scholarly journals Strange Encounter of the Third Kind

Author(s):  
Hess Andreas

In this paper the author takes issue with the notion of the Black Atlantic as discussed by the British scholar Paul Gilroy. While sympathising with the overall perspective it criticises Gilroy's uncritical, almost iconographic, approach to black intellectual celebrities such as W. E. B. Du Bois and C. L. R. James and particularly their discussion of Marxist tropes and communist politics.

Author(s):  
Jay Watson

As Faulkner wrote his way into the crisis of Mississippi race relations across the 1930s and 1940s, he turned with increasing frequency to the subject of slavery and the figures of black slaves. In these figures he progressively recognized what Paul Gilroy identifies as a counter-Hegelian modernity that rewrites Hegel’s master–slave dialectic along new lines. Where for Hegel the struggle for recognition between lord and bondsman was predicated on the latter’s inevitable submission to the former, Faulkner’s fictions of slavery come more nearly to evoke a black intellectual legacy in which the dialectic pivots not on the slave’s fear of death but on what Gilroy calls the turn towards death. Here death functions not as an index of despair, surrender, or flight, but as a powerful ontological resource, a revolutionary negation of Atlantic slavery whose eschatological implications point to the possibility of a freer and more just world elsewhere.


1986 ◽  
Vol 64 (5) ◽  
pp. 1027-1038 ◽  
Author(s):  
Gérald Domon ◽  
André Bouchard ◽  
Yves Bergeron ◽  
Claire Gauvin

Reciprocal factor analysis of data obtained from 70 stands in the Bois-de-Saraguay, points to drainage and succession – disturbance as the principal factors governing floristic composition. Successional vectors of the 11 most abundant tree species were also plotted on the ordination. The position of the vectors characterizes the species with regards to the two gradients which were identified. The shape of successional vectors allows the recognition of three classes. The first one includes those species showing an association pattern with other species, which hardly varies during the different growth phases. The second one groups together those with distinctly better reproduction in communities where they are scarce in the tree stratum. The third one regroups those which cannot maintain high densities in the intermediate strata of communities where they are common among trees and seedlings. However, further studies showed that the exact shape of the vectors is also related to abiotic variables, especially drainage modifications. A detailed analysis of these successional vectors allows a better understanding of what determines the occupancy of the study site by the species present. [Translated by the Journal]


2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Les Back
Keyword(s):  
Du Bois ◽  

Os sociólogos são frequentemente músicos secretos. Isso vem desde W.E.B. Du Bois e Max Weber, no século XIX, para os quais a vida musical sempre esteve entrelaçada em seu pensamento sociológico. Nos últimos tempos, têm ocorrido numerosos apelos para que a música seja usada para reimaginar a própria sociologia. Por exemplo, David Beer (2014) reivindicou uma sociologia punk – tão urgente e vital como um single do The Clash – como um antídoto para as tendências vistosas e técnicas do “rock progressivo” na disciplina mainstream. Este artigo desenvolve a ideia de fazer sociologia com música, concentrando-se nas vidas musicais ocultas dos sociólogos. Ele explora uma série de exemplos, do aprendizado de campo de Howard Becker como pianista nos clubes de jazz de Chicago e suas teorias do desvio e rotulação, ao impacto que o violão teve na compreensão de Paul Gilroy sobre as culturas da diáspora africana, à conexão entre a vida de Emma Jackson como baixista na banda de indie rock Kenickie e sua sociologia feminista DIY (Faça você mesmo). Argumenta que os sociólogos aprendem muito com a música, tanto em termos das percepções que ela produz quanto no funcionamento da cultura e da sociedade, mas também em termos de como ela sustenta nossa imaginação sociológica e nos inspira a fazer sociologia de maneira diferente.


Author(s):  
Toyin Falola

This chapter looks at African historical writing. Several intellectual currents fused to produce the emergence of modern African historiography. First, the global black intellectual movement, expressed in the politics of Pan-Africanism, argued that the knowledge of African history was key to the understanding of the past and future of black people. Second, within Africa itself, a tradition of indigenous writing had already demonstrated the richness of the continent’s history. The third current that moved writing about Africa to the mainstream academy began in the 1940s during the era of decolonization, the transfer of power from Europeans to Africans, and the creation of independent nations. The chapter then explores a key methodological innovation that emerged in African studies first but has had application in other fields—oral tradition as a pathway into pasts either largely devoid of written records or dominated by the written records of colonial occupiers.


2019 ◽  
pp. 109-130
Author(s):  
Caspar Battegay

This chapter discusses the emergence of pop music as a distinctive musical genre intended for very wide audiences and often controlled by the giants of the music business. It describes how pop is characterized by the specific conditions of religious and cultural minorities that are closely linked to African American history, such as jazz, blues, rock 'n' roll, reggae, disco music, soul, and hip hop. It also mentions the British scholar of cultural studies named Paul Gilroy, who defined the production conditions of hip hop as transnational structures of circulation and intercultural exchange. The chapter examines the relationship between the hip hop world and the real world that changed since Gilroy's observations in the 1990s. It talks about the insistence on the diasporic context of the 'Black Atlantic' and its kinship with Jewish modernity that remains pivotal to any pursuit of the diaspora in popular culture.


2021 ◽  
pp. 115-134
Author(s):  
Peter Irons

This chapter, which covers the first three decades of the twentieth century, begins with an account of the life and career of W. E. B. Du Bois, the most influential Black intellectual and social scientist of that period. A classic insider/outsider in American society, Du Bois earned a Harvard PhD in sociology and wrote a pioneering study of systemic racism in The Philadelphia Negro. He was also an outspoken activist in the Socialist Party and NAACP. Du Bois’s work placed him at the forefront of struggles against racism, especially in northern cities into which 1.5 million southern Blacks moved in the Great Migration, lured by the prospect of steady, well-paid factory jobs. These Black migrants, however, were outnumbered two to one by southern White migrants to those cities, who forced Blacks into ghettos with rundown, overcrowded housing and inferior schools. Tensions between the races intensified after World War I, sparking the “Red Summer” of 1919, with major race riots—instigated by Whites—in Washington, D.C., and Chicago, leaving dozens dead and thousand with burned-out homes. The bloodshed culminated that fall with the massacre of some two hundred Black tenant farmers and their families in the town of Elaine, Arkansas, followed two years later by another massacre, in Tulsa, Oklahoma. The decade of the 1920s offered northern Blacks little respite from the racism that kept them from escaping poverty.


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