scholarly journals Reading Across Borders: The Case of Anne Clifford’s “Popish” Books

2015 ◽  
Vol 25 (2) ◽  
pp. 27-56 ◽  
Author(s):  
Leah Knight
Keyword(s):  
Early Modern ◽  
Civil Wars ◽  
Church Of England ◽  
The State ◽  
The Political ◽  
Reading Material ◽  
The Church

This paper investigates the experiences of Anne Clifford (1590–1676) with three controversial books: the anonymous libel known as Leicester’s Commonwealth; the Jesuit Robert Parsons’ Resolution (and its Protestant adaptation by Edward Bunny); and François De Sales’ Introduction to a Devout Life. Clifford’s unorthodox choice of reading material in these cases appears to jar with ideas about what an early modern woman — loyal to the Church of England and to the state, even through the political and religious uproar of England’s civil wars — could, would, or did read: all three titles were “popish,” one was seditious, and two saw many copies burned before Clifford obtained her own. Evidence for Clifford’s reading of these works is set in the context of her own wider habits and circumstances to understand her motives for attending to such seemingly controversial materials. The paper concludes that Clifford’s attention to these books does not likely reflect any divergence from her avowed orthodoxy, and unveils the likelihood of other motives for her engagement, such as genealogical research.

Ruin the Sacred Truths

2019 ◽  
pp. 670-686
Author(s):  
John Rogers
Keyword(s):  
Church Of England ◽  
The State ◽  
The Political ◽  
Pastoral Poetry ◽  
Independent Churches ◽  
The Relationship ◽  
The Church

This chapter begins by reviewing the relationship between Milton and Marvell, but is devoted more expansively to their literary and intellectual ties. It examines the presence of Milton in Marvell’s pastoral poetry of the early 1650s where Marvell engages with the ‘Nativity Ode’, Comus, and ‘Lycidas’ but avoids reproducing the prophetic quality of Milton’s voice, hedging his allusiveness with delicate irony. The chapter also examines Marvell’s later engagement with Milton’s tolerationist treatises. Like Milton, Marvell is shaped by recent heterodox positions, but steers away from the boldness of the Miltonic vision. Where Milton asks the state to tolerate a variety of fully independent churches and religions, Marvell clings to the more conservative hope that the Church of England will merely include, or ‘comprehend’, a wider range of beliefs and believers. A political realist and a literary ironist, Marvell distances himself from the political idealism and prophetic literariness of Milton.

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

Grace and Freedom

2020 ◽  
Author(s):  
Richard A. Muller
Keyword(s):  
Early Modern ◽  
Church Of England ◽  
Roman Catholic ◽  
Reformed Theology ◽  
Divine Grace ◽  
Freedom Of The Will ◽  
Ultimate Cause ◽  
The Will ◽  
Libertarian Freedom ◽  
The Church

Grace and Freedom addresses the issue of divine grace in relation to the freedom of the will in Reformed or “Calvinist” theology in the late sixteenth and early seventeenth century with a focus on the work of the English Reformed theologian William Perkins, and his role as an apologist of the Church of England, defending its theology against Roman Catholic polemic, and specifically against the charge that Reformed theology denies human free choice. Perkins and his contemporaries affirmed that salvation occurs by grace alone and that God is the ultimate cause of all things, but they also insisted on the freedom of the human will and specifically the freedom of choice in a way that does not conform to modern notions of libertarian freedom or compatibilism. In developing this position, Perkins drew on the thought of various Reformers such as Peter Martyr Vermigli and Zacharias Ursinus, on the nuanced positions of medieval scholastics, and on several contemporary Roman Catholic representatives of the so-called second scholasticism. His work was a major contribution to early modern Reformed thought both in England and on the continent. His influence in England extended both to the Reformed heritage of the Church of England and to English Puritanism. On the Continent, his work contributed to the main lines of Reformed orthodoxy and to the piety of the Dutch Second Reformation.

