Equivocologias leminskianas / Leminski’s equivocologies

Resumo: O artigo pretende investigar possíveis implicações entre a poética de Leminski com suas nuvens de equívocos, ecos contranarcísicos – e suas inquietações sobre o meio- ambiente, tal como se explicitam em alguns textos desde os anos 1970. A interpretação de certos poemas leminskianos exporia que tais implicações não se reduzem à eventual tematização de elementos da natureza, às vezes sublimados de modo parnasiano chic ou haicai-orientalizante. Muito pelo contrário, elas latejariam na relação que o poeta estabelece entre seus gestos (no movimento), os atritos de (dois ou mais) códigos e as vontades e ritmos da matéria. Com isso, a poesia de Leminski nos ajudaria a refinar um pensamento sobre os elos entre poesia e ecologia, linguagem e mundo, construída em diálogo com reflexões sobre esse dilema feitas por Michel Deguy (2007; 2009; 2012) e por Deborah Danowski e Eduardo Viveiros de Castro (2014).Palavras-chave: Paulo Leminski; poesia e ecologia; poesia brasileira; poesia contemporânea.Abstract: The article aims to investigate possible implications between Leminski’s poetics with its clouds of equivocities, counter-narcissistic echoes – and his concerns about the environment, as explained in some texts since the 1970s. The interpretation of some of Leminski’s poems would expose that such implications are not limited to the possible thematization of nature’s elements, sometimes sublimated in a Parnassian chic or haiku- orientalizing way. On the contrary, they would pulsate in the relationship that the poet establishes between his gestures (in the movement), the friction between (two or more) codes and the wills and rhythms of the matter. Thus, Leminski’s poetry would help us to refine a thought about the links between poetry and ecology, language and the world, built in dialogue with reflections on this dilemma made by Michel Deguy (2007; 2009; 2012) and by Déborah Danowski and Eduardo Viveiros de Castro (2014).Keywords: Paulo Leminski; Brazilian poetry; contemporary poetry.

Coronation

The lyric "Coronation" of Michel Deguy and its translation by Fabio Scotto

«The limbs and the wheel»: about Coronation by Michel Deguy

On 13 March 2020, in the magazine Po&sie, which he founded, Deguy published a text entitled Coronation. Here, the reading of the contingent viral situation and certain concomitant events made use of his particular interpretative lens aimed at the poetic fact: the continuous exorbitance of the verbal matter from the confined space of the text, and the 'oppugnance' between its inside and outside, as a gift and its antidote. The twofold meaning of the lemma corona (here explored with reference to the tradition and to the modern poets Baudelaire, Mallarmé and Valéry) leads us back to the double status of the virus: both evil and remedy. By overflowing its borders, the virus pervades the global world, becoming a metaphor for contemporary evils and at the same time urging the critical act. We are left, as Deguy notes in La Poésie n'est pas seule, with «that homeopathic vaccine, catalysis and apocalypse, which adds to the world its end, 'precipitates' its end, is the possibility of art».

Suzanne Jacob Translations from Poèmes I

Jeanine Hathaway currently enjoys professor emerita status from Wichita State University, having taught creative writing and literature there. She was a poetry mentor in Seattle Pacific University’s MFA Program. Hathaway is the author of the autobiographical novel Motherhouse (1992), the 2001 Vassar Miller Poetry Prize-winning The Self as Constellation (2002), and a chapbook, The Ex-Nun Poems (2011) HYPERLINK: https://www.jeaninehathaway.com"https://www.jeaninehathaway.com. Wilson Baldridge participated in all three international colloquia on Deguy's work (Paris, 1995; Cerisy, 2006; Bordeaux, 2011) and composed the biographical section of Les écrits de Michel Deguy (IMEC, 2002). Recumbents, his translation of Deguy’s Gisants together with the interpretive afterword by Jacques Derrida‚ "How to Name" (Wesleyan, 2005), received the 2006 PEN Award for Poetry in Translation. His list includes "Savoir, inventer" in the Grand Cahier Michel Deguy & "Lumière et révélation dans Sans retour" in Michel Deguy, l'allégresse pensive.

Minor preoccupations, major endeavors: The community of poets and painters

In Au fond des images (2003), Jean-Luc Nancy introduces concepts about the image, pertinent to understanding the minor genre of poets’ writings on painting. Nancy begins by stating that the image is sacred, clarifying that the sacred should not be confused with the religious, which is based on rituals. The sacred signifies that which is separated, excluded, distanced. The image’s attraction is derived from this, from its untouchable nature. Because of its separation from the viewer, the image inspires a desire for intimacy, and draws the spectator to it. Poets’ texts on painting constitute minor forms: prefaces to catalogs, criticism, or poems that are verbal transpositions of visual objects ( ekphrasis). These minor forms often express major preoccupations. In this essay, we address Mark Strand, Michel Deguy, Nicolas Pesquès, Yves Bonnefoy, and T. Alan Broughton from this perspective of a desire for contact in their efforts to develop their aesthetic and ethical principles through the gaze.

