I. Expanding the Symbolic Meaning and Function of the Rites: The Evolution of Confucius Temples in Imperial China

2021 ◽  
pp. 21-57
2011 ◽  
Vol 11 (1) ◽  
pp. 165
Author(s):  
Nicola Maria Gasbarro

Esta contribuição analisa a perspectiva atual do comparativismo a partir de pressupostos metodológicos (Pettazzoni) e das conclusões (Sabbatucci) da História das Religiões Italiana. A consciência histórica e crítica da dissolução da noção universal de “religião” interroga-se sobre as possibilidades metodológicas dadas pela Antropologia Estrutural, para repensar o objeto intelectual da comparação histórico-religiosa. A noção de “ordem das ordens” pode nos ajudar a compreender as “religiões” dos outros por conta de seu sentido simbólico e de sua função como conduta prática e existencial. A História das Religiões pode levar a uma História Comparada das Civilizações; portanto, a necessidade civil é evidente. Palavras-chave: História das religiões, Antropologia, História Comparada Abstract This paper analyzes the current comparative perspective based upon methodological presuppositions (Pettazzoni) and points of arrival (Sabbatucci) in the History of Religions in Italy. Critical and historical consciousness of the dissolution of the universal notion of “religion” reflects on the methodological possibilities provided by Structural Anthropology in order to think the subject of intellectual historic-religious comparison over. The notion of “order of orders” may help our understanding of the “religions” of others through their symbolic meaning and function of practical and existential conduct. The History of Religions may thus lead to a Comparative History of Civilizations; therefore, the need for preparedness is evident. Keywords: History of Religions; Anthropology; Comparative History.


2017 ◽  
Vol 3 (2) ◽  
pp. 61-67
Author(s):  
Muhammad Zakaria Umar

Since the issuance of the "Ijtihad (command) Sultan" to the royal Sara (device), so that harmony and brotherhood (Sara Pataanguna) in Islam was manifested in the form of typical Buton house. The royal Sara's and wood carpentry experts in the kingdom based on "Ijtihad Sultan" together performed deliberations. Deliberation aimed to find a building form for the house which in accordance with the philosophy of Sara Pataanguna. The pre-Islamic Sara Pataanguna philosophy and the post-Islamic Sara Pataanguna philosophy were embodied in the concept of meaning and functional concepts in traditional Buton houses. Based on on the role-sharing functions the Butonesse traditional house divided into two types, houses of Kaomus / Walakas with public roles and houses of common Kaoumus / Walakas without public roles. This research was aimed to analyzed the philosophy and symbolic meaning on houses of the Kaomus / Walakas with public roles. The research used qualitative research with case study approach.The result concluded that the philosophy of Sara Pataanguna became the philosophy from Walakas Butonesse traditional houses, especially for the owners who holds public positions, because the Sara Pataanguuna principles  was contained in the meaning and function of the houses symbols.


2017 ◽  
Vol 3 (2) ◽  
pp. 61-67
Author(s):  
Muhammad Zakaria Umar

Since the issuance of the "Ijtihad (command) Sultan" to the royal Sara (device), so that harmony and brotherhood (Sara Pataanguna) in Islam was manifested in the form of typical Buton house. The royal Sara's and wood carpentry experts in the kingdom based on "Ijtihad Sultan" together performed deliberations. Deliberation aimed to find a building form for the house which in accordance with the philosophy of Sara Pataanguna. The pre-Islamic Sara Pataanguna philosophy and the post-Islamic Sara Pataanguna philosophy were embodied in the concept of meaning and functional concepts in traditional Buton houses. Based on on the role-sharing functions the Butonesse traditional house divided into two types, houses of Kaomus / Walakas with public roles and houses of common Kaoumus / Walakas without public roles. This research was aimed to analyzed the philosophy and symbolic meaning on houses of the Kaomus / Walakas with public roles. The research used qualitative research with case study approach.The result concluded that the philosophy of Sara Pataanguna became the philosophy from Walakas Butonesse traditional houses, especially for the owners who holds public positions, because the Sara Pataanguuna principles  was contained in the meaning and function of the houses symbols.


Author(s):  
Orsolya Száraz

The Institute of Hungarian Literary and Cultural Studies at the University of Debrecen formed a research group in 2010 in order to launch the research of Hungarian realms of memory. This paper was written within the frameworks of the research group. Its basic hypothesis is that the identification of Hungary as the Bastion of Christendom is an established part of Hungarian collective memory. This paper attempts to demonstrate the changes of this realm of memory, regarding its meaning and function, from its formation up to the present day.


