A Comparative Study of Colour Effects on Cognitive Performance in Real-World and VR Environments

This research explores the influence of colour on cognitive performance and intellectual abilities (i.e., logical and lateral thinking abilities and people’s attention to detail) in a conventional laboratory setting and an approximately identical virtual reality (VR) environment. Comparative experiments using psychological methods were carried out in both settings to explore the impact of immersive colour experience. This work builds on earlier studies that suggest that the VR environment enhances user experiences, with results evidencing that a considered approach to colour design can trigger a positive impact on user engagement. The experiments further evaluated the positive effects of immersive colour stimuli in VR by evaluating participants’ logical and lateral thinking abilities, as well as their attention to detail. Their response time and error rate when completing each psychometric test were recorded with different hue backgrounds in both environments. The data collected from participants reveal the differential impacts of colour between the reality setting using standard colour imaging displays and in an approximately identical VR environment. Analysis of the psychometric tests shows the differential influence of colours on logical and lateral thinking abilities and people’s attention to detail between the physical environment and the VR environment. Our findings add to the data demonstrating that a well-designed immersive colour experience in VR can trigger positive user engagement and, as explored in this study, improve cognitive performance. This again positions immersive colour experience as an important design tool to be fully considered in the creation of effective VR research and applications.

Workwear will ensure safety

Workwear safety, regulatory compliance, ergonomic cut and attention to detail are the result of the work of Technoavia's designers, technologists, production workers, designers and marketers. This approach makes it possible to create world-class products in Russia.

Relationship between Parental Autistic Traits and Parenting Difficulties in a Japanese Community Sample

Background: Previous studies have suggested an association between higher levels of parental autistic traits and negative aspects of parenting; however, the domain of autistic traits specifically associated with parenting difficulties has not been investigated yet. Moreover, it remains to be determined whether this association exists even after controlling for children’s characteristics.Aims: This study examined the relationship between each domain of parental autistic traits and parenting difficulties after controlling for children’s characteristics in a Japanese community sample.Methods and Procedures: Surveys were administered to 1,373 Japanese adults who were parents to children in kindergartens, nursery schools, and elementary schools. Outcomes and Results: The results showed that parents with higher levels of autistic traits had more parenting difficulties. Even after controlling for children’s sex, age, and emotional/behavioral problems, paternal impaired communication and maternal poor attention switching, impaired communication, and lack of imagination related to higher parenting difficulties, while a higher maternal level of attention to detail was associated with lower difficulties in parenting. Conclusions and Implications: The findings of this study highlight the importance of focusing on parental autistic traits and providing appropriate parenting support considering these traits.

Development of a Consumer-Based Quality Scale for Artisan Textiles: A Study with Scarves/Shawls

Modern textile consumers are increasingly becoming more watchful of the quality of the textiles that they purchase. This has increased the need for textile producers, especially artisan textile makers (e.g., knitters, tailors, dressmakers, seamstresses, and quilters), to improve the quality of their textile products. Information on several analytical tools that are commonly used for assessing the quality of textiles is abundant, but consumer-based tools for evaluating the quality of textiles remain limited. A consumer-based artisan textile-quality scale was developed using data collected from two focus groups (Phase 1) and a consumer quantitative study, n = 196 (Phase 2). Ten scarves and shawls were evaluated in the quantitative study and analysis of variance (ANOVA) was used to determine the differences between the mean textile ratings for all the statements. Coefficient alpha (final raw alpha = 0.87) was also used to assess if the statements were consistent in the way they measured the quality of the textiles. Pearson correlation tests were used to validate the six-statement quality scale that included statements such as overall attention to detail, the fabric is durable, and stitching is even and consistent. Artisan textile makers in the USA can use this scale to better meet the functional needs of their customers. Additionally, the process that was employed in the development of the six-statement quality scale can be used by researchers in other countries to understand better the key quality characteristics of artisan as well other textile products.

Attention to detail

Why is poor quality software so widespread? Simple bugs might seem trivial, but they are very common and don’t help patient safety — they make everyone inefficient and error-prone if nothing else. Health would improve if we paid attention to digital details.

House as Autobiography: An Architectural (Mis)Translation of My Kitchen

<p><b>This research unravels and reconstructs the all-enveloping, surreal-slowness of my kitchen during Level-4 lockdown; through the intimate familiarity of the line, and the tactility of paper. In a time and place defined by the assimilation of our public and private lives, physical boundaries that ordinarily served to separate and structure, were dissolved. Within this physically smaller world, the kitchen felt relatively larger. </b></p> <p>Architecture and the kitchen (and equally, food and cooking) have long since existed within one another, both physically (in space) and etymologically. Isodore de Seville postulated that architecture first emerged in the dining hall, where the first building was made for eating. Equally, cooking and eating rely on a more-or-less solid and spatial framework.</p> <p>Within the “pseudo-fastness” of the architectural industry, drawing is a comparatively slow and contemplative practice, cultivating an attention to detail, and embodying the capacity to enhance social and historic values. Equally, the generative capacity of drawing makes it uniquely capable of creating something new, from something else. </p> <p>Just as lockdown was a recluse from the pace of everyday life, drawing is a recluse from the pace of normative architectural practice. The outcome of the research is a series of autobiographic houses, equally symptoms of the introspective experience of lockdown, and the introspective practice of drawing. </p> <p>By exploiting the subtle parallels that transcend architectural practice, language, and the kitchen (and cooking); this research makes a sensitive proposition for a design practice deeply implicated by the composition of temporal and spatial conditions from which it is conceived.</p>

