scholarly journals A poetic function in an expanding context: title — monoverse — polytext (on the example of Ivan Zhdanov's poetry)

2021 ◽  
Vol 12 (3) ◽  
pp. 54-69
Author(s):  
Olga I. Severskaya
Keyword(s):  
Study Repetition ◽  
Poetic Function

The article analyses the poetic function as a mechanism for the semantic and composi­tional structuring of the text. The research aims to study repetition and parallelism, expand­ing the context from the heading to the minimal text and the textual unity within a poetic book and forming micro- and metacycles with movable boundaries. The material of the re­search is Ivan Zhdanov's monoverses, which were considered both immanently and as part of the book. The main methods of research are semantic, contextual and distributive analysis. The author concludes that the heading, interpreting the text, sets its reference, and the mono­verse is both a self-sufficient text and an aphoristic expression of many other texts in which the keywords forming it are found. They represent a synthetic proposition corresponding to the set of all poetic statements ‘about the same’. The article also examines referential, semantic and compositional metatropes that combine texts into micro- and metacycles.

Anticapitalism and the Poetic Function of Language

2009 ◽  
Vol 49 (2) ◽  
pp. 119-131
Author(s):  
Nathalie Wourm
Keyword(s):  
Poetic Function

scholarly journals "Social horror": A critical analysis of ideological and poetic function of the motive of victim in the contemporary Serbian film

Temida ◽  
2016 ◽  
Vol 19 (2) ◽  
pp. 309-329
Author(s):  
Ivana Kronja
Keyword(s):  
Critical Analysis ◽  
State System ◽  
Feminist Perspective ◽  
Narrative Strategies ◽  
Life And Death ◽  
Visual Aesthetics ◽  
Poetic Function ◽  
Value Crisis ◽  
Film Aesthetics

This paper analyses achievements of Serbian cinematography after 2000, which narrative strategies and visual aesthetics are focused on the issues of violence and victims in the context of social despair, post-communist transition and ongoing global value crisis. Films made by Mladen Djordjevic Life and Death of a Porn Gang (2009), Srdjan Spasojevic A Serbian Movie (2010), and Marko Novakovic Menagerie (2012) integrate these complex characteristics of disintegration of Serbian community and dysfunctional state system into their cinematic poetics. These films present examples of radical film aesthetics, which, through strategies of making things unusual, and the influence of underground, pornography and horror on the realistic drama, speak about permanently traumatised Serbian society. They directly connect collective political state and the domain of personal, family, intimate and sexual, controversially relying on the images and narratives of gender misogyny and the violence it produces and its victims. The paper critically approaches these issues from the gender- feminist perspective.

scholarly journals Music and Its Familiarity Affection on Audience Decision Making

2019 ◽  
Vol 11 (1A) ◽  
pp. 70
Author(s):  
Syazwani Mahsal Khan ◽  
Assoc. Prof. Dr. Norsiah Abdul Hamid ◽  
Dr. Sabrina Mohd Rashid
Keyword(s):  
Decision Making ◽  
Thematic Analysis ◽  
Elaboration Likelihood Model ◽  
Elaboration Likelihood ◽  
Snowball Sampling ◽  
Advertising Industry ◽  
Depth Interview ◽  
Musical Tone ◽  
Likelihood Model ◽  
Study Repetition

<p class="Default"><em>This article discuss a problem regarding the lack of using familiar music and its effect on audience decision making to buy advertised products or services. This study is to help the experts to maintain young audience focus while selling their products or services more effective using the familiar music in the advertisement content. The utilization method used for this study was in-depth interview, involved with ten informants which covered experts from academicians, advertising practitioners and musicians. It based on snowball sampling, because not all these experts have the knowledge on this issue. The Elaboration Likelihood Model was applied to show the process of decision making. Thematic analysis used to analyze two themes emerged from this study; Repetition of Musical Tone as Remembrance. This study may provide contribution in terms of ideas for music and advertising industry producing familiar catchy musical sound for their purpose.</em></p><p class="Default"> </p>

Collage and the Anxiety of Self-description: Blood and Guts in High School

Kathy Acker ◽  
2016 ◽  
Author(s):  
Georgina Colby
Keyword(s):  
High School ◽  
Twentieth Century ◽  
The Novel ◽  
Original Manuscript ◽  
Poetic Function ◽  
1960S And 1970S ◽  
The 1960S ◽  
Materiality Of The Text ◽  
The Voice

Chapter 2 addresses Acker’s practice of collage, and the anxiety of self-description. Blood and Guts in High School is positioned in relation to both the Dadaist collage and montage practices of artists such as Hannah Höch at the beginning of the twentieth century, and the subversive publications of the 1960s and 1970s: mimeographed magazines, and the punk and post-punk medium of Xeroxed publications. The original manuscript of Blood and Guts in High School housed in the archive possesses a different materiality to the published version of the novel. The materiality of the text in its collage and typographic experimentation is situated in a counter position to the language and hegemonic discourses within which Janey, the voice of the text, is imprisoned. Drawing on Acker’s practices of illegibility, and Denise Riley’s work on language and affect, the chapter argues that Blood and Guts in High School, through its experimental form, reveals the anxiety of self-description that Janey experiences within conventional language structures. Illustration, experimental typography, non-referential language, and the use of the poetic, function in Blood and Guts in High School as sites of an alternate language that emerges through compositional form and experimental forms of iteration.

scholarly journals Positive Politeness Principle In The Movie “The Last Song” By Nicholas Spark

