Vietnam was the focal point of a larger set of conflicts that broke out in Indo-China in 1945 and resulted by 1975 with Cambodia and Laos as well as Vietnam falling under the rule of various Communist parties. The first Vietnam War (1945–1954) pitted French colonists and their local allies against Vietnamese Communist rebels. It ended with the French withdrawal from Indo-China and the partition of Vietnam into two states, Communist North Vietnam and pro-Western South Vietnam. In the second Vietnam War (1955–1975), North Vietnam and Communist rebels in the south fought against the US-backed South Vietnamese regime. No conflict in American history since the Civil War was as divisive as Vietnam, yet the war was widely supported until US ground forces entered the fray (1965). Mounting casualties and the threat of conscription fueled a growing antiwar movement that forced Washington to find a way out of the war. After the United States withdrew in 1973, Communist forces overran South Vietnam and reunited the country under their rule in 1975. Films about the Vietnam War were produced in both North and South Vietnam, the Soviet Union (which armed the North) and South Korea and Australia (both dispatched troops to support the South). With few exceptions, many were seldom seen outside their lands of origin. With Hollywood’s dominance of movie markets in much of the world, American stories about the war dominated the imagination of moviegoers in the United States and most other countries. Hollywood took only slight interest in Vietnam during the war’s early years. The first major motion picture about American combat in Vietnam, John’s Wayne’s pro-war The Green Berets (1968), was a box-office hit but universally derided by critics. With the war’s increasing unpopularity and unsuccessful conclusion, the subject was deemed “box-office poison” by the studios for several years. By the late 1970s a rising generation of filmmakers embraced Vietnam as material for displaying American heroism, explaining the US defeat or exploring the ethical basis for war. The commercial breakthrough for Vietnam War movies was achieved by director Sidney Furie’s The Boys in Company C (1978), Michael Cimino’s The Deer Hunter (1978), and Francis Ford Coppola’s Apocalypse Now (1979). Each reflected in different ways America’s disillusionment and the physical and psychological toll charged to the men who served in the conflict. The theme continued with Platoon (1986), directed by a Vietnam combat veteran, Oliver Stone. A counter-trend appeared with Sylvester Stallone’s Rambo series (1982–2019), which amplified the resurgent nationalism that began under the Reagan administration. Providing a third perspective, Stanley Kubrick’s Full Metal Jacket (1987) presented the war unemotionally as a fact of history. In the 21st century, movies on the Vietnam War continue to be made, if in diminished number. Characteristic of recent films, We Were Soldiers (2002) validates the experience of US servicemen while honoring the heroism of the enemy.
La politique de neutralité. L’Histoire terrible mais inachevée de Norodom Sihanouk