Cinema e educação

Resumo: O trabalho ora proposto procura pensar a relação entre Filosofia e Educação. Para tanto, se nutre de pensar essa articulação a partir da experiência em sala de aula. Uma experiência que se deu quando da necessidade de apresentação de um filme com um posterior debate em torno de questões por ele suscitadas. Palavras-chave: Liberdade. Filosofia. Educação. Cinema. Abstract: The hereby proposed work seek to think about the relationship between Philosophy and Education. For so, nurturing of thinking this articulation from the classroom experience. An experience originated from the necessity of a movie presentation followed by a debate encircling questions by it raised. Keywords: Liberty. Philosophy. Education. Cinema. REFERÊNCIAS FOGEL, Gilvan. Seminário sobre Heráclito. In: FOGEL, Gilvan. Da solidão perfeita. Petrópolis: Vozes, 1998. HAAR, Michel. A obra de arte. Rio de Janeiro: Difel, 2000. HEIDEGGER, Martin. A essência da verdade. In: HEIDEGGER, Martin. Marcas do caminho. Trad. de Enio Paulo Giachini e Ernildo Stein. Petrópolis: Vozes, 2008. HEIDEGGER, Martin. A essência do fundamento. In: HEIDEGGER, Martin. Marcas do caminho. Trad. de Enio Paulo Giachini e Ernildo Stein. Petrópolis: Vozes, 2008. HEIDEGGER, Martin. A teoria platônica da verdade. In: HEIDEGGER, Martin. Marcas do caminho. Trad. de Enio Paulo Giachini e Ernildo Stein. Petrópolis: Vozes, 2008. HEIDEGGER, Martin. Introdução a “O que é metafísica?”. In: HEIDEGGER, Martin. Marcas do caminho. Trad. de Enio Paulo Giachini e Ernildo Stein. Petrópolis: Vozes, 2008. HEIDEGGER, Martin. Posfácio a “O que é metafísica?”. In: HEIDEGGER, Martin. Marcas do caminho. Trad. de Enio Paulo Giachini e Ernildo Stein. Petrópolis: Vozes, 2008. HEIDEGGER, Martin. Que é metafísica? In: HEIDEGGER, Martin. Marcas do caminho. Trad. de Enio Paulo Giachini e Ernildo Stein. Petrópolis: Vozes, 2008. HEIDEGGER, Martin. Hölderlin et l’essence de la poesie. In: HEIDEGGER, Martin. Approche de Hölderlin. Trad. de Henry Corbin, Michel Deguy, François Fédier e Jean Launay. Paris: Gallimard, 1988. HEIDEGGER, Martin. A origem da obra de arte. Trad. de Maria da Conceição Costa. Lisboa: Edições 70, 2000. HEIDEGGER, Martin. Approche de Hölderlin. Trad. De Henry Corbin, Michel Deguy, François Fédier e Jean Launay. Paris: Gallimard, 1988. HEIDEGGER, Martin. A questão da técnica. In: HEIDEGGER, Martin. Ensaios e conferências. Trad. de Emmanuel Carneiro Leão. Petrópolis: Vozes, 2001. HEIDEGGER, Martin. Conferências e escritos filosóficos. São Paulo: Abril Cultural, 1983. (Coleção Os Pensadores). HEIDEGGER, Martin. O fim da filosofia e a tarefa do pensamento. In: HEIDEGGER, Martin. Heidegger. Tradução, introdução e notas de Ernildo Stein. São Paulo: Abril Cultural, 1979. (Coleção Os Pensadores). HEIDEGGER, Martin. Introdução à metafísica. Tradução de Emmanuel Carneiro Leão. Rio de Janeiro: Tempo Brasileiro, 1987. HEIDEGGER, Martin. Serenidade. Trad. de Maria Madalena Andrade e Olga Santos Lisboa: Instituto Piaget, 2000. HEIDEGGER, Martin. Ser e tempo. Tradução de Márcia Schuback. Petrópolis: Vozes, 2006. HEIDEGGER, Martin. Sobre o humanismo. Tradução de Emmanuel Carneiro Leão. Rio de Janeiro: Tempo Brasileiro, 1967. KANT, I. Textos Seletos. Trad. Raimundo Vier e Floriano de Souza Fernandes. Petrópolis, RJ: Vozes, 2005. LEÃO, Emmanuel Carneiro; WRUBLEWSKI, Sergio (Orgs.). Os pensadores originários: Anaximandro, Parmênides e Heráclito. Petrópolis: Vozes, 1991. NIETZSCHE, Friedrich. Assim falou Zaratustra. Trad. de Mário da Silva. Rio de Janeiro: Civilização Brasileira, 2006. ORTEGA Y GASSET, José. Missão da Universidade. Trad. de Dayse Janet L. Carnt e Helena Ferreira. Rio de Janeiro: Ed. UERJ, 1999. PLATON. Oeuvres complètes. Traduction par Émile Chambry. Paris: Garnier, 1947.

Mosaïque de présents

Michel Deguy, poète et philosophe, a publié une cinquantaine de livres (1970–2018) chez Gallimard, Seuil, Galilée et différents éditeurs. Professeur émérite à l'Université de Paris 8, il a dirigé le Collège international de philosophie de 1989 à 1992, puis présidé son Conseil d'administration de longues années. Il est le rédacteur en chef de la revue Po&sie, qu'il a fondée en 1977 aux éditions Belin. Il a reçu en 1989 le Grand Prix national de poésie, et en 2004 le Grand Prix de poésie de l'Académie française. Les titres les plus récents sont des poèmes — Poèmes et tombeau pour Yves Bonnefoy (La Robe noire, 2018); Divan amoureux (APIC, 2018); Prose du suaire, poème en vingt langues (Al Manar, 2015) — et des textes de poétique: Noir, impair et manque, dialogue avec Bénédicte Gorrillot (Argol, 2016); L'Envergure des comparses. Écologie et poétique (Hermann, 2017).