The Cultural Context of Teachers’ Work: Policy, Practice and Performance

Author(s):  
Marilyn Osborn ◽  
Elizabeth McNess
Author(s):  
Naomi A. Weiss

The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Drawing on the ancient conception of mousikē, in which words, song, dance, and instrumental accompaniment were closely linked, Naomi Weiss emphasizes the interplay of performance and imagination—the connection between the chorus’s own live singing and dancing in the theater and the images of music-making that frequently appear in their songs. Through detailed readings of four plays, she argues that the mousikē referred to and imagined in these plays is central to the progression of the dramatic action and to ancient audiences’ experiences of tragedy itself. She situates Euripides’s experimentation with the dramaturgical effects of mousikē within a broader cultural context, and in doing so, she shows how he both continues the practices of his tragic predecessors and also departs from them, reinventing traditional lyric styles and motifs for the tragic stage.


2019 ◽  

This book explores the corpus of motet cycles composed and disseminated in manuscript and printed sources of polyphony c.1470–c.1510 (including, but not limited to, the motetti missales). The different chapters investigate issues of textual and musical design, function, and performance, at the same time illuminating the rich devotional and cultural context in which this fascinating repertory flourished. About the series Since its establishment in 1933, the Schola Cantorum Basiliensis (University of Applied Sciences and Arts Northwestern Switzerland / Basel Academy of Music) has been involved in the research of historical musical practice. The series Schola Cantorum Basiliensis Scripta presents topical subjects and research results mostly in monographic form, whereby a broad spectrum of issues and presentation formats is cultivated. The publications are intended not only for specialists, but also for students and interested persons outside the immediate field, and in this way encourage an in-depth occupation with the diversity of Early Music.


2008 ◽  
Vol 12 (01) ◽  
pp. 129-140
Author(s):  
Alicia Leung ◽  
Amy L. Y. Wong ◽  
Michael N. Young

This case presents a scenario that pertains to the effective management of human resources in a Chinese cultural context where guanxi and face are of considerable importance. It depicts actual situations in detail, but the names of the organization and participants have been disguised at the request of the interviewees. The scenarios deal with issues of managerial appointments, promotion, husband-wife team in an organization, threat of resignation, effective leadership and achievement of subordinate respect and performance. Human resource management in China often requires a different approach from that espoused in the Western literature that currently dominates orthodox management theory. With China's growing economic power and the numerous foreign joint ventures in China, examining the cultural differences provides important insights for understanding the ways in which the norms and informal rules in general, and face and harmony in particular, function in Chinese organizations.


2014 ◽  
Vol 10 (20) ◽  
pp. 17-24
Author(s):  
Lisette G. Reyes Paulino

Este artículo hace una revisión de la literatura existente sobre el desarrollo de la experticia humana, especialmente aplicada a la pedagogía universitaria y su relación con la teoría sociocognitiva del aprendizaje como fuente de estrategias para el diseño de sistemas de aprendizajes y apoyo al desempeño. Las estrategias identificadas pueden adaptarse a cualquier disciplina siempre y cuando se considere el contexto social y cultural específico en el que se realiza la práctica profesional o actividad, la naturaleza de la misma y la comprensión de la etapa actual de formación y desarrollo en el que se encuentra la persona.AbstractThis article reviews the existing literature on the development of human expertise, especially applied to university pedagogy and its relationship to the sociocognitive learning theory as a source of strategies for designing learning and performance support systems. This identified strategies can be adapted to any discipline as long as the specific social and cultural context, in which professional practice or activity is performed, is considered, the nature of it, and understanding of the current stage of training and development in which the person is.


Author(s):  
Anna Nikiforova

This article is dedicated to examination of art synthesis as a phenomenon that extended to various spheres of culture and art of the XIX–XX centuries. This period marks the emergence of a different visual language and new forms of perception of artistic expression. Analysis is conducted on the  forms of implementation of the idea Gesamtkunstwerk, and their development throughout the XX century: mythologization as a peculiar method of thinking, strive to go beyond the purely artistic imagery, subjectification of the perception of time and space, creation of the organized aesthetic environment, aesthetic dimension of humanism, synthetism of mentality and universalism of the artist. Special attention is given to the historical-cultural context, from the views of the Jena Romantics and musical theory of R. Wagner to the works of the masters of Art Nouveau, avant-garde and innovators of the theatrical scenery. The author also reviews the advent of the new forms of artistic expression. The analysis of the key trends allows determining the broad sense of the idea of art synthesis for the culture: philosophy, poetry, architecture, visual arts, design, and performance. The novelty of this study consists in description of the idea of art synthesis as one of the key meaning-forming factors in the European culture of the XIX–XX centuries. The article examines the problem of performativity of modern art as the logical continuation of the evolution of forms of artistic expression. Modern theatrical and performative practices (“live” exhibitory spaces, “museum of senses”, “theater of plentitude”, exploratory theater, promenade theater, and other) can be viewed as the reconceived version of the idea of art synthesis that originated in the culture of German Romanticism.


Author(s):  
John Bosco Kakooza ◽  
Immaculate Tusiime ◽  
Hojops Odoch ◽  
Vincent Bagire

The Daily Monitor publications ran serialized articles showing the awful state of government hospitals across the country. While the Ministry of Health insists that the problem is not as bad as it is depicted, the level of service delivery in public hospitals has come under serious public scrutiny espousing the cause for concern about policy, practice and research. There should be glaring gaps in management practices as a possible explanation. In this study, we investigated impact of management decision making, structure, processes, communication and management style on hospital performance. The study has emphasized good management as the determinant of better performance of hospitals in the Ugandan context. Findings of this study challenges policy makers to strengthen management processes in addition to mobilizing financial, human and capital resources for hospitals. The study extends the debate on application of management theory with practice in the health sector in the Ugandan context.


Many studies of the monster and monstrosity have focused on women, and most do so (at least in part) in relation to some type of visual culture. However, few have examined the appearance of monstrous women in comics in particular. Like horror films, sequential art has an abundance of monsters and fantastical beings. No less important to this volume than the sheer abundance of monsters within comics is the fact that they are often marked by gender, race, and disability in complex ways. Each chapter provides a text-critical analysis of a particular (or perhaps several) comic, manga, or graphic novel in order to ask how the monster makes meaning within the text(s) and, what it means for the monster to be coded as a woman. Further, building on the work of monster studies scholars, such as Jeffrey Jerome Cohen, Barbara Creed, Margrit Shildrick, and Julia Kristeva, each author also reflects on the various ways their analysis of the comic, and the meaning made by the monstrous woman therein, connects to the broader cultural context in question. In order to further converse with existing scholarship on monsters, on gender, and to further enable dialogue between chapters, this book is organized along a number of common themes: power, embodiment, child-bearing, childhood, and performance. Women are often called monsters. With this collection, authors use comics to try to figure out what that monstrosity means and what women, scholars, and comics have done and should do about it.


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