The “Postmodern Waste Land” explores the way mining operations and other industrial processes have affected the Earth’s surface, leaving scarred mountainsides, polluted rivers, and residual poisons that will remain in the earth for centuries. Superfund sites are the subject of David T. Hanson’s photographic surveys, while Edward Burtynsky has dramatized the way the wilderness has been destroyed through oil drilling and mining. The earlier history of ecological photography is covered as well, through a discussion of the opposing strategies of mid-twentieth century environmental photography—on one hand, the representation of the exploited landscape, and on the other hand the celebration of the natural world, as in photographs of Ansel Adams.