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2021 ◽  
Vol 14 (3) ◽  
pp. v-vi
Author(s):  
Claudia Mitchell

Sometimes the evolution of an open call issue of Girlhood Studies results in something of a girls studies reader unto itself. Since this issue is packed full of criss-crossing themes based on work in several countries—Canada, Iceland, India and the US—there is just no room for editorial commentary. In its inclusion of works on intersectional feminisms and feminist and Indigenous-led critique to school-based and intergenerational interventions and the power of the visual, this issue is something of such a reader.


2021 ◽  
Vol 14 (1) ◽  
pp. 75-92
Author(s):  
Timothy Laurie ◽  
Catherine Driscoll ◽  
Liam Grealy ◽  
Shawna Tang ◽  
Grace Sharkey

This critical commentary considers the significance of Connell’s The Men and the Boys in the development of an affirmative feminist boys studies. In particular, the article asks: How can research on boys contribute to feminist research on childhood and youth, without either establishing a false equivalency with girls studies, or overstating the singularity of “the boy” across diverse cultural and historical contexts? Connell’s four-tiered account of social relations—political, economic, emotional, and symbolic—provides an important corrective to reductionist approaches to both feminism and boyhood, and this article draws on The Men and the Boys to think through contrasting sites of identity formation around boys: online cultures of “incels” (involuntary celibates); transmasculinities and the biological diversity of the category “man”; and the social power excercised within an elite Australian boys school. The article concludes by identifying contemporary challenges emerging from the heuristic model offered in The Men and the Boys.


2021 ◽  
Vol 14 (2) ◽  
pp. v-vi
Author(s):  
Claudia Mitchell

This Special Issue of Girlhood Studies: An Interdisciplinary Journal represents another milestone in the history of the journal, coming, as it does, out of the second international conference of the International Girls’ Studies Association (IGSA) that was hosted by Notre Dame University, South Bend, Indiana, in 2019. As the guest editors, Angeletta Gourdine, Mary Celeste Kearney, and Shauna Pomerantz highlight in their introduction, the conference itself and the Special Issue set in motion the type of dialogue and conversation that is crucial to challenging and changing the world of inequities and disparities experienced by girls. For a relatively new area of study that has roots in feminism and social change, critical dialogue about inclusion and exclusion and about ongoing reflexivity and questioning must surely be at the heart of girls studies. The guest editors capture this admirably when they replace the question “What is girlhood studies?” with the provocative and generative question, “What can girlhood studies be?” The articles and book reviews in this Special Issue tackle what girls studies could be in so many different ways, ranging from broadening and deepening notions of intersectionality and interdisciplinarity to ensuring a place for the article, “Where are all the Girls and Indigenous People at IGSA@ND?” co-authored by the girls who belong to the Young Indigenous Women’s Utopia group. Such an account offers a meta-analysis of the field of girlhood studies, but so did the call for the Special Issue as a whole. It is commendable that this team of co-editors assembled and curated a series of articles that reveal the very essence of the problematic that girlhood studies seeks to address.


2021 ◽  
Vol 14 (1) ◽  
pp. 75-92
Author(s):  
Timothy Laurie ◽  
Catherine Driscoll ◽  
Liam Grealy ◽  
Shawna Tang ◽  
Grace Sharkey

This critical commentary considers the significance of Connell’s The Men and the Boys in the development of an affirmative feminist boys studies. In particular, the article asks: How can research on boys contribute to feminist research on childhood and youth, without either establishing a false equivalency with girls studies, or overstating the singularity of “the boy” across diverse cultural and historical contexts? Connell’s four-tiered account of social relations—political, economic, emotional, and symbolic—provides an important corrective to reductionist approaches to both feminism and boyhood, and this article draws on The Men and the Boys to think through contrasting sites of identity formation around boys: online cultures of “incels” (involuntary celibates); transmasculinities and the biological diversity of the category “man”; and the social power excercised within an elite Australian boys school. The article concludes by identifying contemporary challenges emerging from the heuristic model offered in The Men and the Boys.


2021 ◽  
Vol 14 (1) ◽  
pp. v-vi
Author(s):  
Claudia Mitchell

I met Roxanne Harde, the guest editor of this Special Issue, at the Second International Girls Studies Association conference in 2019 when I attended the panel discussion, “Representations of Rape in Young Adult Fiction.” I recall Roxanne’s passion vividly and, indeed, the enthusiasm of all three presenters as they discussed a variety of texts in superb presentations that aligned well with Ann Smith’s notion of feminism in action in their seeing “a fictional text not only as a literary investigation into issues of concern to its author but also as the site of educational research” (2000: 245). Their papers pointed to the ways in which the analysis of how rape culture is treated in Young Adult (YA) literature, film, and the print media can take scholars and activists so much further into the issues, and, at the same time, noted the ways in which rape culture in all its manifestations as a global phenomenon has inevitably led to its becoming an everyday topic of YA fiction.


2020 ◽  
pp. 412-427
Author(s):  
Catherine W. Hollis

This chapter uses the theoretical lens of Girls’ Studies and contemporary approaches to biofiction to analyse the intergenerational dynamic within and between the work of Virginia Woolf and Lidia Yuknavitch. Dwelling on the metaphor of Woolf as the foremother of contemporary women and femme writers, this chapter reads Woolf’s autobiographical essay “A Sketch of the Past” in conversation with Yuknavitch’s memoir A Chronology of Water and Woolf’s Three Guineas with Yuknavitch’s novel The Small Backs of Children. Yuknavitch’s experimental work in autobiography and fiction continues Woolf’s unfinished project of representing the intersections of bodies, violence and creativity, especially as experienced by children and adolescents.


2020 ◽  
Vol 13 (3) ◽  
pp. 48-63
Author(s):  
Jennifer A. Thompson ◽  
Sarah L. Fraser ◽  
Rocio Macabena Perez ◽  
Charlotte Paquette ◽  
Katherine L. Frohlich

In this article, we feature photographs and cellphilms produced by 13 girls and young women (aged 13 to 19) from urban, rural, and Indigenous areas of Quebec, Canada during the COVID-19 pandemic. Framed within girls’ studies, we present girls’ and young women’s creations and co-analysis about wellbeing during a period of lockdown. We explore how girls and young women restructured their routines at home as well as negotiated motivation and the pressure to be productive. We note that girls had more time than usual for creative activities and self-discovery and that they engaged with the politics of the pandemic and advocated for collective forms of wellbeing. Importantly, girls reported that participating in this research improved their wellbeing during this lockdown.


2019 ◽  
Author(s):  
Ariane M. Balizet
Keyword(s):  

2019 ◽  
Vol 19 (4) ◽  
pp. 616-617
Author(s):  
Briony Hannell
Keyword(s):  

2018 ◽  
Vol 11 (3) ◽  
pp. v
Author(s):  
Claudia Mitchell

This Special Issue of Girlhood Studies: An Interdisciplinary Journal highlights a unique moment in history in two ways. First, it offers a collection of articles based on presentations made at the inaugural International Girls Studies Association (IGSA) conference hosted by the University of Norwich in April 2016. I thank the guest editors, Victoria Cann, Sarah Godfrey, and Helen Warner, who, in keeping alive the spirit of this amazing international event, have worked to produce a collection of articles and an interview with a filmmaker, all of which focus specifically on media as a critical axis of feminist research and activism, and the reviews editor, Marnina Gonick, for three excellent book reviews.


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