Aggressive Language in Literature: A Pragmatic Approach

Aggression is a negative form of an anti-social behavior. It is produced because of a particular reason, desire, want, need, or due to the psychological state of the aggressor. It injures others physically or psychologically. Aggressive behaviors in human interactions cause discomfort and disharmony among interlocutors. The paper aims to identify how aggressive language manifests itself in the data under scrutiny in terms of the pragmatic paradigm. Two British literary works are the data; namely, Look Back in Anger by John Osborne (1956), and The Birthday Party by Harold Pinter (1957). This paper endeavors to answer the question of how aggressive language is represented in literature pragmatically? It is hoped to be significant to linguistic and psychological studies in that it clarifies how aggression is displayed in human communications linguistically. Qualitative and quantitative analyses are conducted to verify the findings. It ends with some concluding remarks, the most important of which are: insulting, belittling, ridiculing and threatening are prevalent speech acts; simile, hyperbole, metaphor and repetition appear due to Grice’s maxims breaching while the use of taboo words, calling names, or abusive words are the impoliteness strategies that are distinguished in the data.

John Osborne’s Luther: An Islamic Interpretation for Boosting Human Fraternity

The fictional world John Osborne builds up in Luther (1961) dramatizes Martin Luther’s spiritual journey from rooted Catholicism to emerging Protestantism. Throughout the journey, Martin’s religious tendency varies according to the belief he adheres to. This paper examines if the aspects of the Christian doctrine Martin is fed with at first and the initiatives he undertakes later on can be reinterpreted through the lens of Islam. The study tries to prove that drama can be used as a platform that enhances religious and multicultural proximity rather than distance between the western world and the Muslim community. It analyzes the Christian tenets in Luther to demonstrate how the religious values embedded in Osborne’s representation can be brought close to the principles of the Islamic doctrine. Hence, another endeavour for boosting human fraternity is presented based on picking up a modern English drama that was written sixty years ago and analyzing some of its aspects from an Islamic perspective.

Aggressive Language in Literature: A Pragmatic Approach

Aggression is a negative form of an anti-social behavior. It is produced because of a particular reason, desire, want, need, or due to the psychological state of the aggressor. It injures others physically or psychologically. Aggressive behaviors in human interactions cause discomfort and disharmony among interlocutors. The paper aims to identify how aggressive language manifests itself in the data under scrutiny in terms of the pragmatic paradigm. Two British literary works are the data; namely, Look Back in Anger by John Osborne (1956), and The Birthday Party by Harold Pinter (1957). This paper endeavors to answer the question of how aggressive language is represented in literature pragmatically? It is hoped to be significant to linguistic and psychological studies in that it clarifies how aggression is displayed in human communications linguistically. Qualitative and quantitative analyses are conducted to verify the findings. It ends with some concluding remarks, the most important of which are: insulting, belittling, ridiculing and threatening are prevalent speech acts; simile, hyperbole, metaphor and repetition appear due to Grice’s maxims breaching while the use of taboo words, calling names, or abusive words are the impoliteness strategies that are distinguished in the data.

The Censorship of British Drama 1900-1968 Volume 3

This is the third volume in a new paperback edition of Steve Nicholson’s comprehensive four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. Focusing on plays we know, plays we have forgotten, and plays which were silenced for ever, Censorship of British Drama demonstrates the extent to which censorship shaped the theatre voices of this decade. The book charts the early struggles with Royal Court writers such as John Osborne and with Joan Littlewood and Theatre Workshop; the stand-offs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain’s determination to keep homosexuality off the stage, which turned him into a laughing stock when he was unable to prevent a private theatre club in London's West End from staging a series of American plays he had banned, including Arthur Miller's A View from the Bridge and Tennessee Williams's Cat on a Hot Tin Roof; and the Lord Chamberlain’s attempts to persuade the government to give him new powers and to rewrite the law. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

Alison Porter in Look Back in Anger: Is She Responsible for her Sufferings?

John Osborne’s play Look Back in Anger is a dramatic study of a strained marriage relationship. In it Jimmy Porter is the protagonist and Alison Porter, a retired Colonel’s daughter, is the heroine. The actual action of the play is centered around Jimmy’s relationship with her. Despite his dominance, his wife Alison Porter, is the most important supporting character on whom Jimmy inflicts pain by his tirades all the time until eventually she feels she can bear no more. Later on she leaves him in her pregnant state to seek peace. After the loss of the baby she comes back to him when both have lost faith in each other. So they will go back to their previous unhealthy relationship causing her to become deplorable again. My reading of Alison Porter is that she is a suffering person though some find Jimmy a sufferer. This paper aims at assessing her sufferings and the reasons behind them.IIUC Studies Vol.10 & 11 December 2014: 65-80