THE CONCEPT OF OBJECTIFICATION AND ITS RELATIONSHIP TO THE DESIGN CREATIVITY OF INDUSTRIAL PRODUCTS

an is considered the most strange creature in life, as he searches for everything that is familiar and known in order to refer it to a strange product or to a strange term, or almost not without strangeness, employing the latest scientific and technological techniques and creatively, so the industrial designer transforms the concept of a thing from general to private and from the concept Just into something, that is, the mental embodiment of it through its use of creative design strategies that draw the human surroundings and its relationship to things and change from the spontaneous merging of the human being with what he has transformed into his merging through objectification resulting through the transformations imposed on the industrial designer who seeks to employ scientific, technical and technological development according to an innovative strategy. The current research aims to employ design creativity in designing industrial products that depend on the concept of objectification in the process of designing and implementing them. The first topic deals with the concept of objectification among contemporary philosophers, while the second topic represents design creativity and its reflection on the objectification of the industrial product. The research also included results, conclusions, and a list of sources and references.

Editorial. A new graphic profile for FormAkademisk

In recent years, we at FormAkademisk have taken a certain approach to changing our graphic profile. Now that we have also changed the article template, which is the last piece of a puzzle that Tore André Ringvold began when he started working for FormAkademisk in 2016. He is a trained industrial designer from England and has extensive experience with graphic design and marketing communication in the advertising industry. The work began with a new logo and a new cover image for each issue. The idea behind the new graphic profile was that it should better reflect both the role and function of the journal. We have strived for the logo to be classic in terms of form, and at the same time contemporary. Each year will have its own colour, and each issue will have its own design. In the current, new template, all articles will now contain a cover image in the left corner corresponding to the number to which the article belongs. This also helps to create wholeness in the ‘system’.

Heritage as Contemporary Design: India’s Titan Watch Experience Discovered India in America

Heritage, as a concept and as a resource, is critical to a range of creative and cultural industries, today a gigantic sector of the world economy. The activities that contribute to this sector include crafts, tourism, design and fashion. In each, the challenge is often of establishing an identity that can stand out as a brand advantage within an era of globalized sameness. Abhijit Bansod is an industrial designer whose practice explores the application of heritage to market strategies including the inspiration he takes from India’s architectural heritage to help address the fiercely competitive global market for watches and timepieces. Through the collections he has created for Titan Watches, one of India’s most iconic brands, a classic heritage is transformed into a design identity that is both distinct and contemporary.

Cell Phone Origination and Electronic and Telecommunication Engineering

Today, technology is growing at a rapid pace. In future there will be huge demand for competent engineers in electronic industry to confront this demand in technology. Desires of human is being fulfilled today due to lot of specializations have been developed., industrial designer emerged another feature for the division of labor and modern industry in twentieth century. Industrial design is known for regulating the qualities. The industrial designer is responsible for the products and their impact on society and nature. Engineers would be winding in creating and preserve technology to stay ahead in competition.

The Drafted Body

The Measure of Man—a guide for industrial designers, complete with scores of anthropometric data points—features hundreds, if not thousands, of meticulously calculated measurements of various human bodies. To the industrial designer, engineer, fabricator, CAD operator, drafter, or architect the aesthetic elements of Measure of Man and its descendents should seem familiar, as they use the same visual language as the engineering drawing or architectural blueprint. After reviewing the projects themselves, the standards which their aesthetic stylings mirror, and a number of historical antecedents, I will enact a Foucauldian discourse analysis, eventually arguing that projects such as the Human Design Manual implicate the normalized and classified human body in the construction of our built world, but they also reify the power held by those with the expertise in the standardized visual language of drafting and engineering.