Many studies of the monster and monstrosity have focused on women, and most do so (at least in part) in relation to some type of visual culture. However, few have examined the appearance of monstrous women in comics in particular. Like horror films, sequential art has an abundance of monsters and fantastical beings. No less important to this volume than the sheer abundance of monsters within comics is the fact that they are often marked by gender, race, and disability in complex ways. Each chapter provides a text-critical analysis of a particular (or perhaps several) comic, manga, or graphic novel in order to ask how the monster makes meaning within the text(s) and, what it means for the monster to be coded as a woman. Further, building on the work of monster studies scholars, such as Jeffrey Jerome Cohen, Barbara Creed, Margrit Shildrick, and Julia Kristeva, each author also reflects on the various ways their analysis of the comic, and the meaning made by the monstrous woman therein, connects to the broader cultural context in question. In order to further converse with existing scholarship on monsters, on gender, and to further enable dialogue between chapters, this book is organized along a number of common themes: power, embodiment, child-bearing, childhood, and performance. Women are often called monsters. With this collection, authors use comics to try to figure out what that monstrosity means and what women, scholars, and comics have done and should do about it.