they are characterized by a high degree of spatial dynamics. Many developments take place that lead to change of the environment. Rio de Janeiro, the mining landscape of Nord-Pas de Calais and the Italian Amalfi coast near Naples are examples of these urban cultural landscapes on the World Heritage List. Next to these sites, there are urban World Heritage sites that formally are no cultural landscapes, but have similar characteristics. Historical city centers of Rome or Bruges, the Amsterdam canal ring or Speicherstadt in Hamburg are comparably stretched out and have comparable values. These sites are confronted with similar challenges with respect to conservation and management of change. The obligation to preserve the outstanding universal value of the site could become under pressure. This surely is the case in some urban and suburban World Heritage sites in the Kingdom of the Netherlands: Amsterdam Canal Ring, Defence Line of Amsterdam and Willemstad, Curaçao. The World Heritage status requires a strict management of the site. UNESCO’S Historic Urban Landscape approach can be helpful to make preservation and development compatible. In this article the opportunities and dilemmas of the HUL and ICOMOS’S role in it are discussed. A stronger emphasize on HUL when reviewing developments in urban World Heritage sites is advocated.


2019 ◽  
Vol 4 (3) ◽  
pp. 168-184
Author(s):  
HANS RENES

Continuing landscapes as World Heritage The World Heritage Convention was adopted by UNESCO in 1972, in a period of growing awareness of the international dimensions of environment and heritage. However, it was also a period in which European visions of heritage were still dominant, for example on themes such as authenticity and the distinction between nature and culture. The World Heritage List, resulting from the Convention, put the initiative for inscriptions by state parties, leading to a bias towards unproblematic and tourism-oriented objects. In all these aspects, almost half a century of discussions brought changing ideas. The European emphasis on material authenticity and the division between nature and culture were challenged by practices from Asia and Africa. The role of the nation state became less important by global exchanges of ideas and by local and regional initiatives. The protection of cultural landscapes, particularly that of ‘living’ or ‘continuing’ landscapes, was only possible by a movement from protection towards ‘management of change’. The problem of management of such landscapes is illustrated in five case studies of cultural landscapes that are, or prepare to be, World Heritage Sites: Dresden, the rice terraces of the Cordilleras, the Beemster polder, the Altes Land near Hamburg and the Dutch/Belgian Colonies of Benevolence. The conclusion is that change within World Heritage Sites is possible but needs to be done with caution and with a sense of quality, preferably by involving landscape architects. Rather than the authentic remains of an original situation, the argument should be based on ideas such as layeredness of landscapes and path dependency in developments.


2021 ◽  
Vol 27 (2) ◽  
pp. 74-82
Author(s):  
А. Belekova ◽  

The article focuses on promoting intercultural cooperation and strengthening international community on the example of UNESCO World Heritage sites, inscribed into the World Heritage List that is being formed on the basis of the World Heritage Convention of 1972. UNESCO is a universal intergovernmental UN structure responsible for international cooperation in the sphere of education, science, culture and communication. One of the main activities of the Organization is the world heritage conservation and intercultural dialogue. The article analyzes the UNESCO role in the geopolitical architectonics of Eurasia in which the World Heritage gains a qualitatively new meaning. In the context of a sustainable development the integration of promoting intercultural interaction and heritage safeguarding becomes particularly urgent. The article deals with several initiatives aimed at enhancing the cultural component of the Eurasian integration, including the goals and perspectives of discussion platforms set up for experience exchange in the sphere of World Heritage sites’ conservation and their management. The article seeks to identify the most important challenges and goals of the cooperation strategy between UNESCO and the institutions concerned in the field of the intercultural dialogue promotion in the Eurasian area that seems to be very important both for Russia and the CIS countries, and for the perspectives of the emerging global civilization of the future


2018 ◽  
Vol 3 (1) ◽  
pp. 112-121
Author(s):  
Balaji Venkatachary ◽  
Vishakha Kawathekar

