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2019 ◽  
Vol 58 (4) ◽  
pp. 256
Author(s):  
Neal Wyatt
Keyword(s):  
The Many ◽  

The CODES List is a new initiative from CODES, and the CODES List: Cookbooks is the first list in the series. This inaugural selection of essential cookbooks—announced at ALA Midwinter—highlights titles for both avid home chefs and those just learning the rewards of making a meal. The list further supports those who appreciate the many joys of reading cookbooks, even if they rarely venture into the kitchen. As judged by librarians who cooked from them and hosted book groups about them, these are the cookbooks from 2018 that will stand the test of time, become reliable favorites, and nourish readers.


2019 ◽  
Vol 17 (1) ◽  
pp. 14
Author(s):  
Samantha Cardone ◽  
Elisabeth Gattullo Marrocolla

Storytimes. STEM initiatives. Outreach visits. Book groups. Together, these services form the foundation of youth library programming. Although a mix of programs is important to year-round librarianship, one time of year stands above the rest, providing a framework to draw people into the library in numbers far exceeding the school year. We speak, of course, of the pièce de résistance of youth library programming—summer reading programs.


2018 ◽  
Vol 13 (2) ◽  
pp. 97-99 ◽  
Author(s):  
Joanne Marie Muellenbach

A Review of: Rimkeit, B.S. and Claridge, G. (2017). Peer reviewed: literary Alzheimer’s, a qualitative feasibility study of dementia-friendly book groups. New Zealand Library & Information Management Journal, 56(2), 14-22. https://figshare.com/articles/Literary_Alzheimer_s_A_qualitative_feasibility_study_of_dementia-friendly_book_groups/5715052/1   Abstract Objective – To explore how people living with dementia experience reading classic fiction in book groups and what benefits this intervention provides.  Design – Qualitative feasibility study. Setting – Day centre within a care home in the North Island of New Zealand. Subjects – Eight participants with a medical diagnosis of dementia – four community dwellers who attend day centers, and four residents of a secure dementia unit in a care home. Methods – Investigators used surveys, focus groups, and interpretative phenomenological analysis (IPA), for ideographic analysis of the data.  Main results – Following analysis of the focus book group data, three superordinate, with related subordinate, themes were found: 1) the participant as a lively reader. The participants shared childhood memories of reading and when they became adults, how they encouraged reading within the household and with their own children. Subordinate themes included: recall, liveliness of discussion, and interest in reading and book clubs; 2) the participant as guardian of the voice of Dickens. Participants believed that, when the language is simplified, the beauty and rich imagery of Dickens is lost. Subordinate themes included: oversimplifying “loses the voice of Dickens”, familiarity, and continued play on words; and 3) the participant as a discerning book reviewer. The participants offered a number of ‘dementia-friendly’ suggestions, including the use of memory aids and simplifying text. Subordinate themes were expressed as four recommendations: use cast of characters; illustrations pick up the energy of the story, but balance quantity with risk of being childish; the physical quality of the text and paper; and chunk quantity of text while keeping the style of the original author. The choice of using classic fiction that was already well known was validated by the participants, who had some preconceptions about Ebenezer Scrooge, and described him by using epithets such as mean, an old bastard, and ugly. The participants found the investigators’ adapted version to be oversimplified, as short excerpts of the original Dickens seemed to evoke emotional and aesthetic responses of appreciation. Therefore, when creating adaptations, it is important to preserve the beauty of the original writing as much as possible. Conclusion – This qualitative feasibility study has provided a better understanding of how people living with dementia experience classic fiction in shared book groups. For individuals with Alzheimer’s disease, language skills may be well-preserved until later in the disease course. For example, the focus group participants demonstrated an appreciation and command of language, as well as enthusiasm and excitement in the sharing of the original Dickens with others. They suggested the use of memory aids, such as including a cast of characters, and repeating the referent newly on each page. Participants also suggested that the adapted version be shortened, to use a large font, and to include plenty of pictures. The choice of using classic fiction was validated by the participants, as they found these tales comforting and familiar, particularly when they included such colorful characters as Ebenezer Scrooge. Finally, people living with dementia should be encouraged to enjoy books for the same reason other adults love to read – primarily for the creative process. Classic fiction may be adapted to enhance readability, but the adaptation must be done in a thoughtful manner. While memory deficits occur in Alzheimer’s disease, an appreciation of complex language may be preserved until the later disease stages.


Author(s):  
Clayton Childress
Keyword(s):  

This chapter examines how readers read their lives into Jarrettsville as the novel transitioned from the field of production to the field of reception. To read one's life into a novel means to make sense of it using the tools that one possesses. For different readers the same novel can effectively be different novels. Some readers, for example, loved Jarrettsville whereas others did not. For some, it was about love and loss; for others, it was about fear and violence. The chapter first analyzes Cornelia Nixon's intentions for Jarrettsville before discussing readers' interpretations of the novel. In particular, it explores how the character of Richard Cairnes was seen by book groups. It shows that Southern book groups most often held the complex interpretation of both holding Richard responsible for the outcome of the story while also being sympathetic to him as a character.


Author(s):  
Clayton Childress

This book follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Nixon's in the postbellum South. The book takes you behind the scenes to examine how Jarrettsville was shepherded across three interdependent fields—authoring, publishing, and reading—and how it was transformed by its journey. Along the way, it covers all aspects of the life of a book, including the author's creative process, the role of literary agents, how editors decide which books to acquire, how publishers build lists and distinguish themselves from other publishers, how they sell a book to stores and publicize it, and how authors choose their next projects. The author looks at how books get selected for the front tables in bookstores, why reviewers and readers can draw such different meanings from the same novel, and how book groups across the country make sense of a novel and what it means to them. This book reveals how decisions are made, inequalities are reproduced, and novels are built to travel in the creation, production, and consumption of culture.


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