The Indirectly Political Word of the Church

2018 ◽  
Author(s):  
Michael P. DeJonge
Keyword(s):  
Word Type ◽  
Specific Form ◽  
The State ◽  
Jewish Question ◽  
The Political ◽  
The World ◽  
Type 3 ◽  
The Church

This chapter continues the examination of Bonhoeffer’s first phase of resistance through an exposition of “The Church and the Jewish Question,” turning now to the modes of resistance proper to the church’s preaching office. Because such resistance involves the church speaking against the state, it appears to stand in contradiction with Bonhoeffer’s suggestion earlier in the essay that the church should not speak out against the state. This is in fact not a contradiction but rather the coherent expression of the political vision as outlined in the first several chapters of this book, which requires that the church criticize the state under certain circumstances but not others. The specific form of word examined here is the indirectly political word (type 3 resistance) by which the church reminds the messianic state of its mandate to preserve the world with neither “too little” nor “too much” order.

The Progresses, Processions, and Royal Entries of King Charles I, 1625-1642

2020 ◽  
Author(s):  
Siobhan Keenan
Keyword(s):  
Early Modern ◽  
Case Studies ◽  
Civil Wars ◽  
The Political ◽  
Cultural Significance ◽  
Archival Research ◽  
Public Display ◽  
Modern Culture ◽  
Charles I ◽  
King Charles I

The Progresses, Processions, and Royal Entries of King Charles I, 1625–1642 is the first book-length study of the history, and the political and cultural significance, of the progresses, public processions, and royal entries of Charles I. As well as offering a much fuller account of the king’s progresses and progress entertainments than currently exists, this study throws new light on one of the most vexed topics in early Stuart historiography—the question of Charles I’s accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the conflicts which culminated in the English civil wars and Charles’s overthrow. Drawing on extensive archival research, the book opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practised by Charles I. Part I explores the question of the king’s accessibility and engagement with his subjects further through case studies of Charles’s ‘great’ progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles’s royal entry on 25 November 1641. More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his people or able to deploy the power of public display to curry support for his policies as successfully as his Tudor and Stuart predecessors.

Grace and Nation: Coleridge's On the Constitution of Church and State

2007 ◽  
Vol 5 (2) ◽  
pp. 187-208
Author(s):  
Alan Gregory
Keyword(s):  
Church Of England ◽  
Church And State ◽  
The State ◽  
Christian Church ◽  
Close Attention ◽  
Classic Work ◽  
Christ Church ◽  
National Life ◽  
The Church

ABSTRACTUnderstanding Coleridge's classic work On the Constitution of Church and State requires paying close attention to the system of distinctions and relations he sets up between the state, the ‘national church’, and the ‘Christian church’. The intelligibility of these relations depends finally on Coleridge's Trinitarianism, his doctrine of ‘divine ideas’, and the subtle analogy he draws between the Church of England as both an ‘established’ church of the nation and as a Christian church and the distinction and union of divinity and humanity in Christ. Church and State opens up, in these ‘saving’ distinctions and connections, important considerations for the integrity and role of the Christian church within a religiously plural national life.

The Political Theory of the Disruption

1916 ◽  
Vol 10 (3) ◽  
pp. 437-464 ◽  
Author(s):  
Harold J. Laski
Keyword(s):  
Political Theory ◽  
Political Authority ◽  
The State ◽  
The Political ◽  
The Reformation ◽  
Secular Society ◽  
The One ◽  
Definition Of ◽  
Political Principles ◽  
The Church

“Of political principles,” says a distinguished authority, “whether they be those of order or of freedom, we must seek in religious and quasi-theological writings for the highest and most notable expressions.” No one, in truth, will deny the accuracy of this claim for those ages before the Reformation transferred the centre of political authority from church to state. What is too rarely realised is the modernism of those writings in all save form. Just as the medieval state had to fight hard for relief from ecclesiastical trammels, so does its modern exclusiveness throw the burden of a kindred struggle upon its erstwhile rival. The church, intelligibly enough, is compelled to seek the protection of its liberties lest it become no more than the religious department of an otherwise secular society. The main problem, in fact, for the political theorist is still that which lies at the root of medieval conflict. What is the definition of sovereignty? Shall the nature and personality of those groups of which the state is so formidably one be regarded as in its gift to define? Can the state tolerate alongside itself churches which avow themselves societates perfectae, claiming exemption from its jurisdiction even when, as often enough, they traverse the field over which it ploughs? Is the state but one of many, or are those many but parts of itself, the one?