The widely recognized definition of ‘Cultural Landscape’ in current practice is borrowed from UNESCO as Combined works of Nature and of Man.1 They are complex entities consisting of multiple layering of built-unbuilt components including intangible cultural aspects. These components are interrelated and interdependent. The landscape evolves together through combined natural and cultural processes. In current discourse and practice of heritage management, value-based assessment is a widely accepted approach. Evaluation of cultural landscapes for its Significance and Value is a complex process that requires an understanding of interwoven layers of components and attributes.2 Systematic understanding of such relationships between components and attributes is still in its infancy. Amongst various such identified intangible agencies, this study chooses to explore music. A study of secondary sources was undertaken. Cultural landscapes nominated as World Heritage Sites and identified Indian sites were systematically examined to understand various components and attributes. Using the indicators from this study and the theoretical framework of sociomusicology, a research design was prepared. Recognizing the historical association of music with the sites on the Kaveri river basin in peninsular India, a reconnaissance study was undertaken for onsite validation. Musical associations were spatially mapped for analysis and the findings are presented. Systematic understanding of the relationships between components of a cultural landscape and intangible cultural traditions is still in its infancy. The undertaken study is an exploratory work that focuses on understanding the relationship between components of a cultural landscape and ‘intangible attributes’, especially music. A study of secondary sources was undertaken in two parts. In the first part, concept of cultural landscape has been explored. Cultural landscapes nominated as World Heritage Sites were systematically examined to understand various components and attributes. The knowledge helped in formation of indicators for evaluation of cultural landscapes. In the second part of the study, selected case studies of Indian cultural landscapes were studies with the developed indicators. Musical traditions existing in these sites were theoretically reduced to basic components and mapped for analysis.


2020 ◽  
Vol 5 (3) ◽  
pp. 152-168
Author(s):  
DAVID KOREN

Slavery past casts a shadow. A World Heritage Status for the plantation system of western Curaçao? The possible nomination of the western plantations for the World Heritage List of UNESCO offers a possibility to safeguard this rather unique - but eroding - relict landscape. However, an important precondition for a successful nomination is consensus on a clear strategy and goals of a nomination. The strategy could involve a new nomination, but also an extension of the existing site of Willemstad. This latter option retroactively gives the opportunity to clarify the (architectural) wealth of Willemstad and to explain why people from different continents came together in this port city. Another precondition is popular support, which is rather shallow due to the centuries-long connection of plantations with slavery. A nomination definitely should acknowledge the dark pages of history, including the intangible aspects of this past. More systematic research into the various aspects of the slave society could help to fill such ‘knowledge gaps’. It seems wise to diminish the traditional focus on the architecture of the plantations and to consider them as a cultural landscape, as well as to focus on the ingenious ways people tried to make a living in this dry landscape. This implies that the selection needs to be revised, taking into account other modes of production, like salt, water and mining.


Author(s):  
Funda Varnaci Uzun ◽  
Mehmet Somuncu

The “cultural landscape” has been a fundamental concept in geography and was first defined as “landscape modified by human activity” by the German geographer Friedrich Ratzel in 1890. It was introduced to American geography in the 1920s by Carl O. Sauer (American geographer). Since the 1960s, the concept has been widely used in human geography, anthropology, environmental management, and other related fields. One of the major factors that contributed to the recent popularity of its use, on a global scale, was the adoption of cultural landscapes in the International Convention for the World Heritage Convention by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1992. In this chapter, the basis of this concept, its emergence, and its relationships with other scientific disciplines, particularly geography, will be discussed. Moreover, the place of cultural landscapes within protected areas and UNESCO world heritage sites will be more specifically addressed.


2020 ◽  
pp. 172-184
Author(s):  
Maria Leonor Botelho

In 1996, the World Heritage Committee added the Historic Center of Oporto, Portugal, to the World Heritage List, recognizing its outstanding value, identified by its urban fabric and its many historic buildings. The area’s value is the result of a complex topography, articulated through streets, lanes, alleyways, stairs, and squares, while its architecture (residences and monuments) projects cultural values accumulated over successive eras. In the state of art section, this chapter presents some significant references and visual resources that contribute to the understand city´s urban development and to visualize the city in the past. This chapter presents two case studies of the authors’ attempts at visualization of that historic district. One describes a 3D scale model—Oporto’s Medieval Scale Model - and the other is a virtual reality project—Virtual Porto in the Sixteen Century—both shown as examples of thorough research, careful documentation of processes, and clear and approachable presentation. The authors also consider the potential of expanded development of such presentations, in light of uses in tourism and furthering greater knowledge, with the goals of facilitating the process of heritage conservation and the dissemination of information. As such, the two case studies are viewed in terms of principles of the London Charter regarding the creation of virtual heritage, as well as cite other examples of projects in European cities.


Sign in / Sign up

Export Citation Format

Share Document