Part Three: Markets in Sub-Saharan Africa and the Caribbean in the Colonial and Post- Colonial Period

2020 ◽  
Vol 2020 (10-3) ◽  
pp. 238-246
Author(s):  
Olga Dzhenchakova

The article considers the impact of the colonial past of some countries in sub-Saharan Africa and its effect on their development during the post-colonial period. The negative consequences of the geopolitical legacy of colonialism are shown on the example of three countries: Nigeria, the Democratic Republic of the Congo and the Republic of Angola, expressed in the emergence of conflicts in these countries based on ethno-cultural, religious and socio-economic contradictions. At the same time, the focus is made on the economic factor and the consequences of the consumer policy of the former metropolises pursuing their mercantile interests were mixed.


Urban History ◽  
2015 ◽  
Vol 43 (3) ◽  
pp. 412-434 ◽  
Author(s):  
LUCE BEECKMANS ◽  
LIORA BIGON

ABSTRACTThis article traces the planning history of two central marketplaces in sub-Saharan Africa, in Dakar and Kinshasa, from their French and Belgian colonial origins until the post-colonial period. In the (post-)colonial city, the marketplace has always been at the centre of contemporary debates on urban identity and spatial production. Using a rich variety of sources, this article makes a contribution to a neglected area of scholarship, as comparative studies on planning histories in sub-Saharan African cities are still rare. It also touches upon some key issues such as the multiple and often intricate processes of urban agency between local and foreign actors, sanitation and segregation, the different (post-)colonial planning cultures and their limits and the role of indigenous/intermediary groups in spatial contestation and reappropriation.


2010 marked the 50th anniversary of the ‘Year of Africa’. All France’s colonies in sub-Saharan Africa gained their independence in that year. This book brings together leading scholars from across the globe to review ‘Francophone Africa at Fifty’. It examines continuities from the colonial to the post-colonial period and analyses the diverse and multi-faceted legacy of French colonial rule in sub-Saharan Africa. It also reviews the decolonization of French West Africa in comparative perspective and observes how independence is remembered and commemorated fifty years on.


1996 ◽  
Vol 21 (3) ◽  
pp. 239-244
Author(s):  
Hélène Sanko

Juxtaposed these quotations, which are separated by three centuries and two continents, suggest that seventeenth-century classical French drama serves as a model for African theatre of the early post-colonial period. The first quotation is, of course, from Moliere, the Old Regime's brilliant comic writer. The second is taken from a play by Oyônô-Mbia, a contemporary dramatist from Cameroon. Given the powerful grip France held over its colonies, it is not surprising to find residual influence of France's theatrical culture on African drama. By the end of World War One, French authority in sub-Saharan Africa extended from Cape Verde to the Congo river. The Third Republic established French schools in the larger colonial towns which attracted the children of well-to-do urban families. France therefore held strong political and cultural sway over the development of African leaders and writers.


2020 ◽  
Vol 24 ◽  
Author(s):  
Anthony C Diala ◽  
Jane C Diala

ABSTRACT The fate of marriage gifts during a customary law divorce is significant for the interaction of legal orders in sub-Saharan Africa, especially in the context of scholars' fixation with conflict of laws. In analysing this fatet, this article introduces normative intersectionality as a theoretical framework for a nuanced understanding of how laws and socio-economic forces interact in post-colonial settings. Normative intersectionality rejects a legal positivist view of rights, which neglects people's adaptation of indigenous norms to socioeconomic changes. In this sense, normative intersectionality is useful for addressing the traditional Igbo law of matrimonial property, which regards a married woman's property rights as subsumed in her husband's rights. Using the division of marriage gifts in Southern Nigeria as a case study, the article draws attention to how legal orders speak to, rather than against, each other, and in so doing, stresses the adaptive character of indigenous laws. It argues that normative intersectionality illumines the interplay of gender equality, property rights and legal pluralism. Accordingly, it urges judges to use the imitative nature of legal pluralism in post-colonial settings to remedy entrenched systems of injustice and inequality, which often hide under the banner of tradition. Keywords: Adaptive legal pluralism, marriage gifts, African customary law, matrimonial property rights.


Author(s):  
Rhys Jenkins

By way of conclusion, this chapter focusses on two issues. The first is how China’s relations with Sub-Saharan Africa (SSA) and Latin America and the Caribbean (LAC) are likely to be affected in the future by recent changes in the Chinese economy and its internationalization. Since 2012, the Chinese economy has been characterized by a ‘New Normal’ of slower economic growth and a rebalancing of the economy towards increased domestic consumption and less reliance on investment and exports. China also launched the One Belt, One Road (OBOR) initiative in 2013, which seeks to link China with other Asian countries and Europe through major investment projects. The second issue concerns the continuing tensions that derive from the asymmetric economic relations between China and the two regions and whether steps will be taken to resolve them.


2010 ◽  
Vol 45 (3) ◽  
pp. 147-159 ◽  
Author(s):  
Cassis Kilian

The history of African film began in the 1960s with the independence of the colonies. Despite all kinds of political and economic difficulties, numerous films have been made since then, featuring wide-ranging processes of consolidation, differentiation and transformation which were characteristic of post-colonial sub-Saharan Africa. However, these feature films should not merely be viewed as back references to specifically African problems. The glimmering fictions are imagination spaces. They preserve ideas about how the post-colonial circumstances should be approached. Seen from this perspective, the history of African film may be studied as a history of African utopias.


2016 ◽  
Vol 18 (1) ◽  
pp. 3-33
Author(s):  
Foluke Ifejola Ipinyomi

The legal nature of international law is uncertain, despite being the foundation of the international community. Its non-universality questions the cohesion and efficacy of the international community. The international community operates as an exclusive club, coalescing around certain shared values, like liberal democracy and free market economy. Sub-Saharan Africa is usually excluded from being an active part of the international community due to differing values; a shared understanding of community which conflicts with the shared values of the core of the international community. Furthermore, their post-colonial nature deters African states from choosing their own path or adopting the norms of the ‘international community.’ A paradigmatic shift in research into sub-Saharan Africa and the international community is necessary to ensure a truly effective international community and wider observance of international law.


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