‘This Romish business’ - Ritual Innovation and Parish Life in Later Nineteenth-Century Lincolnshire

1999 ◽  
Vol 35 ◽  
pp. 384-395
Author(s):  
R. W. Ambler
Keyword(s):  
Nineteenth Century ◽  
Church Of England ◽  
The State ◽  
Local Context ◽  
Holy Communion ◽  
Parish Church ◽  
The Relationship ◽  
The Church ◽  
Mixing Water

In February 1889 Edward King, Bishop of Lincoln, appeared before the court of the Archbishop of Canterbury charged with illegal practices in worship. The immediate occasion for these proceedings was the manner in which he celebrated Holy Communion at the Lincoln parish church of St Peter at Gowts on Sunday 4 December 1887. He was cited on six specific charges: the use of lighted candles on the altar; mixing water with the communion wine; adopting an eastward-facing position with his back to the congregation during the consecration; permitting the Agnus Dei to be sung after the consecration; making the sign of the cross at the absolution and benediction, and taking part in ablution by pouring water and wine into the chalice and paten after communion. Two Sundays later King had repeated some of these acts during a service at Lincoln Cathedral. As well as its intrinsic importance in defining the legality of the acts with which he was charged, the Bishop’s trial raised issues of considerable importance relating to the nature and exercise of authority within the Church of England and its relationship with the state. The acts for which King was tried had a further significance since the ways in which these and other innovations in worship were perceived, as well as the spirit in which they were ventured, also reflected the fundamental shifts which were taking place in the role of the Church of England at parish level in the second half of the nineteenth century. Their study in a local context such as Lincolnshire, part of King’s diocese, provides the opportunity to examine the relationship between changes in worship and developments in parish life in the period.

The Trocadéro

2021 ◽  
pp. 193-246
Author(s):  
Jennifer Walker
Keyword(s):  
Religious Right ◽  
The State ◽  
The Political ◽  
Religious Music ◽  
State Apparatus ◽  
French Republicanism ◽  
The Republic ◽  
Concert Programs ◽  
A Site ◽  
The Church

This chapter takes for its focus the high point of the Parisian musical season in 1900: the ten state-sponsored concerts officiels of the 1900 Exposition Universelle de Paris. As had been the case in 1878 and 1889, the goal of these concerts was to promote specifically Republican ideals through music. Yet in 1900, these ideals had transformed into a secular construction of Frenchness that absorbed Catholicism as a foundational trait of national identity. Although the Church was not represented in any official capacity either on the musical planning commission or on the concert programs themselves, the repertoire performed throughout these concerts created a narrative that centered around a sense of reconciliation between Church State. The carefully crafted vision put forth by the State relied heavily on transformations of the Church for the formation of a cohesive Republican identity such that the Church was present in its displays, theaters, and concerts in a way not seen in any previous Exposition. In the heart of Paris, the Trocadéro hosted a significant amount of explicitly religious music that, when mediated through actors deployed through the state apparatus on an international stage, transformed the Church into an integrated facet of French Republicanism that could be proudly displayed to the Exposition’s international audiences. These concerts functioned not as nostalgic emblems of a Revolutionary past nor as attacks against the political and religious right, but, rather, as a site of transformation at which the Republic co-opted Catholicism as an indispensable aspect of its own French identity.

Preambles: “But One Use”

2020 ◽  
pp. 76-86
Author(s):  
Charles Hefling
Keyword(s):  
Church Of England ◽  
Primary Sources ◽  
The Political ◽  
Book Of Common Prayer ◽  
Self Presentation ◽  
Prayer Book ◽  
Common Prayer ◽  
The Church

This chapter examines the Prayer Book’s self-presentation in its preliminary, nonliturgical prose: the two Acts of Uniformity (1559 and 1662) that define the constitution of the text and regulate its use in the Church of England; and the three prefatory essays, two of which were written by Thomas Cranmer for the original, 1549 Book of Common Prayer, and have been retained ever since. These texts are themselves primary sources that provide a preliminary context in which to understand the origins and purpose of the liturgies they precede. They outline the successive revisions of the Prayer Book, and indicate both the political and the theological dimensions of its contents.

Sign in / Sign up

Export Citation Format

Share Document