After a brief discussion of Eugene Rimmel and Septimus Piesse, two major manufacturers and promoters of Victorian perfume, this chapter provides an overview of fragrance use for the Victorians, and explores attitudes towards perfume in early and mid-Victorian fiction with special reference to the figure of the scented dandy. The second part of this chapter shows how Victorian poetry reflects the influential perfumed legacy of Romanticism and, in particular, Shelley, a key precursor for many aesthetic and decadent writers, with an illustrative reading of Edmund Gosse’s ‘Perfume’, a sonnet saturated with echoes from both Shelley and Keats. After a brief discussion of the ‘hothouse’ atmosphere of aestheticism, decadence, and the fin de siècle, the chapter concludes with reference to the aggressive reaction of male modernists, and in particular, T. S. Eliot, to a Romantic and Victorian culture seen as decadent, feminine, and perfumed.