scholarly journals Grants and Acquisitions

2017 ◽  
Vol 78 (8) ◽  
pp. 467
Author(s):  
Ann-Christe Galloway

The Washington University Libraries Film and Media Archive has received a grant from the National Film Preservation Foundation to preserve Code Blue, a 1972 recruitment film aimed at bringing minorities into the medical profession. Code Blue is one of the earliest existing films created by Henry Hampton’s Boston-based documentary company Blackside Inc., which produced the Emmy Award-winning civil rights series Eyes on the Prize. Blackside became the largest African American-owned film production company of its time and was home to many filmmakers from diverse backgrounds, including African Americans, immigrants, and women. The 27-minute documentary includes footage from an emergency room in Harlem, a tour through areas of Nashville with a doctor who did outreach to poor families, and discussions with young men and women from different backgrounds who could explain the value of medical education. Code Blue helped to bring new talent into the medical field and was used in hundreds of high schools and medical training curricula nationwide for more than 20 years. The film won a CINE Golden Eagle Award and was seen around the world, including at film festivals as far away as Venice’s Festival dei Popoli.

2021 ◽  
pp. 186-202
Author(s):  
Tomoe Kumojima

This concluding chapter reverses the perspective of the preceding chapters and explores travel writings of Meiji Japanese women who sailed to Victorian Britain. It focuses on the writings of three Japanese women—namely, Tsuda Umeko, Yasui Tetsu, and Yosano Akiko—with diverse backgrounds and purposes. It picks up testimonies of travelling women in Meiji Japan who encountered British people and culture and unveils cross-racial female intimacy and burgeoning transnational feminist alliance on the issues of women’s education and civil rights. It documents their connections with Victorian female educationists such as Dorothea Beale and Elizabeth Phillips Hughes and discovers a long-forgotten link between Isabella Bird and Meiji women’s education.


2018 ◽  
Vol 5 ◽  
pp. 238212051875633
Author(s):  
Daniel Skinner ◽  
Kyle Rosenberger

In response to changes in health care, American medical schools are transforming their curricula to cultivate empathy, promote professionalism, and increase cultural competency. Many scholars argue that an infusion of the humanities in premedical and medical training may help achieve these ends. This study analyzes Web-based messaging of Ohio’s undergraduate institutions to assess premedical advising attitudes toward humanities-based coursework and majors. Results suggest that although many institutions acknowledge the humanities, most steer students toward science majors; strong advocates of the humanities tend to have religious or other special commitments, and instead of acknowledging the intrinsic value that the humanities might have for future physicians, most institutions promote the humanities because entrance exams now contain related material.


2021 ◽  
Vol 9 (7) ◽  
Author(s):  
Eugenio Perez

The events that have occurred as a result of the Covid-19 pandemic have brought to the fore the figure of the doctor, as a main actor, in this complex and uncertain scenario. Many of the medical actions carried out have required strength, reflection, wisdom and prudence, all of them essential virtues according to the classical philosophical tradition, and that the ETHOS of the medical profession and the doctor translate, with this it is necessary to emphasize that it is the traditional medical ethics, the basis of this undeniable commitment to humanity, and that Bioethics, born 60 years ago, has been invested with an unthinkable condition, by its creator VR Potter, who proposed that the main objective should be scientific development -Technical but with ecological responsibility, beyond its supposed guiding function of current medicine. Which are the motivations for choosing the School of Medicine? What does it mean to be a good professional? How to respond to an increasingly demanding society? In light of the development of new technologies and communication systems, which today are universally accessible. It seems that the answer to these questions lies in a higher education based on ancestral ethical principles, which have been professed by generations of doctors, in traditional clinical practice and in practicing general medicine to achieve the specific medical training process, thus achieving efficiently meet the primary health demands of society. Therefore, Bioethics must be understood as an incipient discipline whose objective is to warn about the care of ecosystems, necessary for the survival of the human being, different from medical ethics.


2017 ◽  
Vol 22 (2) ◽  
pp. 281-316
Author(s):  
Christina Klein

Abstract South Korean films first became visible on the world stage in the late 1950s when they began to be exhibited and win prizes at international film festivals. Yi Pyŏngil’s The Wedding Day (1956) and Han Hyŏngmo’s Because I Love You (1958) were among Korea’s earliest award-winning films. These two films exemplify a postcolonial and postwar discourse I am calling “Cold War cosmopolitanism.” The cultivation of this cosmopolitan ethos among cultural producers was a major objective for Americans waging the cultural Cold War in Asia, and the Asia Foundation was Washington’s primary instrument for doing so. This article traces the history of the Asia Foundation from its inception in the National Security Council in the late 1940s through its activities in Korea in the 1950s and early 1960s. It pays particular attention to the foundation’s support for Korean participation in the Asian Film Festival. It offers a close textual and historical reading of Yi’s and Han’s films as a means of exploring how Korean cultural producers, acting as Cold War entrepreneurs, took advantage of the Asia Foundation’s resources in ways that furthered their own aesthetic, economic, and political interests.


