A Somogy megyei Kisgyalán faluközössége által kedvelt népdalok és magyar nóták az elmúlt száz esztendőben

Respect for traditions is still consciousness and character-forming, which is reinforced by folk songs and Hun-garian songs. What is being said is easier and more beau-tiful with the help of the thoughts expressed by their lyrics.In order to study this, I recorded everyone’s most favored song, folk song, and sometimes ballad in my hometown, Kis-gyalán. From a methodological point of view, different ver-sions and variations of folk songs and Hungarian songs were searched. The favored songs varied based on the inhabit-ant’s occupation, character, appearance, different qualities, and also on their different abilities and orientations. Different songs were sung at a wedding, at work, at school, or even during drinking. What one wanted to let others know, s/he told them what was on his or her mind by singing. During the recall of the songs, long-unmentioned images of life also came to life.

Egyházi öltözékek, miseruhák Gölle és Kisgyalán községekben a 18–21. században

The paper was written about the church attires of the two villages of Outer-Somogy County from the 18th to the 21st century, taking into account ecclesiastical art and lo-cal history aspects. During the Counter-Reformation period, Baroque art was destined to conquer believers in the Catholic religion. A good example of this is the more than 250-year-old mass chasuble, which is a latent applied art value in Gölle. This chasuble bears several common similarities with the mass dresses from Maria Theresa ‘s embroidery workshop: it is very richly embroidered with scotch, its pattern and color are also similar. During the 19th-20th centuries not only aris-tocratic women but also peasant women embroidered mass chasubles. In these villages one can find mass chasubles with Matyo, Kalocsa and Buzsák patterns. In the case of Kis-gyalán village, we could also form a picture of the time and way of making the chasubles. The changes in the motif on the mass dresses can be well traced in the photos, from the 18th to the 21st century.

„Szignál kultúra” – Látható hangzások

The study discusses the relationship between sound and motion picture, focusing on some new hybrid art methods. The rediscovery of analog media art techniques raises interest-ing new questions today. How do the old and new techniques and thinking come together? Brief analysis of contemporary art examples makes written notions more plastic.

Avar kori ásólapátok és ásóvasalások az avar kori szállásterületről

More than three hundred agricultural tools (mostly sickles) dated to the Avar period (567-822) were found dur-ing the excavations of the last 120 years, but only a few spades discovered in the territory were ruled by the Avars. The spades were not just agricultural tools, they were also used to built different kinds of earthworks, such as graves, or construction of dwelling houses and fortifications. The new finds point out that, in the latter times ( for example in the Arpadian Age) popular wooden spades with iron edges were used besides the uniqe designed spades made fully from iron. These well-dated „spade irons” are the newer evidences of the tool-continuity between the Avar and Arpadian Period farming implements.

Késő római telep Ordacsehi határában

The sand-pit cc. 2.5 kms southeast of the settlement Ordacsehi has occasionally yielded objects referring to a Late Roman site since 1990. Based on the finds, the site was popu-lated from the last third of the 4th century through the first third of the 5th century. The special feature of the centrally located bone manufacture is that it is not situated in a major settlement or even well inside the province. The full process of the Roman age settlement, where further artefacts made of bone and antler can be found, may increase the significance of the workshop.

A kaposvári vár

Within the scope of this study I give a short account of the major scources and of the excavation led in 2019 at the Kaposvár Castle. I try to determine the building periods of the castle and its dimensions.

Helix lucorum Linnaeus 1758 (Mollusca: Gastropoda: Helicidae) elterjedése, héjalaktana Budapest XI. és XII. (Hegyvidék) kerületében

According to social media network Helix lucorumprefers hilly country. We present morphometric results for five populations of the Helix lucorum from lowland (XIth.) and hilly (XIIth) country. It has found the arithmetic mean of Helix luco-rum height (H) and width (W) expand, but globosity approxi-mately unchanged by height above see level.

A Szibenliszt Bélának készült kanászbalta

Description of a swine heard axe dedicated to Bela Szibenliszt and its connection to the named person.

