scholarly journals Collections as data: Implications for enclosure

2018 ◽  
Vol 79 (6) ◽  
pp. 296 ◽  
Author(s):  
Thomas G. Padilla
Keyword(s):  
Cultural Heritage ◽  
Digital Collections ◽  
Physical Objects ◽  
Heritage Collections

In recent years a growing amount of interest has been dedicated to collections as data. A collections as data paradigm seeks to foster an expanded set of research, pedagogical, and artistic potential predicated on the computational use of cultural heritage collections. Collections as data raises the question of what it might mean to treat digitized and born digital collections as data rather than simple surrogates of physical objects or static representations of digital experience.

scholarly journals Approaches to 'place': A study exploring how New Zealand's digital collections conceptualise our social understanding of space

2021 ◽  
Author(s):  
◽  
Flora Feltham
Keyword(s):  
Cultural Heritage ◽  
Digital Technology ◽  
Research Problem ◽  
Descriptive Statistics ◽  
Mixed Methods Study ◽  
Web Content ◽  
Digital Collections ◽  
Geospatial Technology ◽  
Digital Heritage ◽  
Heritage Collections

<p>Research problem: The concept of ‘place’ has a clear presence in New Zealand’s digital heritage collections. However, some theorists suggest there is gap between place as a concept relevant to cultural heritage concerns and place as represented by digital technology. This research explores how geospatial and digital technology deployed in New Zealand’s digital collections engage with and conceptualise qualities usually associated with place: social bonds, emotional attachment and subjectivity.  Methodology: This two-stage, mixed-methods study has a qualitative weighting. Web Content analysis (WebCA) gathered data from digital collections that demonstrate place inclusive features. An anonymous survey gathered opinions from practitioners who create place-inclusive digital collections. Descriptive statistics developed during quantitative analysis triangulated findings developed during thematic qualitative analysis.  Results: New Zealand’s digital collections generate a sense-of-place using strategies that mimic subjective and experience-based understanding of the world. Some collections also engage with place in its ‘common-sense wrapper’ by using the deploying the place in a metadata context or as an overarching thematic structure. New Zealand’s cultural heritage practitioners are very practice-oriented in their consideration of place, and place-inclusive collections are most often impacted by resourcing issues.  Implications: This project contributes to the growing ‘body of sustained critical thinking’ focusing on the implications of digital technology for cultural heritage concerns. It suggests place has considerable value and multiple functions within digital heritage collections. When conducting projects using geospatial technology, heritage practitioners can consider supplementing geospatial technology with user-contribution features, content variety, and an emphasis on storytelling to effectively reflect the subjective components of place.</p>

scholarly journals Approaches to 'place': A study exploring how New Zealand's digital collections conceptualise our social understanding of space

2021 ◽  
Author(s):  
◽  
Flora Feltham
Keyword(s):  
Cultural Heritage ◽  
Digital Technology ◽  
Research Problem ◽  
Descriptive Statistics ◽  
Mixed Methods Study ◽  
Web Content ◽  
Digital Collections ◽  
Geospatial Technology ◽  
Digital Heritage ◽  
Heritage Collections

<p>Research problem: The concept of ‘place’ has a clear presence in New Zealand’s digital heritage collections. However, some theorists suggest there is gap between place as a concept relevant to cultural heritage concerns and place as represented by digital technology. This research explores how geospatial and digital technology deployed in New Zealand’s digital collections engage with and conceptualise qualities usually associated with place: social bonds, emotional attachment and subjectivity.  Methodology: This two-stage, mixed-methods study has a qualitative weighting. Web Content analysis (WebCA) gathered data from digital collections that demonstrate place inclusive features. An anonymous survey gathered opinions from practitioners who create place-inclusive digital collections. Descriptive statistics developed during quantitative analysis triangulated findings developed during thematic qualitative analysis.  Results: New Zealand’s digital collections generate a sense-of-place using strategies that mimic subjective and experience-based understanding of the world. Some collections also engage with place in its ‘common-sense wrapper’ by using the deploying the place in a metadata context or as an overarching thematic structure. New Zealand’s cultural heritage practitioners are very practice-oriented in their consideration of place, and place-inclusive collections are most often impacted by resourcing issues.  Implications: This project contributes to the growing ‘body of sustained critical thinking’ focusing on the implications of digital technology for cultural heritage concerns. It suggests place has considerable value and multiple functions within digital heritage collections. When conducting projects using geospatial technology, heritage practitioners can consider supplementing geospatial technology with user-contribution features, content variety, and an emphasis on storytelling to effectively reflect the subjective components of place.</p>