2020 ◽  
pp. 467-475

Junebug/Jack is a joint theatrical production of Junebug Productions of New Orleans and the Roadside Theater of Whitesburg, Kentucky, professional, community-based theaters whose mission is to speak for the historically marginalized and exploited communities in which they are located. Junebug Productions was founded in 1963 under the name Southern Free Theater as part of the cultural wing of the Student Nonviolent Coordinating Committee (SNCC), the influential civil rights organization. Roadside Theater was founded in 1975 as a component of Appalshop, a media production company in the Kentucky coalfields that was begun as a youth job-training program in film and a way for Appalachian people to take control of their own story. Junebug and Roadside began performing in each other’s communities in response to an increase in Ku Klux Klan activity in 1981. The companies have also partnered with grassroots theatrical groups such as Teatro Pregones from the Bronx (1993–2018) and, independently, with traditional artists from Native American communities and theater ensembles from the Czech Republic and elsewhere....


Author(s):  
Patricia Maria Saez Carlin

Work-family conciliation is currently in vogue. However, reality demonstrates that there is still a long way to go before being forced to make a choice between work, family, or personal life. Can a balance be achieved among the three? In relation to the medical profession, is there currently an adequate conciliation policy? Can these strategies be extrapolated to the training period? The proposal in this chapter consists in carrying out an up-to-date analysis on the parental leave situation during medical training as one of the main aspects of conciliation, by analysing parental leave policies and barriers faced by surgical trainees.


1894 ◽  
Vol 40 (169) ◽  
pp. 285-286

It is rarely that we have read a more detestable book than the one under review. As its title indicates, it is a description of a lunatic, but from the beginning to the end it revolts one. To begin with, the unfortunate man, named Labat, has an insane mother, whose mother also was insane. He was wealthy and of good family, and is thus able to marry a beautiful but poor girl, who has two children, both of whom die in convulsions. A most truthful but horrible description of a fit is given, exact in all its fearful details. The mother determines to have no more children by her husband, and as the latter insists upon conjugal rights, she goes to the doctor, who is readily seduced by her, and a liaison is started, which results in the birth of a fine healthy son, who bears strong indications of his paternity. The putative father is jealous, and though he takes no open steps, he evinces his disgust, and the doctor, to save himself, calls in a medical friend, who is persuaded that the accusations against his medical ally are untrue, and who treats them as delusions, and on an urgency order consigns M. Labat to a “Maison de Sauté,” kept by an ex-marine medical officer, whose treatment is of the most downright and brutal kind; he has a belief in subduing disease by means of douches and strict discipline, the patient passes through a period of distress, and very nearly loses his reason, and the details of the life in the asylum are revolting and disgusting in the extreme. He determines to suppress his real feelings and to acquiesce in the doctor's ideas, and as a result he is discharged cured. He rejoins his wife, who, receiving him coldly, causes further trouble, which ends in the murder of the child, and the flight of M. Labat. He is taken to another asylum, which is a private adventure asylum, where more brutality is exercised, and the patients are treated more as slaves than as sufferers from disease. Thence M. Labat, who has now become really insane, is taken as an insane criminal to Bicêtre, only to be tested and tortured with electricity. He once more is sent to the original “Maison de Santé,” where in the end he is boiled to death in a hot bath by accident. Madame Labat has also become permanently insane, and so the story ends. Such a book is not only unhealthy, but it is mischievous in the last degree; it represents, as if occurring at the present day, a state of mismanagement in asylums which has disappeared for many years. It causes prejudice, not only against the medical profession as a whole, but more particularly against the special branch which we cultivate. It is an untruthful libel. The medical discussions on the symptoms of mental disorder are very exact, pointing to the handiwork of one who has had medical training. “It is a filthy bird that fouls its own nest.”


2016 ◽  
Vol 26 (2) ◽  
pp. 111-123
Author(s):  
Ian Cummins

This article is based on a comparative thematic analysis of two novels that explore the experiences of institutional psychiatric care. Ken Kesey’s 1962 novel One Flew Over the Cuckoo’s Nest is a classic of modern U.S. literature. It is argued here that Kesey’s representation of the “psychiatric patient” as rebel was not only a reflection of some the changing societal attitudes in postwar America, but it also helped to shape them. The challenge to the asylum system was thus cast in terms of questions of the civil rights of a marginalized group. The main themes of the novel reflect those of protesters against the abuses of the asylum system—the poor physical conditions, the social isolation of the patients, poor physical care and abuse, and the use of ECT and psychosurgery. The rebellious spirit of Kesey’s work is contrasted with a recent novel—Nathan Filer’s 2012 award-winning The Shock of the Fall. In Filer’s work, the optimism and challenge to authority has dissipated to be replaced by a resigned fatalism reflecting the current crisis in mental health services.


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