Az elveszett paradicsom. A vidéki táj és vidéki élet ábrázolása a somogyi képzőművészetben a 20. század első felében I.

The depiction of Hungarian village and rural life ap-peared as a motif of outstanding significance in 20th-century painting. The representation of the hungarian village and ru-ral life appeared as an outstanding motif in the 20th century painting. The variations in the appearance of the topic are closely related to the transformations of Hungarian society in the 20th century (vagy 20th century helyett:era). The focus is on each in artistic oeuvres to depict the rural sites of civic life and to the myth of a peasant living in harmony with nature and folklorization, elsewhere a new, pantheistic one falls to cre-ate a picture of nature. In the artistic oeuvres the focus was on the representation of the civil life’s rural locations, on the myth of peasants who live in harmony with nature, more on their folklrisation and elsewhere on a new, pantheistic nature-picture creation. In the first half of the 20th century, this idyll dominates in pictorial expressions describing the concept of rurality. In the first part of the study, different variations of the depictions of the rural idyll appearing in the art of Somogy are reviewed, especially focusing on the art of József Rippl-Rónai. In the first half of the study, the different variations of rural idyll’s depictions in Somogy’s art are reviewed, espe-cially focused on József Rippl-Rónai’s works.

The Börzsöny lacewing collection I. (Neuroptera: Osmylidae, Mantispidae, Hemerobiidae, Chrysopidae, Nemopteridae, Myrmeleontidae: Ascalaphinae)

The entomological collection of László börzsöny was donated to the rippl-rónai museum (Kaposvár) in 2019. Osmylidae 2 exx. - 2 sp., mantispidae 1 ex. - 1 sp., hemerobii-dae 2 exx. - 1 sp., Chrysopidae 28 exx. - 12 sp., nemopteridae 100 exx. - 6 sp., myrmeleontidae: ascalaphinae 444 exx. - 68 sp. were identified in this collection. During the identification, 3 new synonyms were revealed namely Palparidius fascipennis(banks, 1911) (syn. n.) a new junior synonym of Palparidius capicolaPéringuey, 1910, Ululodes sinuatus banks, 1924 (syn. n.) a new junior synonym of Cordulecerus praecellens (Gers-taecker, 1885), Agrionosoma pendleburyi Fraser, 1927 (syn. n.) is a new junior synonym of Agrionosoma dohrni van der Weele, 1909. the lectotype of Suphalomitus buyssoni van der Weele, 1909 and the lectotype of Suhpalacsa donckieri navás, 1913 were designated. Several species were found as new records for the local faunas: Dielocroce chobauti (mclachlan, 1898) for Jordan; Ameropterus selysi (van der Weele, 1909) for Peru and French Guiana; Cordulecerus praecellens (Ger-staecker, 1885), Amoea arenosa (Walker, 1853) Haploglenius cuboides Jones sl. and Ululodes venezolensis van der Weele, 1909 (stat. n.) for Peru; Allocormodes junodi van der Weele, 1909 for tanzania; Ascalobyas microcerus (rambur, 1842) for belize; Protidricerus elwesii (mcLachlan, 1891) for myanmar, thailand and vietnam; Tmesibasis rothschildi van der Weele, 1907 for ethiopia; Agrionosoma dohrni van der Weele, 1909 and Agrionosoma swinhoei van der Weele, 1909 for myanmar; Encyoposis seydeli (navás, 1929) for Zambia; Glyptobasis cor-nuta Kimmins, 1949 for nepal; Libelloides sibiricus (eversmann, 1850) for mongolia; Maezous tomijankae Ábrahám, 2008 for China and vietnam; Malesianus harisi (Ábrahám, 2008) for Indonesia; Nephoneura costalis van der Weele, 1909 for Zam-bia, Ghana, Cameroon; Phalascusa vassei van der Weele, 1909 for Kenya. Zambia, namibia and Suphalomitus formosanusEsben-Petersen, 1913 for Vietnam.