EP.TU.911Analysis of the outcomes following reversal of loop ileostomy

Aims A defunctioning loop ileostomy is constructed to reduce the incidence and the consequences of anastomotic leaks following sphincter-sparing colorectal resection. Its construction and reversal may be associated with complications. The aim of this study is to present a snapshot of the outcome of reversal of loop ileostomy in a teaching general hospital. Methods All patients whose loop ileostomy was reversed in 2018 were studied. Sociodemographic and clinical data were collected. The outcomes measured were length of hospital stay, return of bowel function, morbidity and mortality. Results Nine patients had reversal of ileostomy by experienced colorectal surgeons during this period. The patients, 5 males and 4 females, had a median age of 58 years (range 20 to 77 years). The main indications for construction of a loop ileostomy were low anterior resection for rectal neoplasia (7 patients) and iatrogenic rectal perforation during hysterectomy (1 patient), and total colectomy with ileoanal pouch reservoir for ulcerative colitis (1 patient). The ileostomies were reversed between 5 to 10 months following the main operations. The postoperative stay was between 2 to 12 days. The complications included one anastomotic leak, requiring immediate re-operation, 3 wound infections and 2 incisional hernias. There were no postoperative deaths. Conclusion In this study our overall complication rate was well within the range reported in the literature, with only one patient requiring immediate re-operation. The presence of a senior colorectal surgeon at operation as well as careful attention to detail is key to keeping complications to a minimum.

House as Autobiography: An Architectural Mis(Translation) of My Kitchen

<p><b>This research unravels and reconstructs the all-enveloping, surreal-slowness of my kitchen during Level-4 lockdown; through the intimate familiarity of the line, and the tactility of paper. In a time and place defined by the assimilation of our public and private lives, physical boundaries that ordinarily served to separate and structure, were dissolved. Within this physically smaller world, the kitchen felt relatively larger. </b></p> <p>Architecture and the kitchen (and equally, food and cooking) have long since existed within one another, both physically (in space) and etymologically. Isodore de Seville postulated that architecture first emerged in the dining hall, where the first building was made for eating. Equally, cooking and eating rely on a more-or-less solid and spatial framework.</p> <p>Within the “pseudo-fastness” of the architectural industry, drawing is a comparatively slow and contemplative practice, cultivating an attention to detail, and embodying the capacity to enhance social and historic values. Equally, the generative capacity of drawing makes it uniquely capable of creating something new, from something else. </p> <p>Just as lockdown was a recluse from the pace of everyday life, drawing is a recluse from the pace of normative architectural practice. The outcome of the research is a series of autobiographic houses, equally symptoms of the introspective experience of lockdown, and the introspective practice of drawing. </p> <p>By exploiting the subtle parallels that transcend architectural practice, language, and the kitchen (and cooking); this research makes a sensitive proposition for a design practice deeply implicated by the composition of temporal and spatial conditions from which it is conceived.</p>

House as Autobiography: An Architectural Mis(Translation) of My Kitchen

<p><b>This research unravels and reconstructs the all-enveloping, surreal-slowness of my kitchen during Level-4 lockdown; through the intimate familiarity of the line, and the tactility of paper. In a time and place defined by the assimilation of our public and private lives, physical boundaries that ordinarily served to separate and structure, were dissolved. Within this physically smaller world, the kitchen felt relatively larger. </b></p> <p>Architecture and the kitchen (and equally, food and cooking) have long since existed within one another, both physically (in space) and etymologically. Isodore de Seville postulated that architecture first emerged in the dining hall, where the first building was made for eating. Equally, cooking and eating rely on a more-or-less solid and spatial framework.</p> <p>Within the “pseudo-fastness” of the architectural industry, drawing is a comparatively slow and contemplative practice, cultivating an attention to detail, and embodying the capacity to enhance social and historic values. Equally, the generative capacity of drawing makes it uniquely capable of creating something new, from something else. </p> <p>Just as lockdown was a recluse from the pace of everyday life, drawing is a recluse from the pace of normative architectural practice. The outcome of the research is a series of autobiographic houses, equally symptoms of the introspective experience of lockdown, and the introspective practice of drawing. </p> <p>By exploiting the subtle parallels that transcend architectural practice, language, and the kitchen (and cooking); this research makes a sensitive proposition for a design practice deeply implicated by the composition of temporal and spatial conditions from which it is conceived.</p>