automobile culture
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Author(s):  
Stephen Mandrgoc ◽  
David Dunaway

During its existence from 1926 to its formal decommissioning in 1985, US Highway 66, or Route 66, came to occupy a special place in the American imagination. For a half-century and more, it symbolized American individualism, travel, and the freedom of the open road with the transformative rise of America’s automobile culture. Route 66 was an essential connection between the Midwest and the West for American commercial, military, and civilian transportation. It chained together small towns and cities across the nation as America’s “Main Street.” Following the path of older trails and railroads, Route 66 hosted travelers in many different eras: the adventurous motorist in his Ford Model A in the 1920s, the Arkies and Okies desperate for a new start in California in the 1930s, trucks carrying wartime soldiers and supplies in the 1940s, and postwar tourists and travelers from the 1950s onward. By its nature, it brought together diverse cultures of different regions, introducing Americans to the “others” that were their regional neighbors, and exposing travelers to new arts, music, foods, and traditions. It became firmly embedded in pop culture through songs, books, television, and advertisements for its attractions as America’s most famous road. Travel on Highway 66 steadily declined with the development of controlled-access interstate highways in the 1960s and 1970s. The towns and cities it connected and the many businesses and attractions dependent on its traffic and tourism protested the removal of the highway designation by the US Transportation Department in 1985, but their efforts failed. Nonetheless, revivalists who treasured the old road worked to preserve the road sections and attractions that remained, as well as founding a wide variety of organizations and donating to museums and libraries to preserve Route 66 ephemera. In the early 21st century, Route 66 is an international icon of America, traveled by fans from all over the world.


Author(s):  
Eric Avila

After World War II, the United States emerged as the world’s dominant superpower, inaugurating a golden age of prosperity and abundance. Depression and war were over, affording time to enjoy the comforts of domestic normalcy. Yet the cultural record of that moment belied the cause for optimism. “The suburbanization of American culture” describes how postwar American culture registered a new set of spatial and racial tensions and codified a new suburban way of life. It considers Hollywood’s film noir genre; the soaring popularity of television in the 1950s; the development of shopping malls and theme parks; the increasing automobile culture; the rise of pop art and rock and roll; and the American youth radicalized by the Vietnam War.


2018 ◽  
Vol 20 (1) ◽  
pp. 139
Author(s):  
Ning Yu ◽  
Yingjun Qiao ◽  
Weiguo Hu ◽  
Yanping Yang ◽  
Zhiling Chen ◽  
...  
Keyword(s):  

Urban Studies ◽  
2016 ◽  
Vol 54 (10) ◽  
pp. 2232-2248 ◽  
Author(s):  
Matthew Williams ◽  
Non Arkaraprasertkul

Shanghai continues to position itself as the financial capital of the Chinese mainland economy. The concomitant explosion in wealth, the increasing penetration of consumer culture, the in-migration of vast numbers of non-Shanghainese to the city seeking work and the dispersal of the city to the periphery all have significant implications for mobility. This research poses three questions: 1) How do people move around Shanghai? 2) Why do they move in this way? 3) How does this choice of mobility impact on their being and sense of agency? Adopting a qualitative methodology, we approach mobility as a cultural phenomenon and seek to uncover the meanings that car drivers and transit riders attach to mobility and how this impacts their life and their experience of Shanghai. We found that in spite of the fact that Shanghai now has the most extensive metro system in the world, there is a growing materially, culturally and socially embedded automobile culture. The car has a resilient symbolic appeal for the residents of Shanghai. While the automobile is enabling in some routine functions of daily life, collectively it has diminished the agency of people in Shanghai. Congestion, pollution and psychosocial pressure to buy a car portend a socially unsustainable system of mobility. While the metro enables vast numbers of individuals to perform the functions of daily life, it is becoming overcrowded and is associated with the spatial and class-based segregation of people.


Transfers ◽  
2015 ◽  
Vol 5 (3) ◽  
pp. 23-40 ◽  
Author(s):  
Rutul Joshi ◽  
Yogi Joseph

Cycles are fast disappearing from the urban landscape, popular culture, and everyday life in India. The marginalization of cycling is seen in the backdrop of an emerging automobile culture linked with rising incomes, post-liberalization and skewed notions of modernity. The continued dominance of motorized modes seeks to claim a larger share of road space mirroring the social power structure. The majority of urban cyclists in India are low-income workers or school-going children. Despite the emergence of a subculture of recreational cycling among higher-income groups, everyday cycling confronts social bias and neglect in urban policies and public projects. The rhetoric of sustainability and equity in the National Urban Transport Policy 2006 and pro-cycling initiatives in “best practice” transit projects are subverted by not building adequate enabling infrastructure. This article presents an overview of contentious issues related to cycling in Indian cities by examining the politics of inclusion and exclusion in urban policies.


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