Author(s):  
La Ode Sidu ◽  
La Ino ◽  
Nirmalasari

The article titled “Demonstrative Nouns of ini and aini in Muna Language.” The purpose of this article is to analyze the form, meaning, and function of ini and aini in Muna language. The method used is descriptive qualitative with distributional technique. This method is used to describe and analyze the form, meaning, and function of ini and aini. The results of the analysis found that the form of ini is a base or monomorpheme, while the form of aini is a derivative or polymorpheme which consists of morpheme a- and morpheme aini. In construction of phrase, clause, or sentence generally have the same meaning, namely ‘this’. For instance, O lambu ini damasoe and lambu aini damasoe the meaning is ‘The house will be sold.’ However, when it’s examined more closely, both forms of demonstrative ini and aini in distributional are not interchangeable. For instance, *O lambu aini damasoe dan *Lambu ini damasoe. Both of constructions are ungrammatical caused by form ini has a meaning ‘this’, while form aini means ‘which this’. The bound morpheme a- in aini has a function as a noun marker which pointed in article ini called relative noun marker. Thus, demonstrative aini can stand alone as a minor sentence in the answer sentence, e.g., Question: Hamai bokuku kabasa? ‘Where is my reading book?’ Answer: Aini! ‘This’ < (Here is it!). Demonstrative aini when substituted with ini, the construction became ungrammatical, e.g., Question: Hamai bokuku kabasa? ‘Where is my reading book?’ Answer: *ini. Hereafter, the form ini cannot be formed in more complexes, whereas the form aini can be formed again with another bound morpheme, such as: ainihakanau ‘This is me’, ainihako ‘This is you’, ainihakoomu ‘These are you’, ainihae ‘This is he’, ainihada ‘These are they’, and ainihakasami ‘These are we’.


Author(s):  
Erik Gray

Love begets poetry; poetry begets love. These two propositions have seemed evident to thinkers and poets across the Western literary tradition. Plato writes that “anyone that love touches instantly becomes a poet.” And even today, when poetry has largely disappeared from the mainstream of popular culture, it retains its romantic associations. But why should this be so—what are the connections between poetry and erotic love that lead us to associate them so strongly with one another? An examination of different theories of both love and poetry across the centuries reveals that the connection between them is not merely an accident of cultural history—the result of our having grown up hearing, or hearing about, love poetry—but something more intrinsic. Even as definitions of them have changed, the two phenomena have consistently been described in parallel terms. Love is characterized by paradox. Above all, it is both necessarily public, because interpersonal, and intensely private; hence it both requires expression and resists it. In poetry, especially lyric poetry, which features its own characteristic paradoxes and silences, love finds a natural outlet. This study considers both the theories and the love poems themselves, bringing together a wide range of examples from different eras in order to examine the major structures that love and poetry share. It does not aim to be a comprehensive history of Western love poetry, but an investigation into the meaning and function of recurrent tropes, forms, and images employed by poets to express and describe erotic love.


2011 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Samidi Khalim

Islam Kejawen here is meant as Islam as practiced in the Kingdom of Java. A reflection of Islam Kejawen can be seen in the works of literature written by the kingdom poets. This paper raises thoughts of Kraton Surakarta poet, Ngabehi Sastrawijaya, who lived during the reign of Paku Buwana III and Paku Buwana IV. The works of Sastrawijaya analyzed are Suluk Sajatining Salat and Suluk Salat Sarengat Tarekat Hakekat Makripat stored in the library of the Kingdom of Surakarta Museum, Museum Sasana Pustaka. This article analyzes the text to reveal both the meaning and function of the suluk for Islam Kejawen practice.


2014 ◽  
Vol 672-674 ◽  
pp. 1441-1446 ◽  
Author(s):  
Yu Qiang Ou ◽  
Le Feng Cheng ◽  
Jian Zhong Wen ◽  
Xuan Yu Qiu ◽  
Tao Yu

Research on reliability of distribution network has very important meaning and function to ensure the quality of power supply. This paper introduces some basic concepts of reliability in distribution network, including distribution network reliability definition, task and index. The classical reliability evaluation method was reviewed, and focused on specific distribution network, an example analysis was given, and specific reliability evaluation indexes were calculated. Finally, the future development of distribution network reliability evaluation was made a simple prospect.


1965 ◽  
Vol 60 (4) ◽  
pp. 586
Author(s):  
R. D. Huddleston ◽  
J. M. Sinclair ◽  
Mario Pei ◽  
Mitford McLeod Mathews ◽  
Leonard F. Dean ◽  
...  

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