scholarly journals Indoor/outdoor particulate matter concentrations and microbial load in cultural heritage collections

2015 ◽  
Vol 3 (1) ◽  
Author(s):  
Mihalis Lazaridis ◽  
E. Katsivela ◽  
I. Kopanakis ◽  
L. Raisi ◽  
G. Panagiaris
Keyword(s):  
Particulate Matter ◽  
Cultural Heritage ◽  
Microbial Load ◽  
Heritage Collections

Back to basics

2018 ◽  
Vol 34 (3) ◽  
pp. 188-199 ◽  
Author(s):  
Shannon Lucky ◽  
Craig Harkema
Keyword(s):  
Cultural Heritage ◽  
Academic Libraries ◽  
Community Organizations ◽  
Content Type ◽  
Research Libraries ◽  
Community Needs ◽  
Strategic Goals ◽  
Active Research ◽  
Allocation Decisions ◽  
Heritage Collections

Purpose To describe how academic libraries can support digital humanities (DH) research by leveraging established library values and strengths to provide support for preservation and access and physical and digital spaces for researchers and communities, specifically focused on cultural heritage collections. Design/methodology/approach The experiences of the authors in collaborating with DH scholars and community organizations is discussed with references to the literature. The paper suggests how research libraries can use existing expertise and infrastructure to support the development of digital cultural heritage collections and DH research. Findings Developing working collaborations with DH researchers and community organizations is a productive way to engage in impactful cultural heritage digital projects. It can aid resource allocation decisions to support active research, strategic goals, community needs and the development and preservation of unique, locally relevant collections. Libraries do not need to radically transform themselves to do this work, they have established strengths that can be effective in meeting the challenges of DH research. Practical implications Academic libraries should strategically direct the work they already excel at to support DH research and work with scholars and communities to build collections and infrastructure to support these initiatives. Originality/value The paper recommends practical approaches, supported by literature and local examples, that could be taken when building DH and community-engaged cultural heritage projects.

Image embedded metadata in cultural heritage digital collections on the web

2018 ◽  
Vol 36 (2) ◽  
pp. 339-357 ◽  
Author(s):  
Emad Isa Saleh
Keyword(s):  
Cultural Heritage ◽  
Arab World ◽  
Cultural Resources ◽  
Digital Collections ◽  
Content Type ◽  
Metadata Record ◽  
Data Collection Process ◽  
Digital Collection ◽  
Image Metadata ◽  
The Web

Purpose The purpose of this paper is to investigate the availability of embedded metadata within images of digital cultural collections. It is designed to examine a proposed hypothesis that most digitally derived images of cultural resources are stripped of their metadata once they are placed on the web. Design/methodology/approach A sample of 603 images were selected randomly from four cultural portals which aggregate digitized cultural collections, then four steps in the data collection process took place to examine image metadata via the web-based tool and windows application. Findings The study revealed that 28.5 percent of the analyzed images contained metadata, no links exist between image embedded metadata and its metadata record or the pages of the websites analyzed, and there is a significant usage of Extensible Metadata Platform to encode embedded metadata within the images. Practical implications The findings of the study may encourage heritage digital collection providers to reconsider their metadata preservation practices and policies to enrich the content of embedded metadata. In addition, it will raise awareness about the potential and value of embedded metadata in enhancing the findability and exchange of digital collections. Originality/value This study is ground breaking in that it is one of the early studies, especially in the Arab world, which aim to recognize the use of image embedded metadata within cultural heritage digital collections on the web.

