Carausius and His Brothers: The Construction and Deconstruction of an Imperial Image in the Late Third Century AD

This article examines the public image of the emperor Carausius, a Roman army officer who claimed authority over Britain and parts of Gaul between 286 and 293, in opposition to Diocletian and his Tetrarchic colleagues. Carausius’ coinage celebrated his fleet, his naval prowess, and his divine support from Neptune and Oceanus. These designs were created as part of a strategy to refashion Carausius’ humble background as a sailor into a statement of imperial suitability. However, Carausius’ claims were undermined by the orators who delivered speeches in praise of his Tetrarchic rivals, Maximian and Constantius, in the years 289, 291, and 297. Their panegyrics subverted Carausius’ naval experience and claim to control the Ocean, instead portraying him as a pirate, brigand, and threat to the people of Gaul. After the reconquest of Britain, the medallions and monuments of the Tetrarchic regime commemorated their own naval success and control over the Ocean, suppressing the claims of Carausius. The propaganda campaign against Carausius was driven by the fact that he was an emperor of undistinguished origin, who had risen up through the ranks of the army, just like the Tetrarchs themselves. The emperors wished to distance themselves from their former colleague in order to discourage further rebellion from within the officer corps.

Religion and Humanity in Mesopotamian Myth and Epic

Concepts of religion and humanity form an integral component of Mesopotamian narrative literature, and these ideas are evidenced in the frequent exploration of themes involving mortality and immortality, power and authority, and creation and destruction. Through the use of plot, characterization, literary themes and techniques, and also structure, Mesopotamian myths and epics transmit religious ideas and beliefs, as well as informing on cultural identity and meaning. In both oral and written transmission, storytelling is a powerful medium for exploring ancient theology. Religious ideas are expressed in a wide array of Mesopotamian literary works, and while some features, such as the polytheistic view of the divine hierarchy, remain generally constant, different texts and “genres” show changes in focus and in the perception of the divine and the human. While deities and supernatural creatures have a prominent role in literature, Mesopotamian myth is not only concerned with theistic matters, but also with what it means to be human. It is often observed in modern scholarly works that humans, in the Babylonian Flood narrative of Atrahasis, and the creation myth of Enuma Elish, were born to serve the gods and perform their menial tasks. This is undoubtedly an important observation for the analysis of humanity and religion, yet the presentation of human/divine relations as one of simple subjection gives a misleading and superficial impression of the interaction between the mortal and divine spheres, one that is at odds with the subject’s complexity, variety, and subtlety. Myths and epics provide a multifaceted picture of a number of different types of relationships between gods and humans: even in the narrative of Atrahasis, individual deities interact with humans in different ways; there is no “one size fits all” divine connection in Mesopotamian literature. Despite a rigid hierarchy in favor of the divine, these relationships are frequently close, involving strong emotional bonds. The human/divine connection is not solely beneficial to either party, but reciprocal and often mutually rewarding. At the same time, the relations between humans and deities can be destructive and damaging—with the harm most often depicted to occur on the human side, possibly because of the vulnerability offered by mortality and the lack of supernatural abilities. Humanity is reflected in the anthropomorphic representations of deities and also the sociomorphism of their family-oriented community structure. For heroes of epic literature, the divine connection can be perilous, but also rewarding. The success of heroes in accessing divine support is frequently (but not exclusively) linked to the morality of their actions. Religion and humanity in literature concern not only deities’ interactions with humans, but also how the authors of literature conceptualized and gave meaning to the human condition. It is clear from Mesopotamian literature that close, positive relationships with the divine were important for survival and success during the human lifespan (and even beyond), yet at the same time, the answer to questions of finding meaning in mortal existence is at times presented in very human terms. Love, alongside shared human achievements and experiences, is presented in several literary sources as essential for giving meaning to the human condition.

Natural Right in Hobbes and Kant

Both Hobbes and Kant tackle the issue of natural right in a radical and controversial way. They both present systematic, secular theories of natural law in a highly religious age. Whereas Hobbes transforms natural right by placing the rational individual bent on self-preservation at the centre of political philosophy, Kant transforms natural right by putting the metaphysical presuppositions of his critical philosophy at the heart of his reasoning on politics. Neither attempts to provide an orthodox view of natural right as directly or indirectly derived from God’s commands, although subsequent to their philosophical deduction as natural rights or laws both do not entirely repudiate the idea that these rights or laws can be portrayed as having divine support.

Religious Iconography on Ancient Iranian Coins

This chapter aims to draw attention to the importance of coin iconography in the Parthian and Sasanian periods and to suggest an alternative approach to the conventional reading of the symbolism. The iconography of Iranian coins after the conquest of Alexander shows similarity with the iconography of Seleucid coins, and in both cases the king on the obverse enjoys divine support. The chapter suggests that the iconography of pre-Islamic Iranian coins must therefore be understood not as part of the Hellenistic tradition but should be seen within its Iranian/Zoroastrian context.

God met ons! Die aanspraak op Goddelike steun in ’n konfliksituasie volgens die Ou Testament

God with us! The claim of divine support in a situation of conflict, seen from an Old Testament perspective Political discussions referring to Old Testament texts in order to claim divine support for one’s views, and disqualify opposing opinions as being in conflict with the God of the Bible, are hermeneutically based on analogies between a revealed God, His representatives or laws, and ethical or political principles. A synchronic investigation of relevant Old Testament passages fully denies and opposes this hermeneutic approach, which is based on an isolation of principles or norms - with no reg ard to the only relevant actual relation to God himself. Any political identification with God or associated function must therefore be rejected as blasphemous from an Old Tes-tament perspective.