John of Salisbury – who styled his Roman predecessors as Cicero noster and Seneca noster – was an avid consumer of classical texts, and in that respect he was a typical product of the Parisian schools of the twelfth century. However, his works are far more than a formulaic assemblage of pithy aphorisms pulled from the classical collections of the libraries to which he had access. Instead, they must be seen as genuine attempts to interrogate the classical world in order to find lessons for the medieval present. This is what differentiates him from many of his contemporaries, who used the classics only to add rhetorical flourishes to their works or as a source of illustrative anecdotes. John also employed these techniques, but went beyond them, engaging fully with the philosophical ideas the texts contained. His incorporation of key concepts from Stoicism places him at the apogee of the Roman Renaissance of the twelfth century, a revival that was, in part, crafted by his pen. John’s writings, however, must be seen within the context of their production; his political thought is best understood when his works are examined within the social and cultural milieux in which he was an actor. John – as cleric, advisor, Christian, scholar and exile – used classical sources to formulate a political thought that defies unitary classification. Although the ...