Digitisation of Indigenous Cultural Objects: An Investigation into the Policy and Protocols for Digitised Indigenous Knowledge in selected Cultural Heritage Organisations in Australia and New Zealand.

2021 ◽  
Author(s):  
◽  
Kirsten Donna Francis
Keyword(s):  
New Zealand ◽  
Cultural Heritage ◽  
Qualitative Methodology ◽  
National Level ◽  
Cultural Influences ◽  
Research Project ◽  
Digital Collections ◽  
International Pressure ◽  
Theoretical Finding ◽  
Digital Collection

<p>This research project investigates the digital collections from selected heritage organisations, exploring how/if the rights of indigenous peoples are being protected by policy and protocol documents on the World Wide Web. It purposively surveys selected heritage collections across Australia and New Zealand and explores digital collection policies at local and national level, investigating the extent of international pressure, socio-cultural influences, and legislative constraints. This research project uses qualitative methodology in an interpretive way, using the hermeneutic circle and method for the collation for data and analysis. The major theoretical finding of this research project is that many cultural heritage organisations attempt to bridge the gap between Anglo-American development of legislation and indigenous intellectual property rights by the inclusion of specific policy measures becoming in effect socio-cultural agents for change</p>

Personal Digital Collections

2011 ◽  
pp. 285-304 ◽  
Author(s):  
Paul F. Marty ◽  
Scott Sayre ◽  
Silvia Filippini Fantoni
Keyword(s):  
Cultural Heritage ◽  
System Design ◽  
Lessons Learned ◽  
Future Research ◽  
Digital Collections ◽  
Research Directions ◽  
Digital Collection ◽  
Future Research Directions ◽  
Museum Websites ◽  
The Relationship

Personal digital collections systems, which encourage visitors to museum websites to create their own personal collections out of a museum’s online collections, are the latest trend in personalization technologies for museums and other cultural heritage organizations. This chapter explores the development, implementation, and evaluation of different types of personal digital collection interfaces on museum websites, from simple bookmarking applications to sophisticated tools that support high levels of interactivity and the sharing of collections. It examines the potential impact of these interfaces on the relationship between museums and their online visitors, explores the possible benefits of involving users as co-creators of digital cultural heritage, and offers an analysis of future research directions and best practices for system design, presenting lessons learned from more than a decade of design and development of personal digital collections systems on museum websites.

scholarly journals The digitally preserved old-aged art, culture and artists

2019 ◽  
Vol 3 (2) ◽  
pp. 111-122
Author(s):  
Showkat Ahmad Wani ◽  
Asifa Ali ◽  
Shabir Ahmad Ganaie
Keyword(s):  
Cultural Heritage ◽  
Design Methodology ◽  
Digital Technologies ◽  
Study Data ◽  
Historical Events ◽  
Digital Collections ◽  
Content Type ◽  
Link Type ◽  
Historical Figures ◽  
Arts And Culture

Purpose This paper aims to explore the Google Arts and Culture platform in terms of parameters used for categorizing the digital collections by it; the total number of items and their types; top contributing artists; top ten historical events and figures; and the top ten countries having maximum artworks. Design/methodology/approach An online method was used to collect the relevant data for achieving the objectives of the study. Data were harvested from the official website of Google Arts and Culture (https://artsandculture.google.com/) during the period of 15 May to 31 May 2018, and the same was tabulated in MS Excel for analysis and interpretation. Findings The findings revealed that Google Arts and Culture includes a total of 6,272 artists, 228 media and 121 art movements. Moreover, there are a total of 641 historical movements; 6,250 historical figures; 9,692 places; 3,226 museum views; 1,702 zoom views; 39,607 featured videos; and 5,528 featured stories; 122 items organized by color and 954 organized by time. Originality/value The present study is first of its kind that focuses on exploration of diverse arts and cultural heritages of different countries and by diverse artists made visible by Google Arts and Culture initiative. It will significantly reinforce the art and cultural heritage lovers to acquire the knowledge pertinent to various types of arts and cultures that prevailed in antiquity across the globe and also make aware the conservators about how to use digital technologies for efficient preservation and visibility of unique artworks, artists and the places whom they belong.

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