The good ol’ days: White identity, racial nostalgia, and the perpetuation of racial extremism

A prevailing theme in White nationalist rhetoric is nostalgia for a time when Whites dominated American culture and had unchallenged status. The present research examines a form of collective nostalgia called racial nostalgia and its association with negative intergroup attitudes and extreme ideologies (White nationalism). In Studies 1 and 2, racial nostalgia was associated with higher racial identity, anti-immigrant attitudes, and White nationalism. Study 2 revealed that racial nostalgia was related to extreme ideologies, in part, through perceptions that immigrants and racial minorities posed realistic/symbolic threats. Study 3 manipulated nostalgia using a writing prompt (“America’s racial past” vs. “games of America’s past”) and an identity prime (prime vs. no prime). Racial nostalgia was higher in the racial prompt versus the games prompt condition, regardless of identity prime. Furthermore, there were significant indirect effects of the nostalgia manipulation on support for anti-immigrant policies and endorsement of White nationalism through increased racial nostalgia and its association with perceived threats. These findings show that racial nostalgia can be a maladaptive form of collective nostalgia linked to a sense of loss and threat, and can make people sympathetic to extreme racial ideologies.

Lebensraum’s Tropical Turn

In 1981 the ATF, FBI, and U.S. Customs Service agents arrested a group of American and Canadian White nationalists as they were on their way to overthrow the government of Dominica. Although seemingly improbable, the event is important because it illustrates the hegemonic nature of the relationship between the United States and Caribbean countries and, also, the globalization of White nationalist violence. In this paper I show that extant theory on White nationalism can be used to explain the White nationalist plot. In particular, I invoke the concept of Lebensraum and the fact that White nationalists espouse multiple objectives—in addition to racism—to explain their intent to subvert a Black country and to live there.

Beasts from the East

This article interrogates the figure of the Eastern European itinerant in contemporary prestige BBC drama to highlight the figure’s role in mobilizing ideas of nationhood and foreignness in Brexit-era Britain. Our critical analyses of Dracula (BBC1, 2020), Killing Eve (BBC America, 2018–), and Call the Midwife (BBC1, 2012–) show that programming that putatively celebrates British multiculturalism and diversity configures the Eastern European foreigner as a threat to idea(l)s of Britishness, by deploying this figure in strikingly similar imaginaries of contagion, deviance, and savagery. Such treatment embeds these portrayals in discourses of white nationalism that seek to manage national belonging by articulating the limits and rules of the national community as implicitly racialized terms of culture and space.

Conclusion

The concluding chapter documents the impact of the school-to-prison pipeline movement on reducing suspensions and challenging policing practices in schools. It then highlights the features that help explain the growth and success of the movement and its emerging intersectional nature—like centering the participation of people most impacted by injustice. It draws lessons from this study for reconceptualizing social justice movements as ones that “nationalize local struggles.” It considers the enduring challenges facing the movement to dismantle the school-to-prison pipeline, including the persistence of racial disparities in exclusionary discipline, tensions between local and national organizing, and the difficulties of implementing restorative alternatives that serve to transform deep-seated racialized processes. It ends with a discussion of the challenges and opportunities to building racial and educational justice movements powerful enough to fully transform entrenched systems of racial inequity and educational injustice, particularly in an era that has witnessed the rise of white nationalism.

Embodying the Nonhuman, Embracing the Alien: The Hyperbolic Strangeness of Blackness

Contemplating the techniques of white nationalism used to refuse Black ontology and deny Black belonging to the humanity of Canadian nationhood, this article considers how art imaginatively visualizes rebellion against the racist logics that regulate such denials. Exploring the function of hyperbole, this article examines the ways the willfully heightened strangeness of the extraterrestrial Afro-Astronaut and Black Muslim monster depicted in performance and visual art trouble racial matrixes through the dissonance provoked by the Other's unfamiliar display of excess.