HUMANIS ◽  
2018 ◽  
pp. 683
Author(s):  
I Made Andre Riana Putra ◽  
I Nyoman Tri Ediwan ◽  
I Komang Sumaryana
Keyword(s):  
Social Status ◽  
Language Function ◽  
Source Method ◽  
Poetic Function ◽  
Data Source ◽  
Romantic Drama

The title of this study is Positive Politeness Principle in “The Last Song” movie by Nicholas Spark this study is aimed at finding out the positive politeness principle in romantic drama movie and tries to analyze kinds of politeness principle and discusses about the polite expression in terms of language function and factors of politeness principle that influence in positive politeness principle The Last Song movie. The analysis of this study concern with the utterances of Politeness Principle. The methods employed can be classified into four kinds: data source, method and technique of collecting data, method and technique of analyzing data and method and technique of presenting data. The data were collected of this research is started by watching a movie entitled The Last Song which is produced by Nicholas Sparks (2010), reading the script The Last Song movie and taking note in some parts of the conversation that related between the main characters and other characters of the movie which is shown the kinds of polite expression and factors that influence in politeness principle. The data was analyzed based on theory of politeness which proposed by Holmes (1992), Wardhaugh (1986) and Dell Hymes (1974). The results show of analyzing data, it is found that kind of politeness principle were applied by polite expression in terms of speech function were found in The Last Song movie that were expressive, directive, phatic, metalinguis, referential and poetic function. then the four factors that influenced in politeness principle were sex (gender), age, social status and education.

scholarly journals The Analysis of Code Switching Found In the Novel “Critical Eleven”

HUMANIS ◽  
2019 ◽  
pp. 57
Author(s):  
A.A. Tri Anggarukma K D ◽  
I Gede Putu Sudana ◽  
I Made Winaya
Keyword(s):  
Group Identity ◽  
Lexical Item ◽  
Code Switching ◽  
The Novel ◽  
Expressive Function ◽  
Poetic Function ◽  
Directive Function ◽  
Referential Function

This paper is entitled “The Analysis Code Switching Found in The Novel “Critical Eleven”. The aims of this study  are to describe the types, function and to the analyse reasons of code switching used by the novelist. The data  in this study were taken from all chapters of the novel entitled “Critical Eleven”by Ika Natassa. Firstly, the code switching that occurs in novel were identified and then they were classified and analyzed based on their types, function, and reasons of code switching. The collected data were analyzed  using three theories;  first the theory by Poplack as the main theory used in this study; this theory was used to analyze the three types of code swtching, they are: Tag Switching, Inter-Sentental Switching, Intra-Sentential Switching. The second theory proposed by Apple and Muyken was used to anlyze the function of code switching. They divided the functions into six categories, which are: Referential Function, Directive Function, Expressive Function, Phatic Function, Metalinguistic Function, Poetic Function. The theory proposed by Grosjean was used to analyze the reason of code switching.  There are ten reasons of code switching; they are: To Fill A Linguistic Need For Lexical Item, Set Phrase, Discouse Marker Or Sentence Filler,To Continue Last Language Used (Triggering}, To Qoute Someone, To Emphasize, To Spesify Speaket Addressee, To Qualify Message: Amplify Or Emphasize, To Specify Speaker Involvement, To Mark And Emphasize Group Identity (Solidarity), To Convey Confidentially, Anger, Annoyance, To  Exclude Someone From Conversation, To Change Role Of Speaker: Rise Status, Add Authority, Show Expertise.But from the six functions of code switching  applied, there are only five functions of code switching found in the novel; they are Referential Function, Expressive Function, Phatic Function, Metalinguistic Function And Poetic Function. And based on the reasons of code switching, there were only seven which were found in the novel”Critical Eleven”; they are To Fill A Linguistic Need For Lexical Item, To Continue The Last Language Used (Triggering), To Quote Someone, Specify Addressee, To Specify Speaker Involvement, To Mark And Emphasize Group Identify (Solidarity) And To Convey Confidentially, Anger, And Annoyance.

Poetic Knowledge

2006 ◽  
Vol 23 (2-3) ◽  
pp. 199-205 ◽  
Author(s):  
Rajeev S. Patke
Keyword(s):  
Middle East ◽  
Scientific Knowledge ◽  
Cultural Relativism ◽  
The West ◽  
Rational Argument ◽  
Making Sense ◽  
Cultural Conditioning ◽  
History Of ◽  
Poetic Function

Whether poetry gives knowledge or not is a question that has been debated from a variety of perspectives, depending on how a society or a culture defines knowledge, and on the function it ascribes to poetry in relation to that definition. The civilizations of Asia and the Middle East have generally taken the line that poetry deals primarily with affects, emotions and feelings. The West has had a more complicated history of responses. One way of making sense of this history is to map rival claims as split over the idea of scientific knowledge, where it affects notions of the poetic function. The mapping, through all its manifold branches, gives clear indications that claims to knowledge – both those made on behalf of poetry, and those denied to poetry – depend more on assumptions, predispositions and cultural conditioning than on rational argument or critical debate. The resulting variety also suggests that the cultural relativism that affects such debates is unlikely to arrive at resolutions except of the contingent kind.

The Poetic Function in the Theory of Roman Jakobson

Poetics Today ◽  
1980 ◽  
Vol 2 (1a) ◽  
pp. 57 ◽  
Author(s):  
Linda R. Waugh
Keyword(s):  
Roman Jakobson ◽  
Poetic Function
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